In his research of the Copper Scroll, Robert Feather has made two interlinked discoveries: t firstly the location of the treasure that is referred to in the Scroll, not only the silver, gold and jewellery that is already in museums but also the exact sites at which the remaining items lie buried. This news will cause excitement amongst archaeologists throughout the world. In 1959 & 1960 John Allegro of Manchester University led unsuccessul trips to find the treasure. His translation of the Scroll had been based on some misconceptions that Robert Feather has now been able to identify.

The history behind the Copper Scroll and the true story of Jim Barfield’s quest for its treasure. Whether the objects are of legend or history, certain ancient mysteries arrest the imaginations of every generation. These antiquities refuse to be forgotten by the human spirit—hidden sufficiently to evade discovery, but historically prominent enough to leave a smattering of clues. Many explorers have fallen prey to fortune’s siren call, spending their lifetimes searching for the artifacts that promise to alter human history. The Copper Scroll Project is a relative newcomer to the modern treasure hunt. Part of the Dead Sea Scrolls collection, the Copper Scroll is unlike any of the leather and papyrus documents, though not simply for its copper plates. The relic reads like a coded map, listing dozens of hiding spots where tithes and vessels thought to be secreted from the Jewish Temple were stored for safekeeping. More than fifty years after archaeologists found this unique artifact in a cave near Qumran, four adventurers have dared to chase after the scroll’s priceless relics. “A unique introduction not only to a famous biblical mystery but to the world of American Christian interest in Israel, which remains opaque or bewildering to many outsiders, and is often caricatured.”—Matti Friedman, author of The Aleppo Codex “Equal parts mystery, treasure hunt and erudite elucidation of biblical history.”—Chanan Tigay, author of The Last Moses “Neese’s narrative pacing and story-telling is masterful. She gets the political and religious nuances of contemporary Israel.”—Elliot Jager, Jerusalem-based author and former editorial page editor at The Jerusalem Post

An examination of the early, mysterious Essene community at Qumran that links it with John the Baptist, Jesus, and the beginnings of Christianity • Offers an eyewitness account of the final burial place of John the Baptist • Makes the case that Christianity grew out of a form of monotheism first formulated by the Egyptian pharaoh Akhenaten • Includes physical and photographic evidence never before published In his earlier book The Mystery of the Copper Scroll of Qumran, Robert Feather analyzed the Dead Sea Scroll engraved on copper that is considered the work of the secretive, devout Jewish sect known as the Essenes, who lived at Qumran around the time of Jesus. To continue his research into the Essene community's way of life and how its beliefs may have influenced the beginnings of Christianity, he met with Father Jozef Milik, one of the scholars who worked on deciphering the Dead Sea Scrolls in the 1950s. Feather learned that during Milik's work somewhere near the Qumran ruins, he had excavated a headless corpse that he believed to be that of John the Baptist. Feather presents persuasive, powerful evidence illustrating the strong link between the Qumran Essenes and New Testament teachings and showing that both John the Baptist and Jesus were intimately involved with this community at Qumran. He further supports the claim that early Christians continued a belief system centered on a form of monotheism first formulated by the Egyptian pharaoh Akhenaten and uniquely espoused by the Essenes at Qumran.

Introduces a radical new perspective on the historical foundations of monotheism, based on the enigma of the Copper Scroll of the Essenes. • Confirms the link between ancient Judaism and the pharoah Akhenaten. • Decodes the system of measurements encrypted on the Copper Scroll that has confounded scholars for over 50 years, leading to the identification of fabulous lost treasures. • Points to a radical new understanding of the origins of monotheism. The famous Dead Sea Scrolls comprise the oldest collection of Biblical documents ever discovered. Of the Dead Sea Scrolls, none has baffled experts more than the 2,000-year-old Copper Scroll, discovered in 1952 by a team of Bedouin led by Henri de Contenson of the Ecole Biblique in East Jerusalem. Appearing to be a list of buried treasure engraved on copper pieces, the Copper Scroll is considered to be the work of a secretive Jewish sect of devout Essenes, who lived by the Dead Sea around the time of Jesus. No one has been able to explain its meaning or discover any of the 64 locations where the Biblical treasures it lists were buried. Robert Feather, combining his background as a metallurgist with his journalistic expertise, has unraveled the enigma of the Copper Scroll in a fascinating study that takes the reader on a journey from ancient Mesopotamia, through Canaan, into Egypt, and back to the shores of the Dead Sea. His exploration links the scroll to the ancient Egyptian king Akhenaten, confirming a long suspected influence of this pharaoh's religious beliefs on those of the Hebrews. The author's findings not only reveal the locations of most of the treasures listed on the Copper Scroll, but they also point to a radical new understanding of the origins of monotheism--the basis of the three great religions of Judaism, Islam, and Christianity.

The tale begins over three-hundred years ago, when the Fair People—the goblins, fairies, dragons, and other fabled and fantastic creatures of a dozen lands—fled the Old World for the New, seeking haven from the ways of Man. With them came their precious jewels: diamonds, rubies, emeralds, pearls... But then the Fair People vanished, taking with them their twelve fabulous treasures. And they remained hidden until now... Across North America, these twelve treasures, over ten-thousand dollars in precious jewels, are buried. The key to finding each can be found within the twelve full color paintings and verses of The Secret. Yet The Secret is much more than that. At long last, you can learn not only the whereabouts of the Fair People's treasure, but also the modern forms and hiding places of their descendants: the Toll Trolls, Maitre D'eamons, Elf Alphas, Tupperwerewolves, Freudian Sylphs, Culture Vultures, West Ghosts and other delightful creatures in the world around us. The Secret is a field guide to them all. Many "armchair treasure hunt" books have been published over the years, most notably Masquerade (1979) by British artist Kit Williams. Masquerade promised a jewel-encrusted golden hare to the first person to unravel the riddle that Williams cleverly hid in his art. In 1982, while everyone in Britain was still madly digging up hedgerows and pastures in search of the golden hare, The Secret: A Treasure Hunt was published in America. The previous year, author and publisher Byron Preiss had traveled to 12 locations in the continental U.S. (and possibly Canada) to secretly bury a dozen ceramic casques. Each casque contained a small key that could be redeemed for one of 12 jewels Preiss kept in a safe deposit box in New York. The key to finding the casques was to match one of 12 paintings to one of 12 poetic verses, solve the resulting riddle, and start digging. Since 1982, only two of the 12 casques have been recovered. The first was located in Grant Park, Chicago, in 1984 by a group of students. The second was unearthed in 2004 in Cleveland by two members of the Quest4Treasure forum. Preiss was killed in an auto accident in the summer of 2005, but the hunt for his casques continues.

This book contains the papers delivered at the 1996 Copper Scroll Symposium which was organized by the Manchester-Sheffield Centre for Dead Sea Scrolls Research to mark the 40th Anniversary of the opening of this enigmatic scroll in Manchester. The papers cover the history of the Scroll's interpretation (P. Muchowski, P. Davies, B. Segal, M. Wise); how it should be conserved, restored and read (N. Cacoudre, M. Lundberg, E. Puech); how it was produced (P. Kyle McCarter); the meaning of its technical terms (J.F. Elwolde, A. Lange, J. Lefkovits, J. Lubbe, L. Schiffman); its genre (M. Bar-Ilan, R. Fidler, T. Lim); its geography (P.S. Alexander); its correlation with archaeological remains (H. Eshel); and not least who wrote it, when and why (S. Goranson, I Knohl, H. Stegemann, B. Thierine, A. Wolters) with an Introduction by G. Brooke. This is volume 40 in the Journal for the Study of Pseudepigrapha Supplement series.

Seventeen hundred years ago, key elements of our ancient heritage were lost, relegated to the esoteric traditions of mystery schools and sacred orders. Among the most empowering of the forgotten elements are references to a science with the power to bring everlasting healing to our bodies and initiate an unprecedented era of peace and cooperation between governments and nations. In his groundbreaking new book, The Isaiah Effect, Gregg Braden turns to the Isaiah Scroll, perhaps the most important of the Dead Sea Scrolls discovered in 1946, to offer insight into a powerful form of ancient prayer. In The Isaiah Effect, Braden, author of Awakening to Zero Point and Walking Between the Worlds, combines research in quantum physics with the works of the prophet Isaiah and the ancient Essenes. He demonstrates how prophecies of global catastrophe and suffering may only represent future possibilities, rather than forecast impending doom, and that we have the power to influence those possibilities. In addition to describing multiple futures, the Isaiah texts take us one step further, clearly describing the science of how we choose our futures. Tracing key words of Isaiah's text back to their original language, we discover how he taught a mode of prayer that was lost to the West during Biblical editing in the fourth century. Braden offers detailed accounts of how elements of this mode of prayer have been applied in a variety of situations, ranging from healing life-threatening conditions to entire villages using collective prayer to prevail during the 1998 fires in southern Peru. In each instance, the correlation between the offering of the prayer and a shift of the events in question was beyond coincidence--the prayers had measurable effects! As modern science continues to validate a relationship between our outer and inner worlds, it becomes more likely that a forgotten bridge links the world of our prayers with that of our experience. Each time we engage ourselves, our loved ones, and our communities with Isaiah's life-affirming message of hope, we secure nothing less than our future and the future of the only home we know.

This is the first translation with commentary of selections from The Zohar, the major text of the Kabbalah, the Jewish mystical tradition. This work was written in 13th-century Spain by Moses de Leon, a Spanish scholar.

This book is the first published statement of the fruits of some years' work of a largely philological nature. It presents a new appreciation of the relationship of the languages of the ancient world and the implication of this advance for our understanding of the Bible and of the origins of Christianity.

The Mogao Grottoes, a World Heritage Site in northwestern China, are located along the ancient caravan routes—collectively known as the Silk Road—that once linked China with the West. Founded by a Buddhist monk in the late fourth century, Mogao flourished over the following millennium, as monks, local rulers, and travelers commissioned hundreds of cave temples cut into a mile-long rock cliff and adorned them with vibrant murals. More than 490 decorated grottoes remain, containing thousands of sculptures and some 45,000 square meters of wall paintings, making Mogao one of the world’s most significant sites of Buddhist art. In 1997 the Getty Conservation Institute, which had been working with the Dunhuang Academy since 1989, began a case study using the Late–Tang dynasty Cave 85 to develop a methodology that would stabilize the deteriorating wall paintings. This abundantly illustrated volume is the definitive report on the project, which was completed in 2010.