WHO BUMPED OFF THE BUMP-AND-GRINDER? Usually, when you call a burlesque act a “show stopper,” you don't mean it quite so literally. But this time, that's just what happened: The show stopped dead, and so did the girl. And as I looked at her nearly naked and completely lifeless body and the bottle of poison in her hand with my fingerprints all over it, I thought to myself: Porkpie, you're in for it this time…

SHE WORE A DONNA KARAN MARKED FOR REPOSSESSION Since Kat Waters’s father took a trip to the slammer on what she’s sure are trumped-up racketeering charges, life’s been tough. All their assets are frozen, and she’s down to the last few pairs of Jimmy Choos she can swap for rent. To keep her family out of the homeless shelter, the former socialite took a job at the local morgue—a job she’s about to lose when the body of a murder victim goes missing on her watch. HE WORE A CAPTIVATING SMILE While Kat’s processing the latest victim in the prostitute serial killings, ex-Special Forces soldier Burns McPhee strolls in with an air of confidence, expecting access to the Jane Doe. While Burns tries to flirt his way into examining the latest victim, whom he thinks is connected to the death of his best friend, someone else steals the body right out from under them. THE CORPSE WORE STILETTOS Dodging questions from the cops and kidnapping attempts from a body-snatching psycho, Kat and Burns forge a deal. He’ll clear her name and keep her safe if she gets him information on her peculiar coworkers, one of whom he’s certain is involved with the body heist. But digging up secrets can lead to a lower life expectancy. The unlikely team will need all their talents not to end up as the morgue’s next clients while they hunt for a murderer, the missing corpse, and a pair of diamond-studded stilettos.

NO MAN COULD RESIST HER. BUT COULD ANY MAN EVER HAVE HER? After years at sea, Swede Nelson just wanted to find a nice girl and settle down. But what he found instead was Corliss Mason: beautiful, sensual, irresistible – and nothing but trouble. It begins with a bar fight that lands Swede in jail. Soon he’s helping Corliss cover up a killing. But how long can they get away with murder? And why can’t Swede shake the terrible suspicion that he’s being set up?

BECAUSE HOMICIDE BEGINS AT HOME Even the enigmatic hit man called Quarry had to start somewhere. And for him that was the day he returned stateside from Nam to find his young wife cheating. He'd killed plenty overseas, so killing her lover was no big deal. And when he was recruited to use his skills as a contract killer, that transition was easy, too. He survived in this jungle as he had in that other one -- by expecting trouble. What he didn't expect was ever running into his ex again....

THE SECOND NOVEL FROM THE TWENTY-YEAR DEATH TRILOGY THIS SECOND INSTALLMENT IS SET IN 1941 IN THE STYLE OF CLASSIC CRIME WRITER, RAYMOND CHANDLER.

“Bold, innovative, and thrilling – The Twenty-Year Death crackles with suspense and will keep you up late.” - Stephen King THERE’S NEVER BEEN A BOOK LIKE THE TWENTY-YEAR DEATH A breathtaking first novel written in the form of three separate crime novels, each set in a different decade and penned in the style of a different giant of the mystery genre. 1931— The body found in the gutter in France led the police inspector to the dead man’s beautiful daughter—and to her hot-tempered American husband. 1941— A hardboiled private eye hired to keep a movie studio’s leading lady happy uncovers the truth behind the brutal slaying of a Hollywood starlet. 1951— A desperate man pursuing his last chance at redemption finds himself with blood on his hands and the police on his trail... Three complete novels that, taken together, tell a single epic story, about an author whose life is shattered when violence and tragedy consume the people closest to him. It is an ingenious and emotionally powerful debut performance from literary detective and former bookseller Ariel S. Winter, one that establishes this talented newcomer as a storyteller of the highest caliber.

It's 1954, and a rabble-rousing social critic has declared war on comic books - especially the scary, gory, bloody sort published by the bad boys of the industry, EF Comics. But on the way to a Senate hearing on whether these depraved publications should be banned, the would-be censor meets a violent end of his own - leaving his opponents in hot water. Can Jack Starr, private eye to the funny-book industry, and his beautiful boss Maggie unravel the secret of Dr. Frederick's gruesome demise? Or will the crackdown come, falling like an executioner's axe...?

YEARS AGO, A P.I. OUT OF CHICAGO BROUGHT JUSTICE TO A DIRTY TOWN. NOW HE’S GOING TO PAY. A sawed-off shotgun blast to the face leaves one man dead – and reveals a secret that has pursued another across an ocean and set the world’s most ruthless criminal on his trail. The man needs the help of a great detective… but could even Sherlock Holmes save him now?

BUT SERIOUSLY, FOLKS. The year is 1977, and America is finally getting over the nightmares of Watergate and Vietnam and the national hangover that was the 1960s. But not everyone is ready to let it go. Not aging comedian Koo Davis, friend to generals and presidents and veteran of countless USO tours to buck up American troops in the field. And not the five remaining members of the self-proclaimed People's Revolutionary Army, who've decided that kidnapping Koo Davis would be the perfect way to bring their cause back to life... The final, previously unpublished novel from the legendary Donald Westlake!

“So much evil… I’ll survive it.” Lisbeth Salander lies in critical condition, a bullet wound to her head, in the intensive care unit of a Swedish city hospital. If and when she recovers, she’ll be taken back to Stockholm and stand trial for three murders. From Runberg, Homs, and Carot comes this comics adaptation of the third and final novel in Stieg Larsson’s international best-selling Millennium trilogy. Collects Millennium: The Girl Who Kicked The Hornet’s Nest #1 and 2.