The corporeal fantasy is your life, a fantasy created by your senses, mind, and desires. This fantasy has its pleasures and pains, and one fine day comes to an end. Animals live the same life, striving to survive, to procreate and then eventually die. If we don't want to live the life of an animal we need to understand ourselves and the world. This gives us the power to wake up from the fantasy.

Taking an innovative, postcolonial, feminist perspective on transformations in the Philippine nation in the context of globalization, Fantasy-Production provides a theoretical framework for understanding the nationalist and postcolonial capitalist logics shaping the actions of the Philippines as a nation-state. Tadiar probes the consequences of dominant Philippine imaginations by examining a broad range of phenomena which characterize the contemporary Philippine nation, including the mass migration overseas of domestic workers, the 'prostitution economy', urban restructuring, the popular revolt toppling the Marcos dictatorship, as well as various works of art, poetry, historiography, and film. This will be one of the first books available widely in English that provides a sustained theoretical engagement with the cultural dimensions of contemporary socio-political and economic developments in the Philippines.

Lacanian Fantasy addresses the question of how fantasy developed as a psychological concept, particularly as influenced by Sigmund Freud and Jacques Lacan. Kirk Turner moves thematically, from childhood to adulthood, and chronologically, from Freud’s earliest theories to Lacan’s most complex statements on fantasy towards the end of his career. He explores not only the variations that the concept has undergone throughout its history – from Ancient Greek discourse around phantasia to the present day – but also the changing consequences of its applications. Lacanian Fantasy includes further insights on our current predicament: the age of the social media image and fantasy in the uncertain ‘locked down’ world of a pandemic. Spanning numerous examples, both historical and recent, this book explores relatable forms of fantasy life. In bridging psychology and philosophy, as well as gender and sexuality studies, it ultimately opens new perspectives on fantasy. This book will be of interest to psychoanalytic practitioners and humanities scholars, as well as students interested in critical theory.

The Collected Works of Spinoza: Complete Digital Edition, combining volumes I and II, provides for the first time in English, a truly satisfactory edition of all of Spinoza's writings, with accurate and readable translations, based on the best critical editions of the original-language texts, done by a scholar who has published extensively on the philosopher’s work. The first volume contains Spinoza’s single most important work, the Ethics, and four earlier works: the Treatise on the Emendation of the Intellect, the Short Treatise on God, Man, and His Well-Being, Descartes’ "Principles of Philosophy," and Metaphysical Thoughts. Also included are Spinoza’s letters from the periods when these works were being written. The centerpiece of the second volume is Spinoza’s Theological-Political Treatise, a landmark work in the history of biblical scholarship, the first argument for democracy by a major philosopher, and a forceful defense of freedom of thought and expression. This work is accompanied by Spinoza’s later correspondence, much of which responds to criticism of the Theological-Political Treatise. The volume also includes his last work, the unfinished Political Treatise, which builds on the foundations of the Theological-Political Treatise to offer plans for the organization of nontyrannical monarchies and aristocracies. The elaborate editorial apparatus—including prefaces, notes, glossary, and indexes—assists the reader in understanding one of the world’s most fascinating, but also most difficult, philosophers. Of particular interest is the glossary-index, which provides extensive commentary on Spinoza’s technical vocabulary. A milestone of scholarship more than forty-five years in the making, The Collected Works of Spinoza is an essential edition for anyone with a serious interest in Spinoza or the history of philosophy.

For lovers of Sword, Sorcery and Fantasy this bundle is a must have, especially at this price. The titles are as follows: "The Talking Sword" "Ebenezer's Last Christmas" "I Am" "Soul Reaper" "To Hell and Back" "To Hell and Back part 2" and "The Second Apprentice" Enjoy Authors Note: These tales are non-erotic and are intended for all ages.

The Routledge Companion to Sounding Art presents an overview of the issues, methods, and approaches crucial for the study of sound in artistic practice. Thirty-six essays cover a variety of interdisciplinary approaches to studying sounding art from the fields of musicology, cultural studies, sound design, auditory culture, art history, and philosophy. The companion website hosts sound examples and links to further resources. The collection is organized around six main themes: Sounding Art: The notion of sounding art, its relation to sound studies, and its evolution and possibilities. Acoustic Knowledge and Communication: How we approach, study, and analyze sound and the challenges of writing about sound. Listening and Memory: Listening from different perspectives, from the psychology of listening to embodied and technologically mediated listening. Acoustic Spaces, Identities and Communities: How humans arrange their sonic environments, how this relates to sonic identity, how music contributes to our environment, and the ethical and political implications of sound. Sonic Histories: How studying sounding art can contribute methodologically and epistemologically to historiography. Sound Technologies and Media: The impact of sonic technologies on contemporary culture, electroacoustic innovation, and how the way we make and access music has changed. With contributions from leading scholars and cutting-edge researchers, The Routledge Companion to Sounding Art is an essential resource for anyone studying the intersection of sound and art.

This book explores the notions of space and extension of major early modern empiricist philosophers, especially Locke, Berkeley, Hume, and Condillac. While space is a central and challenging issue for early modern empiricists, literature on this topic is sparse. This collection shows the diversity and problematic unity of empiricist views of space. Despite their common attention to the content of sensorial experience and to the analytical method, empiricist theories of space vary widely both in the way of approaching the issue and in the result of their investigation. However, by recasting the questions and examining the conceptual shifts, we see the emergence of a programmatic core, common to what the authors discuss. The introductory chapter describes this variety and its common core. The other contributions provide more specific perspectives on the issue of space within the philosophical literature. This book offers a unique overview of the early modern understanding of these issues, of interest to historians of early modern philosophy, historians and philosophers of science, historians of ideas, and all readers who want to expand their knowledge of the empiricist tradition.

Examining a range of fantasy films released in the past decade, Pheasant-Kelly looks at why these films are meaningful to current audiences. The imagery and themes reflecting 9/11, millennial anxieties, and environmental disasters have furthered fantasy's rise to dominance as they allow viewers to work through traumatic memories of these issues.

I’m Caith Morningstar: bar owner, leather wearer, shoe worshipper, werewolf, Orlando’s resident ass kicker and… Satan’s niece. The dead are rising in the land of that famous mouse and apparently, I’m the one who has to deal with the mess. Forget movie night with my kid. I have to kill ghouls who have decided to make some new undead friends in the morgue. Eh, killing things is easy. Generally. Oddly, these guys have glowing blue eyes and are way too good at butt kicking. Thankfully, I’m better. I manage to get rid of them, but one gets in a shot or two of his own, and now I’ve got a foot-long wound in my side that glows blue. Kinda like the ghoul. Now the dick who made those ghouls is trying to turn me into his puppet, which so isn’t going to happen. My loved ones are trying to cure me, my angel mate is off on some super-secret mission for On High, and I’m stuck in bed “resting.” Not that I’m staying there. I’d rather die than become anyone’s puppet, which might be my only option left. I just hope I can come back from the dead later.

Classical Traditions in Modern Fantasy presents fifteen all-new essays on how fantasy draws on ancient Greek and Roman mythology, philosophy, literature, history, art, and cult practice. Ranging from harpies to hobbits, from Cyclopes to Cthulhu, the comparative study of Classics and fantasy reveals deep similarities between ancient and modern ways of imagining the world.