This work consists of three illustrated sections presenting the ceramic finds excavated at Sardis, but produced in the mainland Greek centers of Corinth, Athens, and Sparta. The authors' study of this material from the Harvard-Cornell excavations offers new evidence of the taste for Greek wares and shapes in Anatolia before the time of Alexander.

This publication of Attic fine pottery imported to the Greek colony of Phanagoria in the Taman Peninsula, southern Russia, explores the social function of imports in a colonial society, and the changing nature of Black Sea trade.

How useful is the concept of "network" for historical studies and the ancient world in particular? Using theoretical models of social network analysis, this book illuminates aspects of the economic, social, religious, and political history of the ancient Greek and Roman worlds. Bringing together some of the most active and prominent researchers in ancient history, this book moves beyond political institutions, ethnic, and geographical boundaries in order to observe the ancient Mediterranean through a perspective of network interaction. It employs a wide range of approaches, and to examine relationships and interactions among various social entities in the Mediterranean. Chronologically, the book extends from the early Iron Age to the late Antique world, covering the Mediterranean between Antioch in the east to Massalia (Marseilles) in the west. This book was published as two special issues in Mediterranean Historical Review.

A lucrative trade in Athenian pottery flourished from the early sixth until the late fifth century B.C.E., finding an eager market in Etruria. Most studies of these painted vases focus on the artistry and worldview of the Greeks who made them, but Sheramy D. Bundrick shifts attention to their Etruscan customers, ancient trade networks, and archaeological contexts. Thousands of Greek painted vases have emerged from excavations of tombs, sanctuaries, and settlements throughout Etruria, from southern coastal centers to northern communities in the Po Valley. Using documented archaeological assemblages, especially from tombs in southern Etruria, Bundrick challenges the widely held assumption that Etruscans were hellenized through Greek imports. She marshals evidence to show that Etruscan consumers purposefully selected figured pottery that harmonized with their own local needs and customs, so much so that the vases are better described as etruscanized. Athenian ceramic workers, she contends, learned from traders which shapes and imagery sold best to the Etruscans and employed a variety of strategies to maximize artistry, output, and profit.

Athenian Potters and Painters III presents a rich mass of new material on Greek vases, including finds from excavations at the Kerameikos in Athens and Despotiko in the Cyclades. Some contributions focus on painters or workshops – Paseas, the Robinson Group, and the structure of the figured pottery industry in Athens; others on vase forms – plates, phialai, cups, and the change in shapes at the end of the sixth century BC. Context, trade, kalos inscriptions, reception, the fabrication of inscribed painters’ names to create a fictitious biography, and the reconstruction of the contents of an Etruscan tomb are also explored. The iconography and iconology of various types of figured scenes on Attic pottery serve as the subject of a wide range of papers – chariots, dogs, baskets, heads, departures, an Amazonomachy, Menelaus and Helen, red-figure komasts, symposia, and scenes of pursuit. Among the special vases presented are a black spotlight stamnos and a column krater by the Suessula Painter. Athenian Potters and Painters III, the proceedings of an international conference held at the College of William and Mary in Virginia in 2012, will, like the previous two volumes, become a standard reference work in the study of Greek pottery.

Sardis, in western Turkey, was one of the great cities of the Aegean and Near Eastern worlds for almost a millennium—a political keystone with a legendary past. Recent archeological work has revealed how the city was transformed in the century following Alexander’s conquests from a traditional capital to a Greek polis, setting the stage for its blossoming as a Roman urban center. This integrated collection of essays by more than a dozen prominent scholars illuminates a crucial stage, from the early fourth century to 189 BCE, when it became one of the most important political centers of Asia Minor. The contributors to this volume are members of the Hellenistic Sardis Project, a research collaboration between long-standing expedition members and scholars keenly interested in the site. These new discussions on the pre-Roman history of Sardis restore the city in the scholarship of the Hellenistic East and will be enlightening to scholars of classical archaeology.

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This book is the first major study of Lydian material culture at Gordion and also the first published monograph on Lydian painted pottery from any site excavation. Richly illustrated, it provides a comprehensive definition and analysis of Lydian ceramics based on stylistic, archaeological, and textual evidence, while thoroughly documenting the material's stratigraphic contexts. The book situates the ceramic corpus within its broader Anatolian cultural context and offers insights into the impact of Lydian cultural interfaces at Gordion. The Lydian pottery found at Gordion was largely produced at centers other than Sardis, the Lydian royal capital, although Sardian imports are also well attested and began to influence Gordion's material culture as early as the 7th century BCE, if not before. Following the demise of the Lydian kingdom, a more limited repertoire of Lydian ceramics demonstrably continued in use at Gordion into the Achaemenid Persian period in the late 6th and 5th centuries BCE. The material was excavated by Professor Rodney Young's team between 1950 and 1973 and is fully presented here for the first time. Ongoing research in the decades following Young's excavations has led to a more refined understanding of Gordion's archaeological contexts and chronology, and, consequently, we are now able to view the Lydian ceramic corpus within a more secure stratigraphic framework than would have been the case if the material had been published shortly after the excavations.

This volume draws attention to the importance of pottery evidence in evaluating archaeological material from Thrace. The volume considers the informative value of pottery in tracing cultural and political phases, by providing us with important data about production centres, commercial relations, daily life, religious rituals and burial customs.

The Oxford Handbook of Ancient Anatolia is a unique blend of comprehensive overviews on archaeological, philological, linguistic, and historical issues at the forefront of Anatolian scholarship in the 21st century. Anatolia is home to early complex societies and great empires and was the destination of many migrants, visitors, and invaders. The offerings in this volume bring this reality to life as the chapters unfold nearly ten thousand years (ca. 10,000-323 BCE) of peoples, languages, and diverse cultures who lived in or traversed Anatolia over these millennia. The contributors combine descriptions of current scholarship on important discussion and debates in Anatolian studies with new and cutting edge research for future directions of study. The 54 chapters are presented in five separate sections that range in topic from chronological and geographical overviews to anthropologically-based issues of culture contact and imperial structures and from historical settings of entire millennia to crucial data from key sites across the region. The contributers to the volume represent the best scholars in the field from North America, Europe, Turkey, and Asia. The appearance of this volume offers the very latest collection of studies on the fascinating peninsula known as Anatolia.