Ibsen's letters, extending over a period of more than fifty years, provide us with a direct presentment of the man during the changing conditions of his life & friendships, & contain much of both biographical & literary interest, that has never before been made public.

Collects five plays spanning Ibsen's career, with general introductions, explanatory annotations, criticism, and selections from his correspondence and other writings.

'The Wild Duck' is an unsettling play of profound, keen psychology and absolute truth. Gregers Werle is an uncompromising idealist, and invites himself into the house of Hjalmar Ekdal, his childhood friend. His intention is to free the Ekdal family from the mesh of lies on which their contented lives are based. But Gregers drowns the family even as he is trying to raise them up, his well-meaning investigations shredding the lies they have told themselves in order to live. 'The Wild Duck' was published in 1884 and premiered in 1885 at Bergen in Norway. This version, translated by Michael Meyer, was first performed in 1963 at the Everyman Theatre, Cheltenham.

DigiCat Publishing presents to you this special edition of "Henrik Ibsen" by Edmund Gosse. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Henrik Ibsen's drama is the most prominent and lasting contribution of the cultural surge seen in Scandinavian literature in the later nineteenth century. When he made his debut in Norway in 1850, the nation's literary presence was negligible, yet by 1890 Ibsen had become one of Europe's most famous authors. Contrary to the standard narrative of his move from restrictive provincial origins to liberating European exile, Narve Fulsås and Tore Rem show how Ibsen's trajectory was preconditioned on his continued embeddedness in Scandinavian society and culture, and that he experienced great success in his home markets. This volume traces how Ibsen's works first travelled outside Scandinavia and studies the mechanisms of his appropriation in Germany, Britain and France. Engaging with theories of book dissemination and world literature, and re-assessing the emergence of 'peripheral' literary nations, this book provides new perspectives on the work of this major figure of European literature and theatre.