The notion of society and politics as drama has drawn much attention in recent years. Yet despite the heritage begun by Aristophanes, few students of politics and the social order have taken comedy and comic inquiry seriously. This book revives the Aristophanic notion of democracy as comedy. Herein the reader will find why and how different aspects of American democracy—public opinion, interest groups, the presidency, and so on—are comic. It is the author's contention that the comic perspective offers insight and understanding on the actual operation of democracy. And they invite all those who wish to understand why American democracy is so comic to join them in their inquiry.

A significant number of Americans get some of their "news" about politics and national affairs from comedy shows. Is "infotainment" a debasement, or a replacement, for traditional news outlets?

This edited volume brings together scholars of comedy to assess how political comedy encounters neoliberal themes in contemporary media. Central to this task is the notion of genre; under neoliberal conditions (where market logics motivate most actions) genre becomes “mixed.” Once stable, discreet categories such as comedy, horror, drama and news and entertainment have become blurred so as to be indistinguishable. The classic modern paradigm of comedy/tragedy no longer holds, if it ever did. Moreover, as politics becomes more economic and less moral or normative under neoliberalism, we are able to see new resistance to comedic genres that support neoliberal strategies to hide racial and gender injustice such as unlaughter, ambiguity, and anti-comedy. There is also an increasing interest with comedy as a form of entertainment on the political right following both Brexit in the UK and the election of Trump in the U.S. Several essays confront this conservative comedy and place it in context of the larger humor history of these debates over free speech and political correctness. For comedians too, entry into popular media now follows the familiar neoliberal script of the celebration of self-help with the increasing admonishment of those who fail to win in market terms. Laughter plays an important role in shaming and valorizing (often at the same time!) the precarious subject in the aftermath of global recession. Doubling down on austerity, self-help policies and equivocation in the face of extremist challenges (right and left), politics foils the critical comedian’s attempt to satirize and parody its object. Characterized by ambiguity, mixed genre and the increasing use of anti-humor, political comedy mirrors the social and political world it mocks, parodies and celebrates often with lackluster results suggesting that the joke might be on us, as audiences.

Drawing on new empirical research from the political and cognitive sciences, Angus Fletcher deftly analyzes the narrative elements of two dozen stage plays, novels, romances, histories, and operas written by such authors as Aristophanes, Menander, Plautus, Ariosto, Machiavelli, Cervantes, Shakespeare, Ben Jonson, William Congreve, John Gay, Henry Fielding, and Washington Irving. He unearths five comic techniques that were used to foster democratic behaviors in antiquity and the Renaissance, then traces the role of these techniques in Tom Paine's Common Sense, Thomas Jefferson's preamble to the Declaration of Independence, George Washington's farewell address, Mercy Otis Warren's federalist history of the Revolution, Frederick Douglass's abolitionist orations, and other key documents that played a pivotal role in the development of the early American Republic. --Publisher description.

Both critically and commercially successful filmmakers, the Coen brothers have written, produced, and directed numerous acclaimed films over the past three decades. Sara MacDonald and Barry Craig demonstrate that their comedies, in particular, which are often dismissed as mere entertainments, actually present substantial philosophic and political arguments. They examine five of the Coen brothers’ comedies: Raising Arizona, Fargo, The Big Lebowski, O Brother, Where Art Thou, and Hail Caesar!. In those works, they discover insightful engagements with such ideas as questions of human freedom, the relationship of reason to religion, and the nature of liberal democracy in the American regime. They demonstrate how sometimes explicitly, but generally implicitly, the Coens draw on thinkers such as Homer, Plato, Dante, and Hegel, while simultaneously presenting popular entertainment.

American democracy is the world's most beloved form of government, which is why so many other nations are eager for it to be imposed on them. But just what exactly is it? Jon Stewart and his fellow patriots from the Emmy-winning The Daily Show finally deliver the answer. They offer their insights into a unique system of government, dissecting its institutions, explaining its history and processes, and exploring the reasons why concepts like 'One man, one vote', 'Government by the people', and 'Every vote counts' have become such popular urban myths. Includes such favourites as Ancient Rome: The First Republicans; The Founding Fathers: Young, Gifted and White; The President: King of Democracy; The Supreme Court: 18 Legs, Four Tits, One Mission; Running for Office: What Are You Thinking?; The Media: Can It Be Stopped?; The Future of Democracy: The Constitutional Robocracy and You

An illustrated introduction to ancient Greek tragedy, written by one of its most distinguished experts, which provides all the background information necessary for understanding the context and content of the dramas. A special feature is an individual essay on every one of the surviving 33 plays.

Amazon.com ExclusivesFeaturing a foreword by Thomas Jefferson, a Dress the Supreme Court layout, and, oddly enough, a profile of George "The Iceman" Gervin, America (The Book): A Citizen's Guide to Democracy Inaction, from Jon Stewart and the writers of the Emmy Award-winning The Daily Show, is by far one the most irreverent and wittiest (and may we add smartest) political book you're likely to encounter. Amazon.com spoke with Jon Stewart a few days before the 2004 publication of America (The Book) and they discussed bald eagles, magical talking cats, Thor Heyerdahl, and much more • Read the Amazon.com Interview with Jon Stewart • Listen to the Amazon.com Interview with Jon Stewart • Watch a "vintage" Amazon.com Exclusive Video from Jon StewartMore from Jon Stewart Naked Pictures of Famous People America (The Book) [Audio CD] The Daily Show with Jon Stewart: Indecision 2004 [DVD]

Reproducing Athens examines the role of romantic comedy, particularly the plays of Menander, in defending democratic culture and transnational polis culture against various threats during the initial and most fraught period of the Hellenistic Era. Menander's romantic comedies--which focus on ordinary citizens who marry for love--are most often thought of as entertainments devoid of political content. Against the view, Susan Lape argues that Menander's comedies are explicitly political. His nationalistic comedies regularly conclude by performing the laws of democratic citizen marriage, thereby promising the generation of new citizens. His transnational comedies, on the other hand, defend polis life against the impinging Hellenistic kingdoms, either by transforming their representatives into proper citizen-husbands or by rendering them ridiculous, romantic losers who pose no real threat to citizen or city. In elaborating the political work of romantic comedy, this book also demonstrates the importance of gender, kinship, and sexuality to the making of democratic civic ideology. Paradoxically, by championing democratic culture against various Hellenistic outsiders, comedy often resists the internal status and gender boundaries on which democratic culture was based. Comedy's ability to reproduce democratic culture in scandalous fashion exposes the logic of civic inclusion produced by the contradictions in Athens's desperately politicized gender system. Combining careful textual analysis with an understanding of the context in which Menander wrote, Reproducing Athens profoundly changes the way we read his plays and deepens our understanding of Athenian democratic culture.

Mid-fifth-century Athens saw the development of the Athenian empire, the radicalization of Athenian democracy through the empowerment of poorer citizens, the adornment of the city through a massive and expensive building program, the classical age of Athenian tragedy, the assembly of intellectuals offering novel approaches to philosophical and scientific issues, and the end of the Spartan-Athenian alliance against Persia and the beginning of open hostilities between the two greatest powers of ancient Greece. The Athenian statesman Pericles both fostered and supported many of these developments. Although it is no longer fashionable to view Periclean Athens as a social or cultural paradigm, study of the history, society, art, and literature of mid-fifth-century Athens remains central to any understanding of Greek history. This collection of essays reveal the political, religious, economic, social, artistic, literary, intellectual, and military infrastructure that made the Age of Pericles possible.