This is the first collection of critical essays devoted to the writing of Dorothy Parker. Its four part organisation reflects a necessary shift away from her identity as primarily a humorist or Jazz Age literary celebrity.

This book, some 20 years after the publication of Robert W. Cox's seminal Production, Power and World Order: Social Forces in the Making of History , offers the reader an analytical and comprehensive overview of his work and illustrates the continuing relevance thereof for contemporary research.

This is a PDF based on the contents of a web site I’ve been working on for decades. I do not believe I will ever entirely finish it. But I wanted to make it available. Textual criticism is the process of recovering an ancient document from late and corrupt manuscript copies; New Testament Textual Criticism consists of trying to figure out what the New Testament originally said before scribes messed it up. Dedicated to Dr. Sally Amundson and Dr. Carol Elizabeth Anway and Lily. This version, from July 20, 2013, will probably be the last; the file is almost too large to edit.

Kenneth Waltz’s 1979 Theory of International Politics is credited with bringing about a “scientific revolution” in the study of international relations – bringing the field into a new era of systematic study. The book is also a lesson in reasoning carefully and critically. Good reasoning is exemplified by arguments that move systematically, through carefully organised stages, taking into account opposing stances and ideas as they move towards a logical conclusion. Theory of International Politics might be a textbook example of how to go about structuring an argument in this way to produce a watertight case for a particular point of view. Waltz’s book begins by testing and critiquing earlier theories of international relations, showing their strengths and weaknesses, before moving on to argue for his own stance – what has since become known as “neorealism”. His aim was “to construct a theory of international politics that remedies the defects of present theories.” And this is precisely what he did; by showing the shortcomings of the prevalent theories of international relations, Waltz was then able to import insights from sociology to create a more comprehensive and realistic theory that took full account of the strengths of old schemas while also remedying their weaknesses – reasoning out a new theory in the process.

Winner of the 2012 Andrew Carnegie Award for Excellence in Fiction "A tour de force."—Francine Prose, New York Times Book Review "A new, unapologetic kind of adultery novel. Narrated by the proverbial other woman—Gina Moynihan, a sharp, sexy, darkly funny thirtysomething IT worker—The Forgotten Waltz charts an extramarital affair from first encounter to arranged, settled, everyday domesticity…This novel’s beauty lies in Enright’s spare, poetic, off-kilter prose—at once heartbreaking and subversively funny. It’s built of starling little surprises and one fresh sentence after another. Enright captures the heady eroticism of an extramarital affair and the incendiary egomania that accompanies secret passion: For all their utter ordinariness, Sean and Gina feel like the greatest lovers who’ve ever lived." —Elle

Emotional support for those wishing to overcome an alcoholic mother's destructive influences and create a happy, fulfilled life.

Theories of international relations (IR theory) aim to both explain and inform the practice of international politics. In A Dialectical Approach to Theorizing International Relations, Andreas H. Hvidsten investigates different ways of understanding this dual nature of theory through a re-reading of the canonical theoretical literature in IR. He shows how the relation between the analytical and the critical function of theory has profound implications for studying international politics, and makes the case for a dialectical understanding of theorizing as a way of reconciling the tension between analysis and critique inherent in IR theory.

Seen as too smart, too sassy, too sexy, and too strident, female humorists have been resisted and overlooked. New York Women of Wit in the Twentieth Century corrects this tendency, focusing on the foremothers of women’s humor in modern America, who used satire, irony, and wit as indirect forms of social protest. This book focuses on the women who stood on the periphery of predominantly male New York intellectual circles in the twentieth century. Sabrina Fuchs Abrams argues that the advent of modernism, the women’s suffrage movement, the emergence of the New Woman and the New Negro Woman, and the growth of urban centers in the 1920s and ’30s gave rise to a new voice of women’s humor, one that was at once defiant and conflicted in defining female identity and the underlying assumptions about gender roles in American society. Her study gives special attention to the contributions of the satirists Edna St. Vincent Millay (pseudonym Nancy Boyd), Tess Slesinger, Dorothy Parker, Jessie Redmon Fauset, Dawn Powell, and Mary McCarthy. Grounded in theories of humor, feminist and critical race theory, and urban studies, this book will find an audience among scholars and students interested in women writers, feminist humor, modern American literature, and African American studies.