This is the story of the Ainu in what is today far Northern Japan, showing the ecological and cultural processes by which this people's political, economic, and cultural autonomy eroded as they became an ethnic minority in the modern Japanese state.

This model monograph is the first scholarly study to put the Ainu--the native people living in Ezo, the northernmost island of the Japanese archipelago--at the center of an exploration of Japanese expansion during the seventeenth and eighteenth centuries, the height of the Tokugawa shogunal era. Inspired by "new Western" historians of the United States, Walker positions Ezo not as Japan's northern "frontier" but as a borderland or middle ground. By framing his study between the cultural and ecological worlds of the Ainu before and after two centuries of sustained contact with the Japanese, the author demonstrates with great clarity just how far the Ainu were incorporated into the Japanese political economy and just how much their ceremonial and material life--not to mention disease ecology, medical culture, and their physical environment--had been infiltrated by Japanese cultural artifacts, practices, and epidemiology by the early nineteenth century. Walker takes a fresh and original approach. Rather than presenting a mere juxtaposition of oppression and resistance, he offers a subtle analysis of how material and ecological changes induced by trade with Japan set in motion a reorientation of the whole northern culture and landscape. Using new and little-known material from archives as well as Ainu oral traditions and archaeology, Walker poses an exciting new set of questions and issues that have yet to be approached in so innovative and thorough a fashion.

Many Japanese once revered the wolf as Oguchi no Magami, or Large-Mouthed Pure God, but as Japan began its modern transformation wolves lost their otherworldly status and became noxious animals that needed to be killed. By 1905 they had disappeared from the country. In this spirited and absorbing narrative, Brett Walker takes a deep look at the scientific, cultural, and environmental dimensions of wolf extinction in Japan and tracks changing attitudes toward nature through Japan's long history. Grain farmers once worshiped wolves at shrines and left food offerings near their dens, beseeching the elusive canine to protect their crops from the sharp hooves and voracious appetites of wild boars and deer. Talismans and charms adorned with images of wolves protected against fire, disease, and other calamities and brought fertility to agrarian communities and to couples hoping to have children. The Ainu people believed that they were born from the union of a wolflike creature and a goddess. In the eighteenth century, wolves were seen as rabid man-killers in many parts of Japan. Highly ritualized wolf hunts were instigated to cleanse the landscape of what many considered as demons. By the nineteenth century, however, the destruction of wolves had become decidedly unceremonious, as seen on the island of Hokkaido. Through poisoning, hired hunters, and a bounty system, one of the archipelago's largest carnivores was systematically erased. The story of wolf extinction exposes the underside of Japan's modernization. Certain wolf scientists still camp out in Japan to listen for any trace of the elusive canines. The quiet they experience reminds us of the profound silence that awaits all humanity when, as the Japanese priest Kenko taught almost seven centuries ago, we "look on fellow sentient creatures without feeling compassion."

"The history of the world has been the history of peoples on the move, as they occupy new lands and establish their claims over them. Almost invariably, this has meant the violent dispossession of the previous inhabitants. David Day tells the story of how this happened - the ways in which invaders have triumphed and justified conquest which, as he shows, is a bloody and often prolonged process that can last centuries."--

Every person on the planet is entangled in a web of ecological relationships that link farms and factories with human consumers. Our lives depend on these relationships -- and are imperiled by them as well. Nowhere is this truer than on the Japanese archipelago. During the nineteenth century, Japan saw the rise of Homo sapiens industrialis, a new breed of human transformed by an engineered, industrialized, and poisonous environment. Toxins moved freely from mines, factory sites, and rice paddies into human bodies. Toxic Archipelago explores how toxic pollution works its way into porous human bodies and brings unimaginable pain to some of them. Brett Walker examines startling case studies of industrial toxins that know no boundaries: deaths from insecticide contaminations; poisonings from copper, zinc, and lead mining; congenital deformities from methylmercury factory effluents; and lung diseases from sulfur dioxide and asbestos. This powerful, probing book demonstrates how the Japanese archipelago has become industrialized over the last two hundred years -- and how people and the environment have suffered as a consequence.

A memoir of Ainu life over five hundred years ago, before Japanese invasions nearly killed off this indigenous society. No written records remain, other than Japanese observations, but the author has relied on surviving oral accounts and extensive study of anthropological and archeological discoveries to construct a representative woman's life story.

Indigenous peoples throughout the globe are custodians of a unique, priceless, and increasingly imperiled legacy of oral lore. Among them the Ainu, a people native to northeastern Asia, stand out for the exceptional scope and richness of their oral performance traditions. Yet despite this cultural wealth, nothing has appeared in English on the subject in over thirty years. Sarah Strong’s Ainu Spirits Singing breaks this decades-long silence with a nuanced study and English translation of Chiri Yukie’s Ainu Shin’yoshu, the first written transcription of Ainu oral narratives by an ethnic Ainu. The thirteen narratives in Chiri’s collection belong to the genre known as kamui yukar, said to be the most ancient performance form in the vast Ainu repertoire. In it, animals (and sometimes plants or other natural phenomena)—all regarded as spiritual beings (kamui) within the animate Ainu world—assume the role of narrator and tell stories about themselves. The first-person speakers include imposing animals such as the revered orca, the Hokkaido wolf, and Blakiston’s fish owl, as well as the more “humble” Hokkaido brown frog, snowshoe hare, and pearl mussel. Each has its own story and own signature refrain. Strong provides readers with an intimate and perceptive view of this extraordinary text. Along with critical contextual information about traditional Ainu society and its cultural assumptions, she brings forward pertinent information on the geography and natural history of the coastal southwestern Hokkaido region where the stories were originally performed. The result is a rich fusion of knowledge that allows the reader to feel at home within the animistic frame of reference of the narratives. Strong’s study also offers the first extended biography of Chiri Yukie (1903-1922) in English. The story of her life, and her untimely death at age nineteen, makes clear the harsh consequences for Chiri and her fellow Ainu of the Japanese colonization of Hokkaido and the Meiji and Taisho governments’ policies of assimilation. Chiri’s receipt of the narratives in the Horobetsu dialect from her grandmother and aunt (both traditional performers) and the fact that no native speakers of that dialect survive today make her work all the more significant. The book concludes with a full, integral translation of the text.

In this bold, sweeping book, David Day surveys the ways in which one nation or society has supplanted another, and then sought to justify its occupation - for example, the English in Australia and North America, the Normans in England, the Spanish in Mexico, the Japanese in Korea, the Chinese in Tibet. Human history has been marked by territorial aggression and expanion, an endless cycle of ownership claims by dominant cultures over territory occupied by peoples unable to resist their advance. Day outlines the strategies, violent and subtle, such dominant cultures have used to stake and bolster their claims - by redrawing maps, rewriting history, recourse to legal argument, creative renaming, use of foundation stories, tilling of the soil, colonization and of course outright subjugation and even genocide. In the end the claims they make reveal their own sense of identity and self-justifying place in the world. This will be an important book, an accessible and captivating macro-narrative about empire, expansion, and dispossession.

"One of the most important contributions of this book is its compelling portrait of the various itinerants within, and often without, early-modern Japan's status system. Even though the topic is a rather serious one, Howell reveals a refreshing sense of humor and an original approach. This is a pleasure to read."—Brett L. Walker, author of The Conquest of Ainu Lands "David Howell's immersion in contemporary Japanese scholarship is evident on every page of this masterful book. A probing work of great erudition."—Kären Wigen, author of The Making of a Japanese Periphery

Shows how Japanese anxiety about overpopulation was used to justify expansion, blurring lines between migration and settler colonialism. This title is also available as Open Access.