Now available in softcover format! The story of the last tour of Buddy Holly, The Big Bopper, and Richie Valensâ and the fatal air crash that took their lives. Drawing on new documentary information, the author provides new facts about "the day the music died." With 50 photos.

The Last Tour of Buddy Holly, the 'Big Bopper' and Ritchie Valens. The tragic deaths of these three fifties Rock n Roll stars was immortalised in Don McLean's classic hit American Pie. The poignant story of the build-up to, events of, and the fall-out from the infamous 'Day The Music Died' are told here in painstaking chronological detail. A must for any serious rock n roll fan or student.

Their lives were cut brutally short...yet the legacy has on lived on for four decades. They were three of rock 'n' roll's brightest stars, touring together in a music revue that was as grueling as it was magical. Dilapidated school buses that frequently broke down and rarely had heat carried them hundreds of miles across the Midwest with its unforgiving cold. Hoping to get a decent night's sleep, a hot meal, and a chance to clean the clothes they'd been wearing for weeks, Buddy Holly chartered a plane. On February 3, 1959, Ritchie Valens, the Big Bopper, and Buddy Holly boarded a small plane bound for rock 'n' roll heaven. This is their story, told by the family members, bandmates, and witnesses who lived it. Including material not seen in the original VH1 broadcast, Behind the Music: the Day the Music Died is a compelling record of one of rock 'n' roll's defining moments.

This volume serves as an invaluable guide to key political, social, and cultural concepts of the 1950s. This volume covers the entire decade of the 1950s, from the uneasy peace following World War II to the beginnings of cultural discontent that would explode in the 1960s. It highlights key historical, social, and cultural elements of the period, including the Cold War and perceived communist threat; the birth of the middle class and establishment of consumer culture; the emergence of the civil rights movement; and the normalization of youth rebellion and rock and roll. An introduction presents the historical themes of the period, and an alphabetical encyclopedic entries relating to period-specific themes comprises the core reference material in the book. The book also contains a range of primary documents with introductions and a sample Documents Based Essay Question. Other features are a list of "Top Tips" for answering Documents Based Essay Questions, a thematically tagged chronology, and a list of specific learning objectives readers can use to gauge their working knowledge and understanding of the period.

More than 13,000 historical markers line the roadsides of Texas, giving drivers a way to sample the stories of the past. But these markers tell only part of the story. In History Ahead, Dan K. Utley and Cynthia J. Beeman introduce readers to the rich, colorful, and sometimes action-packed and humorous history behind the famous (Charles Lindbergh, Will Rogers, The Big Bopper, and jazz great Charlie Christian) and the not-so-famous (Elmer "Lumpy" Kleb, Don Pedro Jaramillo, and Carl Morene, the "music man of Schulenburg") who have left their marks on the history of Texas. They visit cotton gins, abandoned airfields, forgotten cemeteries, and former World War II alien detention camps to dig up the little-known and unsuspected narratives behind the text emblazoned on these markers. Written in an anecdotal style that presents the cultural uniqueness and rich diversity of Texas history, History Ahead includes nineteen main stories, dozens of complementary sidebars, and many never-before-published historical and contemporary photographs. History Ahead offers a rich array of local stories that interweave with the broader regional and national context, touching on themes of culture, art, music, technology, the environment, oil, aviation, and folklore, among other topics. Utley and Beeman have located these forgotten gems, polished them up to a high shine, and offered them along with convenient maps and directions to the marker sites.

This title takes a calendrical approach to illuminating the history of Latinos and life in the United States and adds more value than a simple "this day in history" through primary source excerpts and resources for further research. Latino/a history has been relatively slow in gaining recognition despite the population's rich and varied history. Engaging and informative, Latino History Day by Day: A Reference Guide to Events will help address that oversight. Much more than just a "this-day-in-history" list, the guide describes important events in Latino/a history, augmenting many entries with a brief excerpt from a primary document. All entries include two annotated books and websites as key resources for follow up. The day-to-day reference is organized by the 365 days of the year with each day drawing from events that span several hundred years of Latino/a history, from Mexican Americans to Puerto Ricans to Cuban Americans. With this guide in hand, teachers will be able to more easily incorporate Latino/a history into their classes. Students will find the book an easy-to-use guide to the Latino/a past and an ideal starting place for research.

Global Popular Music: A Research and Information Guide offers an essential annotated bibliography of scholarship on popular music around the world in a two-volume set. Featuring a broad range of subjects, people, cultures, and geographic areas, and spanning musical genres such as traditional, folk, jazz, rock, reggae, samba, rai, punk, hip-hop, and many more, this guide highlights different approaches and discussions within global popular music research. This research guide is comprehensive in scope, providing a vital resource for scholars and students approaching the vast amount of publications on popular music studies and popular music traditions around the world. Thorough cross-referencing and robust indexes of genres, places, names, and subjects make the guide easy to use. Volume 2, Transnational Discourses of Global Popular Music Studies, covers the geographical areas of North America: United States and Canada; Central America, Caribbean, and South America/Latin America; Europe; Africa and Middle East; Asia; and areas of Oceania: Aotearoa/New Zealand, Australia, and Pacific Islands. It provides over twenty-four hundred annotated bibliographic entries covering discourses of extensive research that extend beyond the borders of the United States and includes annotated entries to books, book series, book chapters, edited volumes, special documentaries and programming, scholarly journal essays, and other resources that focus on the creative and artistic flows of global popular music.