DigiCat Publishing presents to you this special edition of "The Day of the Locust" by Nathanael West. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Two classic short stories, one about a male reporter who writes an advice column, and the other, about people who have migrated to California in expectation of health and ease.

" . . . A novel about an autistic boy whose drawings represent something much deeper than even the doctors who study can grasp; his father, serving 25 to life for murder; his mother, trying to hold herself together and fix her broken child. It's a supernatural journey of crime and punishment, retribution and redemption that ultimately leads to a father saving his son, a mother connecting with her child, and an American family reclaiming itself"--

Seminar paper from the year 2001 in the subject American Studies - Comparative Literature, grade: 1,3, University of Augsburg (Lehrstuhl für Amerikanistik), course: Proseminar: Novels of the American Modernism, language: English, abstract: Although Nathanael West’s novel The Day of the Locust did not receive much attention when published in 1939, it is today considered one of the best and most revealing novels about Hollywood. Its reviews are outstanding and it has therefore become one of the landmarks in American writing. The Day of the Locust demonstrates the fragility of the American Dream and presents it from various perspectives. It points out the cruel world of film industry using devices of irony and satire. Therefore it resembles a “nightmare vision of humanity destroyed by its obsession with film”. West took the title of the novel from the Bible. In Revelation, people turn into locusts in order to follow their aim of destroying the whole world. They do not kill immediately, though, but only sting and hurt in order to let their victims die slowly. These locusts can be compared to the film industry in Hollywood which also exploits and slowly kills its people. Besides, in the Bible Jeremiah prophesies a necessary ending of the world which ought to lead mankind to a new life and a rebirth. In the novel, this image is taken up again. This aspect will be thoroughly discussed later, though. The concept of apocalypse can be found throughout the novel and beside violence and decadence, the devaluation of love is a prominent theme, too. West illustrates the moral decay of characters on the fringe of the entertainment industry, that are Homer Simpson, Faye Greener and Tod Hackett. Each character has come to California seeking fame or health in the shining city Los Angeles, and each suffers from his or her own history of desperation and shattered dreams. Producers had already thought about turning West’s novel into a film in the early 1950’s. As they feared that most of the satirical view would get lost, however, the film was not shot until 1974, when the famous director John Schlesinger committed himself to the adaptation. [...] This survey focuses on the translation from novel to film, compares and contrasts differences, and reveals the different perspectives of the characters. Furthermore, it will both examine the use of film techniques in Schlesinger’s adaptation and the meaning of symbolism in the film. Last but not least, a few commonly invoked critical viewpoints of the film will be discussed.

In this “absolutely brilliant, tension-filled tour de force” (Brad Thor) from New York Times bestselling author Terry Hayes, CIA spy Kane confronts an evil that could bring the world to a cataclysmic end. If, like Kane, you’re a Denied Access Area spy for the CIA, then boundaries have no meaning. Your function is to go in, do whatever is required, and get out again—by whatever means necessary. You know when to run, when to hide—and when to shoot. But some places don’t play by the rules. Some places are too dangerous, even for a man of Kane’s experience. The badlands where the borders of Pakistan, Iran, and Afghanistan meet are such a place—a place where violence is the only way to survive. Kane travels there to exfiltrate a man with vital information for the safety of the West—but instead he meets an adversary who will take the world to the brink of extinction. A frightening, clever, vicious man with blood on his hands and vengeance in his heart.

A plague of everyday violence lies beneath the surface of the world's poorest communities. Common violence-- like rape, forced labor, illegal detention, land theft, police abuse and other brutality-- has become routine and relentless. Basic public justice systems in the developing world have descended into a state of utter collapse. Haugen and Boutros offer a searing account of how we got here-- and what it will take to end the plague.

"A primer for Big Bad City disillusionment, unsparing in its portrayal of New York's debilitating entropy."—The Village Voice. With a new introduction by Jonathan Lethem. First published in 1933, Miss Lonelyhearts remains one of the most shocking works of 20th century American literature, as unnerving as a glob of black bile vomited up at a church social: empty, blasphemous, and horrific. Set in New York during the Depression and probably West's most powerful work, Miss Lonelyhearts concerns a nameless man assigned to produce a newspaper advice column — but as time passes he begins to break under the endless misery of those who write in, begging him for advice. Unable to find answers, and with his shaky Christianity ridiculed to razor-edged shards by his poisonous editor, he tumbles into alcoholism and a madness fueled by his own spiritual emptiness. During his years in Hollywood West wrote The Day of the Locust, a study of the fragility of illusion. Many critics consider it with F. Scott Fitzgerald's unfinished masterpiece The Last Tycoon (1941) among the best novels written about Hollywood. Set in Hollywood during the Depression, the narrator, Tod Hackett, comes to California in the hope of a career as a painter for movie backdrops but soon joins the disenchanted second-rate actors, technicians, laborers and other characters living on the fringes of the movie industry. Tod tries to seduce Faye Greener; she is seventeen. Her protector is an old man named Homer Simpson. Tod finds work on a film called prophetically “The Burning of Los Angeles,” and the dark comic tale ends in an apocalyptic mob riot outside a Hollywood premiere, as the system runs out of control.

As a teenager, he makes two failed attempts to run away from the orphanage."

Throughout the nineteenth century, swarms of locusts regularly swept across the continent, turning noon into dusk, demolishing farm communities, and bringing trains to a halt as the crushed bodies of insects greased the rails. In 1876, the U.S. Congress declared the locust "the single greatest impediment to the settlement of the country." From the Dakotas to Texas, from California to Iowa, the swarms pushed thousands of settlers to the brink of starvation, prompting the federal government to enlist some of the greatest scientific minds of the day and thereby jumpstarting the fledgling science of entomology. Over the next few decades, the Rocky Mountain locust suddenly -- and mysteriously -- vanished. A century later, Jeffrey Lockwood set out to discover why. Unconvinced by the reigning theories, he searched for new evidence in musty books, crumbling maps, and crevassed glaciers, eventually piecing together the elusive answer: A group of early settlers unwittingly destroyed the locust's sanctuaries just as the insect was experiencing a natural population crash. Drawing on historical accounts and modern science, Locust brings to life the cultural, economic, and political forces at work in America in the late-nineteenth century, even as it solves one of the greatest ecological mysteries of our time.

Kai and Caleb Goodacre have been kidnapped just as rumors of a cult sweeping across the reservation leads Maggie and Hastiin to investigate an outpost, and what they find there will challenge everything they’ve come to know in this “badass” (The New York Times) action-packed sequel to Trail of Lightning. It’s been four weeks since the bloody showdown at Black Mesa, and Maggie Hoskie, Diné monster hunter, is trying to make the best of things. Only her latest bounty hunt has gone sideways, she’s lost her only friend, Kai Arviso, and she’s somehow found herself responsible for a girl with a strange clan power. Then the Goodacre twins show up at Maggie’s door with the news that Kai and the youngest Goodacre, Caleb, have fallen in with a mysterious cult, led by a figure out of Navajo legend called the White Locust. The Goodacres are convinced that Kai’s a true believer, but Maggie suspects there’s more to Kai’s new faith than meets the eye. She vows to track down the White Locust, then rescue Kai and make things right between them. Her search leads her beyond the Walls of Dinétah and straight into the horrors of the Big Water world outside. With the aid of a motley collection of allies, Maggie must battle body harvesters, newborn casino gods and, ultimately, the White Locust himself. But the cult leader is nothing like she suspected, and Kai might not need rescuing after all. When the full scope of the White Locust’s plans are revealed, Maggie’s burgeoning trust in her friends, and herself, will be pushed to the breaking point, and not everyone will survive.