Lavishly illustrated, the Concise catalogue of the Scottish National Portrait Gallery presents a complete checklist of every painting, sculpture, drawing, miniature and silhouette in the main collection of some 3,200 items. The collection includes the most comprehensive public holdings of portraits of Robert Burns, Sir Walter Scott, Mary Queen of Scots and the Stewart princes.

This book sets a new standard as a work of reference. It covers British and Irish art in public collections from the beginning of the sixteenth century to the end of the nineteenth, and it encompasses nearly 9,000 painters and 90,000 paintings in more than 1,700 separate collections. The book includes as well pictures that are now lost, some as a consequence of the Second World War and others because of de-accessioning, mostly from 1950 to about 1975 when Victorian art was out of fashion. By listing many tens of thousands of previously unpublished works, including around 13,000 which do not yet have any form of attribution, this book becomes a unique and indispensable work of reference, one that will transform the study of British and Irish painting.

This unique and important directory incorporates some 3,200 entries. It covers all types and sizes of museums; galleries of paintings, sculpture and photography; and buildings and sites of particular historic interest. It also provides an extensive index listing over 3,200 subjects. The directory covers national collections and major buildings, but also the more unusual, less well-known and local exhibits and sites. The Directory of Museums, Galleries and Buildings of Historic Interest in the United Kingdom is an indispensable reference source for any library, an ideal companion for researcher and enthusiast alike, and an essential purchase for anyone with an interest in the cultural and historical collections of the UK. Features include: * Alphabetically listed entries, which are also indexed by subject for ease of reference * Entries include the name and address of the organization, telephone and fax numbers, email and internet addresses, a point of contact, times of opening and facilities for visitors * A breakdown of the collections held by each organization, giving a broad overview of the main collection as a whole * Details of special collections are provided and include the period covered as well as the number of items held.

An edited volume devoted to the reception and reputation of Edinburgh's premier Enlightenment portrait painter.Sir Henry Raeburn (1756-1823) is especially well known in Scotland as the portrait painter of members of the Scottish Enlightenment. However, outside Scotland, the artist rarely makes more than a fleeting appearance in survey books about portraiture. A review of the most recent exhibition devoted to the artist held in Edinburgh and London during 1997/8, noted that it wears the aspect of a closure rather than a new dawn' in Raeburn studies, with the painter being shown 'in solitary splendour'.This volume seeks to recover Raeburn from his artistic isolation by looking at his local and international reception and reputation, both in his lifetime and posthumously. It focuses as much on Edinburgh and Scotland as on metropolitan markets and cosmopolitan contexts. Previously unpublished archival material will be brought to light for the first time, especially from the Innes of Stow papers and the archives of the dukes of Hamilton.Key Features* 14 chapters each looking at different aspects of Raeburn's professional career* International scholars contributing to Raeburn studies for the first time* Interdisciplinary perspectives setting a new agenda for Raeburn studies* Traditional art analysis integrated with cultural, social, political and economic history* Includes much unpublished archival materialKeywordsScotland, Raeburn, Enlightenment, portraiture, art, patronage, taste, collecting

This book looks at visual images as an alternative and undervalued source of evidence for ideas about the Scottish Gaidhealtachd in the period 1700 - 1880. Illustrated with 100 plates, it brings together many little known and previously unrelated images. Addressing the textual bias inherent in Scottish historical studies, the book examines a broad range of maps, plans, paintings, drawings, sketches and printed images, arguing that the concept of antiquity was the single most powerful influence driving the visual representation of the Highlands and Islands from 1700 to 1880, and indeed beyond. Successive chapters look at archaeological, ethnological and geological motives for visualising the Highlands, and at the bias in favour of antiquity which resulted from the spread of these intellectual influences into the fine arts. The book concludes that the shadow of time which hallmarked visual representations of the region resulted in a preservationist mentality which has had powerful repercussions for approaches to Highland issues down to the present day. The book will appeal to historians, art historians, cultural geographers, and the general reader interested in Highland history and culture.

British Archives is the foremost reference guide to archive resources in the UK. Since publication of the first edition more than ten years ago, it has established itself as an indispensable reference source for everyone who needs rapid access on archives and archive repositories in this country. Over 1200 entries provide detailed information on the nature and extent of the collection as well as the organization holding it. A typical entry includes: name of repositiony; parent organization ; address, telephone, fax, email and website; number for enquiries; days and hours of opening; access restrictions; acquisitions policy; archives of organization; major collections; non-manuscript material; finding aids; facilities; conservation; publications New to this edition: email and web address; expanded bibliography; consolidated repository and collections index

Portraiture as a genre is receiving increased attention at the same time that public curiosity about science is reaching unprecedented levels. Published to coincide with a major exhibition at the National Portrait Gallery, London, from 14 April – 17 September 2000, and the Sainsbury Centre for Visual Arts, University of East Anglia, from 27 September – 10 December 2000, Defining Features brings portraiture and science together. Ludmilla Jordanova's lucid text reflects on the nature of the relationship between art, science, medicine and technology by focusing on a selection of portraits that spans more than three centuries. Illustrated with likenesses of such notable personalities as Edward Jenner, Marie Curie, Charles Darwin, Albert Einstein and Dorothy Hodgkin, and encompassing a variety of media from paintings and medals to bookmarks and key rings, Defining Features charts changing attitudes towards medical practice and scientific investigation, as well as exploring how notions of gender, heroism, popularization and celebrity have affected the public's understanding of how researchers do their work.

Papers from the 1999 conference by the Museum of Scotland. Aims to generate international comparison and debate about interpretation and presentation of heritage assets, and to examine the role of museums in shaping national identity.