This publication includes papers presented at the three-day international conference SPark: Conservation of Sculpture Parks that took place in Sisak, Croatia, in September 2015. The contributions to this volume address aspects relating to the preservation, maintenance and protection of open-air sculpture and sculptural landscapes based on case studies in Europe, North America and Australia. Sculpture parks are found in a range of settings -urban, rural, forest, coastal, desert - each facing challenges in relation to its location, climate and management such as negligence and vandalism (including graffiti) and material degradation: physical damage, corrosion, fading and flaking paint, biological growth etc. The authors, sometimes after discussions with the artists themselves, consider methods of conservation and management of both the sculpture park environment and collections of artworks made of different materials: wood, metals and alloys, ceramic, stone, concrete, glass, composites etc.

Reproductions of paintings depicting eight U.S. national parks.

"Fifty-Nine Parks collaborated with some of the world's foremost contemporary artists and designers to create original posters that celebrate the unique beauty of the U.S. National Park system. Each poster is a contemporary take on the W.P.A. posters of the 1930s, resulting in a one-of-a-kind tribute to the majesty of the national parks"--

A one-of-a-kind blend of art, nature, and conservation, The Underwater Museum re-creates an awe-inspiring dive into the dazzling under-ocean sculpture parks of artist Jason deCaires Taylor. Taylor casts his life-size statues from a special kind of cement that facilitates reef growth, and sinks them to the ocean floor. There, over time, the artworks attract corals, algae, and fish, and evolve into beautiful and surreal installations that are also living reefs. This volume brings readers face to face with these wonders and explains the science behind their creation. Ocean enthusiasts, divers, art lovers, and anyone entranced by the natural world will be instantly engrossed by this pearl of a book.

Papers from a summit, "Science for Parks, Parks for Science: the next century," organized by University of California, Berkeley, in partnership with the National Geographic Society and the National Park Service and held 25-27 March 2015 at the University of California, Berkeley.

When the J. Paul Getty Museum received 28 sculptures from the collection of Ray & Fran Stark, it found itself suddenly in the forefront of the evolving field of outdoor sculpture conservation. This volume charts presents an account of the challenges & how the J. Paul Getty Museum staff met them.

Proceedings from the interim meeting of the Modern Materials and Contemporary Art Working Group of ICOM-CC, Kroller-Muller Museu, Ooterlo, the Netherlands, June 4-5, 2013.

Described as one of the most beautiful and unique sculpture parks in the United Kingdom, Sculpture by the Lakes marries the soft beauty of nature's wild river landscape with the more formal presentation of monumental outdoor sculpture. It is that combination of art and landscape that inspires Sculpture by the Lakes. Whether it is work on a monumental scale that relates to its environment, or smaller works, the sculptures of Simon Gudgeon are perfectly placed in the delicately nurtured natural landscape to visually enhance their surroundings. The effect is a balance, a harmony of form and context where the experience is central. Without walls, without interpretation, each person can engage with the art and the ever-changing environment.

One of the greatest challenges faced today by those responsible for ancient cultural sites is that of maintaining the delicate balance between conserving these fragile resources and making them available to increasing numbers of visitors. Tourism, unchecked development, and changing environmental conditions threaten significant historical sites throughout the world. These issues are among the topics dealt with in this book, which reports on the proceedings of an international conference on the conservation of classical sites in the Mediterranean region, organized by the Getty Conservation Institute and the J. Paul Getty Museum. The book includes chapters discussing management issues at three sites: Piazza Armerina, Sicily; Knossos, Crete; and Ephesus, Turkey. While visiting these sites, conference participants examined how issues raised at these locales can illuminate the challenges of management and conservation faced by complex heritage sites the world over. Additional chapters discuss such topics as the management of cultural sites, the reconstruction of ancient buildings, and ways of presenting and interpreting sites for today's visitors.

Despite the perception that artworks are timeless and unchanging, they are actually subject to biological attack from a variety of sources--from bacteria to fungi to insects. This groundbreaking volume, which publishes the proceedings of a conference held at The Metropolitan Museum of Art in 2002, explores how the development of these organisms can be arrested while preserving both the work of art and the health of the conservator.The richly illustrated text, containing the writings of over 40 scientists and conservators, is divided into sections on stone and mural paintings, paper, textiles, wood and archaeological materials, treatment and prevention, and special topics. The artworks and cultural properties discussed include, among many others, Paleolithic cave paintings, Tiffany drawings, huts built by early Antarctic explorers, and a collection of toothbrushes taken from Auschwitz victims.