A fictional portrait of Henry VIII's first wife, Katherine of Aragon, follows her through her youthful marriage to Henry's older brother, Arthur, her widowhood, her marriage to Henry, and the divorce that led to Henry's marriage to Anne Boleyn.

The Constant Gardener is a magnificent exploration of the new world order by New York Times bestselling author John le Carré, one of the most compelling and elegant storytellers of our time. The novel opens in northern Kenya with the gruesome murder of Tessa Quayle -- young, beautiful, and dearly beloved to husband Justin. When Justin sets out on a personal odyssey to uncover the mystery of her death, what he finds could make him not only a suspect among his own colleagues, but a target for Tessa's killers as well. A master chronicler of the betrayals of ordinary people caught in political conflict, John le Carré portrays the dark side of unbridled capitalism as only he can. In The Constant Gardener he tells a compelling, complex story of a man elevated through tragedy, as Justin Quayle -- amateur gardener, aging widower, and ineffectual bureaucrat -- discovers his own natural resources and the extraordinary courage of the woman he barely had time to love.

'He's a fool that marries, but he's a greater fool that does not marry a fool.' This bawdy, hilarious, subversive and wickedly satirical drama pokes fun at the humourless, the jealous, and the adulterous alike. It features a country wife, Margery, whose husband believes she is too naïve to cuckold him; and an anti-hero, Horner, who pretends to be impotent in order to have unrestrained access to the women keen on 'the sport'. A number of licentious and hypocritical women request Horner's services – the country wife among them. The Country Wife has provoked powerfully mixed reactions over the years. The seventeenth century libertine king Charles II saw it twice, and is said to have joined the 'dance of the cuckolds' at the end of one performance; the eighteenth century actor-playwright David Garrick declared it 'the most licentious play in the English language'; the Victorian Macaulay compared it to a skunk, because it was 'too filthy to handle and too noisome even to approach'. Twentieth century productions heralded it a Restoration masterpiece. Sexually frank, and as ready to criticise marriage as infidelity, the virtuosity, linguistic energy, brilliant wit, naughtiness and complexity of this ribald play have made it a staple of the modern stage. This student edition contains a lengthy, entirely new introduction, by leading scholar, Tiffany Stern, with a background on the author, structure, characters, genre, themes, original staging and performance history, as well as an updated bibliography and a fully annotated version of the playtext.

SOON TO BE A MAJOR MOTION PICTURE INSTANT #1 INTERNATIONAL BESTSELLER USA Today bestseller Edgar + ITW Thriller Award nominee for Best First Novel “Think: Dexter but sexier.”—theSkimm “A dark and irresistible debut.”—People “Will shock even the savviest suspense readers.”—Real Simple Dexter meets Mr. and Mrs. Smith in this wildly compulsive debut thriller about a couple whose fifteen-year marriage has finally gotten too interesting... Our love story is simple. I met a gorgeous woman. We fell in love. We had kids. We moved to the suburbs. We told each other our biggest dreams, and our darkest secrets. And then we got bored. We look like a normal couple. We're your neighbors, the parents of your kid's friend, the acquaintances you keep meaning to get dinner with. We all have our secrets to keeping a marriage alive. Ours just happens to be getting away with murder.

Hailed by John le Carré as “an act of courage on the part of its author” and singled out for praise by the leading medical journals in the United States and the United Kingdom, The Body Hunters uncovers the real-life story behind le Carré's acclaimed novel The Constant Gardener and the feature film based on it. "A trenchant exposé . . . meticulously researched and packed with documentary evidence" (Publishers Weekly), Sonia Shah's riveting journalistic account shines a much-needed spotlight on a disturbing new global trend. Drawing on years of original research and reporting in Africa and Asia, Shah examines how the multinational pharmaceutical industry, in its quest to develop lucrative drugs, has begun exporting its clinical research trials to the developing world, where ethical oversight is minimal and desperate patients abound. As the New England Journal of Medicine notes, “it is critical that those engaged in drug development, clinical research and its oversight, research ethics, and policy know about these stories,” which tell of an impossible choice being faced by many of the world's poorest patients—be experimented upon or die for lack of medicine.

The Circle is set in the fashionable drawing room of Aston-Adey, the Champion-Cheneys' house in Dorset. Maugham's plot, which may be unfamiliar, contains two triangles, each of a husband, wife, and lover. The first of these includes Clive, a cuckolded husband, Lady Kitty, his ex-wife, and Lord Porteous, her second husband. Thirty years before the start of the play, Lady Kitty ran off to Italy with Lord Porteous, leaving her husband and five-year-old son Arnold to their own devices. The play opens with the return of this now aged couple to England and a family reunion negotiated by Arnold's curious wife. To complicate matters, the earlier abandoned husband Clive intrudes upon the visiting couple, losing no chance to wreak hilarious verbal havoc. The second triangle, one of young people, consists of the stuffy MP and furniture collector Arnold, his lively but bored wife, and their pleasing house guest Teddie. Bringing matters full circle, Elizabeth and Teddie have fallen for each other. The central concern of the play thus becomes whether they will bolt like the lovers of thirty years ago. Maugham's hall of mirrors action wittily calls to mind the famous question: Do people learn anything from the past, or is the only lesson the past has to offer that people have never learned anything from it?

Explores the history and nature of women in British dramatic comedy

An unforgettable, illuminating story of how men live and how they survive, from Abraham Verghese, the acclaimed New York Times bestselling author of Cutting for Stone and The Covenant of Water, an Oprah's Book Club Pick. “Heartbreaking. . . . Indelible and haunting, [The Tennis Partner] is an elegy to friendship found, and an ode to a good friend lost.”—The Boston Globe When Abraham Verghese, a physician whose marriage is unraveling, relocates to El Paso, Texas, he hopes to make a fresh start as a staff member at the county hospital. There he meets David Smith, a medical student recovering from drug addiction, and the two men begin a tennis ritual that allows them to shed their inhibitions and find security in the sport they love and with each other. This friendship between doctor and intern grows increasingly rich and complex, more intimate than two men usually allow. Just when it seems nothing can go wrong, the dark beast from David’s past emerges once again—and almost everything Verghese has come to trust and believe in is threatened as David spirals out of control.