During the 1990s, two Connecticut Indian tribes opened the world's two biggest gambling casinos in the southeastern corner of the state, resulting in what has been termed a "gambling Chernobyl."The Curse is a novel based on those events.It begins in 1637 with the massacre of the Pequot Indians and a curse delivered by a Pequot sachem to the young English soldier who is about to kill him. The story then jumps 350 years as the soldier's thirteenth-generation descendant, Josh Williams, becomes embroiled in a battle to stop a newly-minted Indian tribe from building a third casino that threatens his town and ancestral home. The lure of easy money drives everyone from the tribe's fraudulent chief to a shadowy Miami billionaire, venal politicians, and Providence mobsters, while a small, quintessential New England town must choose between preserving its character or accepting an extraordinary proposal that will change it forever. As the battle over the casino reaches a climax, Josh discovers startling truths about his family's past--including centuries-old events that appear to be impacting the present with devastating effect.

"In its hard headed, richly documented concreteness, it is worth a thousand polemics." -- New York Times, from a review of the first edition "The Curse deserves a place in every women's studies library collection." -- Sharon Golub, editor of Lifting the curse of Menstruation "A stimulating and useful book, both for the scholarly and the general reader." -- Paula A. Treichler, co-author of A Feminist Dictionary

A provocative look at the way our culture deals with menstruation. The Curse examines the culture of concealment that surrounds menstruation and the devastating impact such secrecy has on women's physical and psychological health. Karen Houppert combines reporting on the potential safety problems of sanitary products--such as dioxin-laced tampons--with an analysis of the way ads, movies, young-adult novels, and women's magazines foster a "menstrual etiquette" that leaves women more likely to tell their male colleagues about an affair than brazenly carry an unopened tampon down the hall to the bathroom. From the very beginning, industry-generated instructional films sketch out the parameters of acceptable behavior and teach young girls that bleeding is naughty, irrepressible evidence of sexuality. In the process, confident girls learn to be self-conscious teens. And the secrecy has even broader implications. Houppert argues that industry ad campaigns have effectively stymied consumer debate, research, and safety monitoring of the sanitary-protection industry. By telling girls and women how to think and talk about menstruation, the mostly male-dominated media have set a tone that shapes women's experiences for them, defining what they are allowed to feel about their periods, their bodies, and their sexuality.

From the man who coined the term "net neutrality" and who has made significant contributions to our understanding of antitrust policy and wireless communications, comes a call for tighter antitrust enforcement and an end to corporate bigness.

"Charlie stays at his family's cabin alone. Soon, things get scary, fast"--Unedited summary from book.

Crabby Boy (keep the look but make it look real not so cartoonish, complete legs and enhancing menacing claws)9. Slimey Boy (make him look like a person but dripping with slime. When conflict, he's flat, blobbish and larger in area to trap them in his blob)10. Powerful Paw-Paw (I want him to look an old man that's a human but mean and frowning)

The Curse of the Boyfriend Sweater is a memoir about life truths learned through crafting. People who craft know things. They know how to transform piles of yarn into sweaters and scarves. They know that some items, like woolen bikini tops, are better left unknit. They know that making a hat for a newborn baby isn’t just about crafting something small but appreciating the beginnings of life, which sometimes helps make peace with the endings. They know that if you knit your boyfriend a sweater, your relationship will most likely be over before the last stitch. Alanna Okun knows that crafting keeps her anxiety at bay. She knows that no one will ever be as good a knitting teacher as her beloved grandmother. And she knows that even when we can’t control anything else, we can at least control the sticks, string, and fabric right in front of us. Okun lays herself bare and takes readers into the parts of themselves they often keep hidden. Yet at the same time she finds humor in the daily indignities all crafters must face (like when you catch the dreaded Second Sock Syndrome and can’t possibly finish the second in a pair). Okun has written a book that will speak to anyone who has said to themselves, or to everyone within earshot, “I made that.”

Fans of the hapless Button family will thrill to this Civil War prequel, featuring the inimitable “Granddaddy Ike” as a boy. “Eleven is not too young for war,” Ike said to Barfoot, who swished his tail agreeably, then lumbered to the yard table and stuck his nose in an unattended pie. When a steamboat arrives heralding the news that Iowa has been called up to represent the Union of the United States of America, Ike is beside himself with excitement. For months, the promise of war has enveloped small-town Keokuk like a grand game that everyone’s in on — everyone but Ike, his swaybacked pony, and his best friend and checkers partner, Albirdie. Left behind with Mother and the aunts and girl cousins while the Button men march forth toward glory, Ike’s fate is sealed. Unless he can call on the ingenuity of his fabled (some say cursed) ancestor — the adventuresome Uncle Palmer — seek passage to Missouri disguised as a drummer boy, and meet up with the Iowa First. But some opportunities are meant to be missed. And some arrive when you least expect them.

Gandhari, the blindfolded queen-mother of the Kauravas, sees through it all... Gandhari has one day left to live. As she stares death in the face, her memories travel back to the beginning of her story, to life's unfairness at every point: A fiercely intelligent princess who wilfully blindfolded herself for the sake of her peevish, visually-impaired husband; who underwent a horrible pregnancy to mother one hundred sons, each as unworthy as the other; whose stern tapasya never earned her a place in people's hearts, nor commanded the respect that Draupadi and Kunti attained; who even today is perceived either as an ingratiatingly self-sacrificing wife or a bad mother who was unable to control her sons and was, therefore, partly responsible for the great war of the Mahabharata... In this insightful and sensitive portrayal, Aditi Banerjee rescues Gandhari from being reduced to a mere symbol of her blindfold. She builds her up, as Ved Vyasa did, as an unconventional heroine of great strength and iron will – who, when crossed, embarked upon a complex relationship with Lord Krishna, and became the queen who cursed a God...

The gripping conclusion to the acclaimed Arthurian fantasy trilogy from #1 New York Times bestselling author Kiersten White finds Guinevere questioning everything—friends and enemies, good and evil, and, most of all, herself. While journeying north toward the Dark Queen, Guinevere falls into the hands of her enemies. Behind her are Lancelot, trapped on the other side of the magical barrier they created to protect Camelot, and Arthur, who has been led away from his kingdom, chasing after false promises. But the greatest danger isn’t what lies ahead of Guinevere—it’s what’s been buried inside her. Vowing to unravel the truth of her past with or without Merlin’s help, Guinevere joins forces with the sorceress Morgana and her son, Mordred—and faces the confusing, forbidden feelings she still harbors for him. When Guinevere makes an agonizing discovery about who she is and how she came to be, she finds herself with an impossible choice: fix a terrible crime, or help prevent war. Guinevere is determined to set things right, whatever the cost. To defeat a rising evil. To remake a kingdom. To undo the mistakes of the past...even if it means destroying herself. Guinevere has been a changeling, a witch, a queen—but what does it mean to be just a girl?