"Published in conjunction with the exhibition 'The condition of being here: drawings by Jasper Johns', organized by the Menil Collection, Houston ... November 3, 2018-January 27, 2019"--Title page verso.

About 10 years after Jake Band’s accident, an emergency room doctor told him that due to all of his post-accident accomplishments, he was one in a billion. The number of zeros increased upon every achievement. Since then, he has graduated college, gotten married, and much more. In addition to the things Band learned in rehab and in the “real world”, Being-Here also includes information he acquired from college, other survivors, and plenty of graduate school research in rehabilitation journals. Being-Here is about facing your new world and life after surviving your TBI. Nobody, outside of the circle of survivors, can possibly have a clue what your life is like now. Band explains the unique things he did to face his new world. This was not only done with the hope that it could help you face similar, but unique deficits, but Band’s purpose for writing Being-Here was to convince you not to give up, even if people, such as “rehabilitation professionals”, pre-accident “friends”, and even family members give up on you and/or your future. Being-Here is a place to go for encouragement, to hear or read some positive words, and to find some of the needed fuel for your life-long journey and discovery.

Being Here Now: Insights of an Ex-Schizophrenic does not promise anything magical. It only offers new knowledge and skills to help create, discover or unleash a personal sense of sanity, success, and wellness. Towards this end, it covers existence, interaction, and grit from fresh perspectives. It attempts to demystify much of our social reality and furnishes a new basis for all individuals, the ordinary and the challenged, to contribute and feel contented. Insights to help acquire such a sense emerged during the author's recovery from schizophrenia. This offering is a vastly improved second edition that makes for easier reading and assimilation.

‘A luminous tale about the courage of the lone female artist.’ Joan London Born in Germany in 1876, Paula Modersohn-Becker was the first female artist to paint herself not only naked but pregnant. Being Here is a moving account of the life of this ground-breaking Expressionist painter, by the acclaimed French writer Marie Darrieussecq. As her art evolves, Paula is torn between Paris and her home in northern Germany. In Paris she can focus on her work, and mix with artists like Rodin and Monet, or her close friend the poet Rainer Maria Rilke. But Germany is home, and that’s where her painter husband Otto lives. Darrieussecq thrillingly describes Paula’s discovery of her style and choice of subjects—women, babies, domestic life. She tells the story of her fraught marriage, her ambivalence about combining her passion for her career as an artist with motherhood. And she recounts her tragic death at thirty-one, days after giving birth. Marie Darrieussecq was born in Bayonne in 1969 and and is recognized as one of the leading voices of contemporary French literature. Her first novel, Pig Tales, was translated into thirty-five languages. In 2013 she was awarded the Prix Médicis and the Prix des Prix. Text publishes her three most recent novels, Tom Is Dead, All the Way and Men, as well as Being Here, The Life of Paula Modersohn-Becker. ‘Marie Darrieussecq reads the testament of Modersohn-Becker—the letters, the diaries, and above all the paintings—with a burning intelligence and a fierce hold on what it meant and means to be a woman and an artist.’ J.M. Coetzee ‘There are few writers who may have changed my perception of the world, but Darrieussecq is one of them.’ The Times ‘The internationally celebrated author who illuminates those parts of life other writers cannot or do not want to reach.’ Independent ‘Penny Hueston’s translation from the original French, reads strangely—and in a good way—like true crime...Heartbreaking.’ West Australian ‘A brief, powerful artistic life that went painfully unrewarded—until after the painter’s death.’ Julian Barnes, Best Summer Holiday Reads, Guardian [UK] ‘Darrieussecq has written this painful story because of her own sorrow at not knowing Paula Modersohn-Becker and of not knowing of her; sorrow, too, at her early death and truncated creativity. Darrieussecq looks squarely at a subject that is often too brutal to explore.’ Monthly ‘Lyrical and touching... Blending historical fact with imaginative flair, Darrieussecq brings her figures to life, imbuing them with emotion, character, and power...Being Here feels almost effortlessly beautiful, a short work of non-fiction told like a flowing piece of fictional prose.’ AU Review ‘Translated elegantly by Penny Hueston, the study retains some of the spacious, if not capacious quality of the French language and its ability to articulate the phenomena of presence and absence—the continued aliveness of the paintings and the sad and sudden death of the painter.’ Conversation ‘In Darrieussecq’s hands, Modersohn-Becker’s story is both individual and exemplary: a frightening, energising fable’ Guardian ‘Darrieussecq animates the short life of a passionate German artist with vivid, spare prose...This taut biography, written in the present tense, has the urgency and poignancy of the best novels.’ Suzy Freeman-Greene, Best Books of 2017, Australian Book Review ‘One of those books that catches you by surprise, Being Here is art history that feels like a beautifully crafted novel...It’s effortlessly beautiful, and highlights the ever more important need to tell the stories of women in art.’ AU Review, Top Ten Books of 2017

Exploring the lifeworlds of Halima, Omar and Mohamed, three middle-aged Somalis living in Melbourne, Australia, the author discusses the interrelated meanings of emplacement and displacement as experienced in people’s everyday lives. Through their experiences of displacement and placemaking, Being-Here examines the figure of the refugee as a metaphor for societal alienation and estrangement, and moves anthropological theory towards a new understanding of the crucial existential links between Sein (Being) and Da (Here).

"We are all now writing stories. Sometimes in memory, sometimes in air. The wind lifts and passes us in gusts. Our stories scatter over continents, camouflaged histories we cannot share." In Being Here, Manini Nayar brings together a finely crafted collection of interconnected stories that follow "the daily miracle" of her characters' inner lives. Nayar brings to the forefront immigrant women making their way in the world as mothers, as wives, as outliers, and as rebels. She writes about their insistence on autonomy, the absurdity of the struggles they face, and their occasional triumphs. These stories loop and double back across time and locales, linking characters through memory while illumining lives forever changed by an offhand phrase, an act of will, or an unsought encounter. Readers will meet a wide array of characters, but it is Nina with whom they will become most familiar, as she appears throughout the collection: first, as a young wife brought to the US by her husband, Siddharth Vellodi; second, as an older sister; and third, as a divorced mother whose daughter's fateful rebellion remains the mysterious and incandescent center of the stories. Nayar's exploration of inward lives as the locus of dramatic action and events allows both characters and readers to grapple with simply being. In doing so, Nayar reveals the performative aspects of language—particularly its ability to create, destroy, and heal connections. In poetic and eloquent prose, Being Here constructs a luminous collage of restless immigrants united by their shared deference to a brave new journey. In their burgeoning voices another America is found, both latent and radiantly alive.

Arabic is unconditionally the national language of Palestinians, but for many it is no longer their mother-tongue. More than a century after the early waves of immigration to the Americas, and more than seven decades after the Nakba of 48, generations of Palestinians have grown up in a variety of different contexts within Israel-Palestine and the world at large. This ongoing scattered state has led to the proliferation of Palestinian culture as it is simultaneously growing in multiple directions, depending on geographical, political, and lingual contextualization. The Palestinian story no longer exists exclusively in Arabic. A new generation of Palestinian and Palestinian-descended writers and artists from both Latin and North America, Scandinavia, and Europe at large, as well as Israel-Palestine are bringing stories of their heritage and the Palestinian nation into a variety of languages such Spanish, Italian, English, Danish, and Hebrew—among so many other languages. Being There, Being Here is the product of an eight-year long journey in which Maurice Ebileeni explores how the Palestinian homeland is being imagined in multiple languages from a variety of positions both locally and globally. The book poses unsettling questions about this current situation and also looks to the future to speculate about how a Palestinian nation might still house the notion of home for an increasingly diverse Palestinian population.

What, other than numbers and power, justifies Canada’s assertion of sovereignty and jurisdiction over the country’s vast territory? Why should Canada’s original inhabitants have to ask for rights to what was their land when non-Aboriginal people first arrived? The question lurks behind every court judgment on Indigenous rights, every demand that treaty obligations be fulfilled, and every land-claims negotiation. Addressing these questions has occupied anthropologist Michael Asch for nearly thirty years. In On Being Here to Stay, Asch retells the story of Canada with a focus on the relationship between First Nations and settlers. Asch proposes a way forward based on respecting the “spirit and intent” of treaties negotiated at the time of Confederation, through which, he argues, First Nations and settlers can establish an ethical way for both communities to be here to stay.

What if the world was one massive puzzle ... with you, me and all of us being one of the much-needed puzzle pieces required to complete the puzzle? Just like every puzzle piece, each and every one of us has our unique colour, size, shape, expression and purpose. What if the world puzzle can never be complete until each and every one of us allows ourselves to be the unique puzzle piece we are here to be? What unique puzzle piece are you here to be? Are you being all of the unique puzzle piece that only you can be – so the entire world puzzle can one day be complete?