Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Three years after the war to end all wars, the German Empire stands as the dominant power in Europe. The United States, isolated, is in a deep slumber reveling in it's relative peace and prosperity. Little did the people of America know, they were being watched, analyzed. In May of 1921 the mighty German war machine launches a furious blitz encompassing the entire eastern seaboard of America, Cities fall like dominos as the troops of Von Hindenburg establishes beachheads on our major seaports as they drive into America's heartland. Brave General Wood leads our tattered and battered army in what could be it's finest hour or it's darkest days. Will America survive? or fall under the heavy boot of Germany for all eternity?

Realizing the century-old dream of a passage to India, the building of the Panama Canal was an engineering feat of colossal dimensions, a construction site filled not only with mud and water but with interpretations, meanings, and social visions. Alexander Missal’s Seaway to the Future unfolds a cultural history of the Panama Canal project, revealed in the texts and images of the era’s policymakers and commentators. Observing its creation, journalists, travel writers, and officials interpreted the Canal and its environs as a perfect society under an efficient, authoritarian management featuring innovations in technology, work, health, and consumption. For their middle-class audience in the United States, the writers depicted a foreign yet familiar place, a showcase for the future—images reinforced in the exhibits of the 1915 Panama-Pacific International Exposition that celebrated the Canal’s completion. Through these depictions, the building of the Panama Canal became a powerful symbol in a broader search for order as Americans looked to the modern age with both anxiety and anticipation. Like most utopian visions, this one aspired to perfection at the price of exclusion. Overlooking the West Indian laborers who built the Canal, its admirers praised the white elite that supervised and administered it. Inspired by the masculine ideal personified by President Theodore Roosevelt, writers depicted the Canal Zone as an emphatically male enterprise and Chief Engineer George W. Goethals as the emblem of a new type of social leader, the engineer-soldier, the benevolent despot. Examining these and other images of the Panama Canal project, Seaway to the Future shows how they reflected popular attitudes toward an evolving modern world and, no less important, helped shape those perceptions. Best Books for Regional Special Interests, selected by the American Association of School Librarians, and Best Books for General Audiences, selected by the Public Library Association “Provide[s] a useful vantage on the world bequeathed to us by the forces that set out to put America astride the globe nearly a century ago.”—Chris Rasmussen, Bookforum

“An equally meticulous and lucid account” of the controversy that preceded the United States’ declaration of war in April 1917 (Historynet). When war broke out in Europe in 1914, political leaders in the United States were swayed by popular opinion to remain neutral; yet less than three years later, the nation declared war on Germany. In Nothing Less Than War: A New History of America’s Entry into World War I, Justus D. Doenecke examines the clash of opinions over the war during this transformative period and offers a fresh perspective on America’s decision to enter World War I. Praise for Nothing Less Than War “Nothing Less Than War combines careful attention to diplomacy with an excellent consideration of politics and public opinion. It is superb in detail, and even scholars well versed in the field will learn things they didn’t know before.” —John Milton Cooper Jr., author of Woodrow Wilson: A Biography “Nothing Less Than War is a thoughtful look at America’s entry into World War I. Based on impressive research, it carries the reader back to a very different time, reassesses the wide-ranging debate over the war in Europe, and provides a stimulating re-examination of the strengths and weaknesses of Woodrow Wilson’s leadership.”?Charles Neu “Doenecke paints intriguing portraits of leading figures, many now obscure, including Franklin Delano and Theodore Roosevelt and William Jennings Bryan, plus the rich stew of newspapers, magazines, organizations, diplomats, and propagandists who fought over this issue.” —Publisher Weekly (starred review) “Doenecke untangles and clarifies the national debate in great detail in this dense, well-documented study. It will be of great use to serious students and researchers of the Great War.” —Library Journal

Bruccoli Great War Collection at the University of South Carolina: An Illustrated Catalogue provides a reference tool for the study of one of the great watershed moments in history on both sides of the Atlantic serving historians, researchers, and collectors.

The Conning of Americaexamines for the first time from a literary perspective the propaganda writings produced in the United States during the period of World War I. This American propaganda literature was written in two distinct stages: the first stage was written by the pro-War establishment based on the East Coast of the United States before American entry into the conflict. It attempted to vilify Germany and her Allies while at the same time showing England, France, and Russia as the victims of a well-planned organized German plan for world domination--beginning with the invasion of neutral Belgium. The literature urged the United States to prepare for a German invasion of America and to be wary of German-Americans, who most likely were spies in the employ of the Imperial German government. The second stage of propaganda literature occurred when America declared war on the Central Powers in April 1917.While still using the blood thirsty militaristic Hun as a symbol of German inherent evil, the propaganda literature began to portray the Americans as the saviors of European culture. American boys were being sent to Europe on a spiritual mission to purify decadent European culture, while at the same time their sacrifice would rejuvenate and sanctify American values in the fire of the conflict in order for America to take her proper place in the new post-war order.