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Excerpt from The Creole, or Love's Fetters: An Original Drama, in Three Acts It was remarked also, that towards the latter end of the century, the French inhabitants cl Mauritius appeared neither independent in their circumstances, noreeeyin their minds. Though they dress and piety. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

The character of the Creole woman—the descendant of settlers or slaves brought up on the colonial frontier—is a familiar one in nineteenth-century French, British, and American literature. In Creole Crossings, Carolyn Vellenga Berman examines the use of this recurring figure in such canonical novels as Jane Eyre, Uncle Tom's Cabin, and Indiana, as well as in the antislavery discourse of the period. "Creole" in its etymological sense means "brought up domestically," and Berman shows how the campaign to reform slavery in the colonies converged with literary depictions of family life. Illuminating a literary genealogy that crosses political, familial, and linguistic lines, Creole Crossings reveals how racial, sexual, and moral boundaries continually shifted as the century's writers reflected on the realities of slavery, empire, and the home front. Berman offers compelling readings of the "domestic fiction" of Honoré de Balzac, Charlotte Brontë, Maria Edgeworth, Harriet Jacobs, George Sand, Harriet Beecher Stowe, and others, alongside travel narratives, parliamentary reports, medical texts, journalism, and encyclopedias. Focusing on a neglected social classification in both fiction and nonfiction, Creole Crossings establishes the crucial importance of the Creole character as a marker of sexual norms and national belonging.

This study throws light on a little-studied but emerging field within Irish studies: Black history. It focuses on an American-born Black Shakespearean actor, Ira Aldridge, who, to follow his vocation and escape prejudice in America, travelled to England in 1824, aged only 17. Despite some racial stereotyping, his rise to prominence in the theatrical world was meteoric. Until his premature death in 1867, he played to audiences throughout Europe—from Galway in Ireland to St Petersburg in Russia—winning plaudits and accolades, and recognition as the leading Shakespearean tragedian of the day. Aldridge was not just an actor; wherever he performed, he also delivered a message about the cruelty of enslavement and the need for Black equality. This publication focuses on Aldridge’s special relationship with Ireland and its theatrical traditions over a period of three decades.