In the 11th Century, when barren wives are customarily cast aside, how does Edith of Wessex not only manage to stay married to King Edward the Confessor, but also become his closest advisor, promote her family to the highest offices in the land, AND help raise her brother to the throne? And why is her story only told in the footnotes of Edward's history?Not everyone approves of Edward's choice of bride. Even the king's mother, Emma of Normandy, detests her daughter-in-law and Edith is soon on the receiving end of her displeasure. Balancing her sense of family obligation with her duty to her husband, Edith must also prove herself to her detractors. Edward's and Edith's relationship is respectful and caring, but when Edith's enemies engineer her family's fall from grace, the king is forced to send her away. She vows to do anything to protect her family's interests if she returns, at any cost. Can Edith navigate the dangerous path fate has set her, while still remaining loyal to both her husband and her family?

"This collection of essays, originating in the celebration of the millennium of Edward the Confessor's birth, is a full-scale reassessment of Edward's life and cult." --Book Jacket.

In The Monstrous Regiment of Women , Sharon Jansen explores the case for and against female rule by examining the arguments made by theorists from Sir John Fortescue (1461) through Bishop Bossuet (1680) interweaving their arguments with references to the most well-known early modern queens. The 'story' of early modern European political history looks very different if, instead of focusing on kings and their sons, we see successive generations of powerful women and the shifting political alliances of the period from a very different, and revealing, perspective.

In Perfect Wives, Other Women Georgina Dopico Black examines the role played by women’s bodies—specifically the bodies of wives—in Spain and Spanish America during the Inquisition. In her quest to show how both the body and soul of the married woman became the site of anxious inquiry, Dopico Black mines a variety of Golden Age texts for instances in which the era’s persistent preoccupation with racial, religious, and cultural otherness was reflected in the depiction of women. Subject to the scrutiny of a remarkable array of gazes—inquisitors, theologians, religious reformers, confessors, poets, playwrights, and, not least among them, husbands—the bodies of perfect and imperfect wives elicited diverse readings. Dopico Black reveals how imperialism, the Inquisition, inflation, and economic decline each contributed to a correspondence between the meanings of these human bodies and “other” bodies, such as those of the Jew, the Moor, the Lutheran, the degenerate, and whoever else departed from a recognized norm. The body of the wife, in other words, became associated with categories separate from anatomy, reflecting the particular hermeneutics employed during the Inquisition regarding the surveillance of otherness. Dopico Black’s compelling argument will engage students of Spanish and Spanish American history and literature, gender studies, women’s studies, social psychology and cultural studies.

Fantasy-roman.

An authoritative life of Edward the Confessor, the monarch whose death sparked the invasion of 1066 One of the last kings of Anglo-Saxon England, Edward the Confessor regained the throne for the House of Wessex and is the only English monarch to have been canonized. Often cast as a reluctant ruler, easily manipulated by his in-laws, he has been blamed for causing the invasion of 1066—the last successful conquest of England by a foreign power. Tom Licence navigates the contemporary webs of political deceit to present a strikingly different Edward. He was a compassionate man and conscientious ruler, whose reign marked an interval of peace and prosperity between periods of strife. More than any monarch before, he exploited the mystique of royalty to capture the hearts of his subjects. This compelling biography provides a much-needed reassessment of Edward’s reign—calling into doubt the legitimacy of his successors and rewriting the ending of Anglo-Saxon England.

In the time before the Confessors, when the world is a dark and dangerous place, where treason and treachery are the rule of the day, comes one heroic woman--Magda Searus--who has just lost her husband and her way in life.

Spells and prophecies sew havoc in the fight for humankind in the 4th novel of the #1 New York Times bestselling author’s epic fantasy series. Having taken his rightful place as Lord Rahl, ruler of D’Hara, Richard must once again postpone his wedding to Kahlan Amnell in order to face the fearsome Imperial Order in a fight for the New World and the freedom of humankind. But while Richard has the brave people of D’Hara at his command, Emperor Jagang of the Imperial Order has a significant advantage: he doesn’t fight fair. Jagang invokes a prophecy that binds Richard and Kahlan to a fate of pain, betrayal, and a path to the Underworld. At Jagang’s behest, a Sister of the Dark gains access into the fabled Temple of the Winds and unleashes a plague that sweeps across the lands like a firestorm. To stop the plague, Richard and Kahlan must risk everything they have—and everything they’ve hoped for.