Sebastian Münster's Cosmographia was an immensely influential book that attempted to describe the entire world across all of human history and analyse its constituent elements of geography, history, ethnography, zoology and botany. First published in 1544 it went through thirty-five editions and was published in five languages, making it one of the most important books of the Reformation period. Beginning with a biographical study of Sebastian Münster, his life and the range of his scholarly work, this book then moves on to discuss the genre of cosmography. The bulk of the book, however, deals with the Cosmographia itself, offering a close reading of the 1550 Latin edition (the last and definitive edition worked upon by Münster). By analysing the contents of the Cosmographia it attempts to recreate how the world of the sixteenth century appeared to a scholar living in Basel, and understand what he saw and heard. Through this examination of Münster, his publications and scholarly networks, the conflicts and continuities between medieval scholarly traditions and the widening horizons of the sixteenth century are explored and revealed. Of interest to scholars of humanist culture, the Reformation and book history, this ambitious work throws into relief previously overlooked aspects of the intellectual and religious culture of the time.

Geography of Claudius Ptolemy, originally titled Geographia and written in the second century, is a depiction of the geography of the Roman Empire at the time. Though inaccurate due to Ptolemy's varying methods of measurement and use of outdated data, Geography of Claudius Ptolemy is nonetheless an excellent example of ancient geographical study and scientific method. This edition contains more than 40 maps and illustrations, reproduced based on Ptolemy's original manuscript. It remains a fascinating read for students of scientific history and Greek influence. CLAUDIUS PTOLEMY (A.D. 90- A.D. 168) was a poet, mathematician, astronomer, astrologer, and geographer who wrote in Greek, though he was a Roman citizen. He is most well-known for three scientific treatises he wrote on astronomy, astrology, and geography, respectively titled Almagest, Apotelesmatika, and Geographia. His work influenced early Islamic and European studies, which in turn influenced much of the modern world. Ptolemy died in Alexandria as a member of Greek society.

Sebastian Münster's Cosmographia was an immensely influential book that attempted to describe the entire world across all of human history and analyse its constituent elements of geography, history, ethnography, zoology and botany. First published in 1544 it went through thirty-five editions and was published in five languages, making it one of the most important books of the Reformation period. Beginning with a biographical study of Sebastian Münster, his life and the range of his scholarly work, this book then moves on to discuss the genre of cosmography. The bulk of the book, however, deals with the Cosmographia itself, offering a close reading of the 1550 Latin edition (the last and definitive edition worked upon by Münster). By analysing the contents of the Cosmographia it attempts to recreate how the world of the sixteenth century appeared to a scholar living in Basel, and understand what he saw and heard. Through this examination of Münster, his publications and scholarly networks, the conflicts and continuities between medieval scholarly traditions and the widening horizons of the sixteenth century are explored and revealed. Of interest to scholars of humanist culture, the Reformation and book history, this ambitious work throws into relief previously overlooked aspects of the intellectual and religious culture of the time.

"A brilliant and readable book…a rich study of humankind's restless spirit." —Candice Millard, New York Times Book Review Greeted with coast-to-coast acclaim on publication, Fernández-Armesto's ambitious history of world exploration sets a new standard. Presenting the subject for the first time on a truly global scale, Fernández-Armesto tracks the pathfinders who, over the past five millennia, lay down the routes of contact that have drawn together the farthest reaches of the world. The Wall Street Journal calls it "impressive...a huge story [told] with gusto and panache." To the Washington Post, "Pathfinders is propelled by an Argonaut of an author, indefatigable and daring. It's a wild ride." And in a front-page review, the Seattle Times hails its "tart and elegant presentation...full of surprises. Fernández-Armesto's lively mind, pithy phrasing, and stunningly thorough and diverse knowledge are a constant pleasure." A plenitude of illustrations and maps in color and black and white augment this rich history. In Pathfinders, winner of the 2007 World History Association Book Prize, we have a definitive treatment of a grand subject.

From before the age of printing to modern satellite imaging, Visions of the World tells the compelling story of the cartographers, explorers, and surveyors who have mapped our earth. It’s a fresh and beautifully illustrated book, not limited to the traditional Eurocentric view but also aware of different cultures across the globe. What it reveals is fascinating, because maps not only provide a glimpse of how societies view themselves in relation to the world, they also can be tools to distort knowledge, fool enemies, or build and administer empires. View the world through ancient eyes, in the wake of Columbus, during the age of empire, and through the heyday of commerce and imperialism—before examining the revolutions in our own time.

The Mapping of Africa systematically categorizes and provides an overview of all printed maps showing the entire African continent published from 1508 to 1700. Volume 7 in the Utrechtse Historisch-Cartografische Studies.

Sebastian Münster's Cosmographia was an immensely influential book that attempted to describe the entire world across all of human history and analyse its constituent elements of geography, history, ethnography, zoology and botany. Through this examination of Münster, his publications and scholarly networks, the conflicts and continuities between medieval scholarly traditions and the widening horizons of the sixteenth century are explored and revealed. Of interest to scholars of humanist culture, the Reformation and book history, this ambitious work throws into relief previously overlooked aspects of the intellectual and religious culture of the time.

This open access book explores commentaries on an influential text of pre-Copernican astronomy in Europe. It features essays that take a close look at key intellectuals and how they engaged with the main ideas of this qualitative introduction to geocentric cosmology. Johannes de Sacrobosco compiled his Tractatus de sphaera during the thirteenth century in the frame of his teaching activities at the then recently founded University of Paris. It soon became a mandatory text all over Europe. As a result, a tradition of commentaries to the text was soon established and flourished until the second half of the 17th century. Here, readers will find an informative overview of these commentaries complete with a rich context. The essays explore the educational and social backgrounds of the writers. They also detail how their careers developed after the publication of their commentaries, the institutions and patrons they were affiliated with, what their agenda was, and whether and how they actually accomplished it. The editor of this collection considers these scientific commentaries as genuine scientific works. The contributors investigate them here not only in reference to the work on which it comments but also, and especially, as independent scientific contributions that are socially, institutionally, and intellectually contextualized around their authors.

The sea monsters on medieval and Renaissance maps, whether swimming vigorously, gamboling amid the waves, attacking ships, or simply displaying themselves for our appreciation, are one of the most visually engaging elements on these maps, and yet they have never been carefully studied. The subject is important not only in the history of cartography, art, and zoological illustration, but also in the history of the geography of the "marvelous" and of western conceptions of the ocean. Moreover, the sea monsters depicted on maps can supply important insights into the sources, influences, and methods of the cartographers who drew or painted them. In this highly-illustrated book the author analyzes the most important examples of sea monsters on medieval and Renaissance maps produced in Europe, beginning with the earliest mappaemundi on which they appear in the 10th century and continuing to the end of the 16th century.