First published in 1945 under title : "The limits of jurisprudence defined," being a continuation of the author's "An introduction to the principles of morals and legislation."

Discusses morals' functions and natures that affect the legislation in general. Bases the discussions on pain and pleasure as basic principle of law embodiment. Mentions of the circumstance influencing sensibility, general human actions, intentionality, conciousness, motives, human dispositions, consequencess of mischievous act, case of punishment, and offences' division.

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Cotton textiles were the first good to achieve a truly global reach. For many centuries muslins and calicoes from the Indian subcontinent were demanded in the trading worlds of the Indian Ocean and the eastern Mediterranean. After 1500, new circuits of exchange were developed. Of these, the early-modern European craze for Indian calicoes and the huge nineteenth-century export trade in Lancashire goods, and subsequent deindustrialization of the Indian subcontinent, are merely the best known. These episodes, although of great importance, far from exhaust the story of cotton. They are well known because of the enormous research energy that has been devoted to them, but other important elements of cotton's long history are deserving of similar attention. This collection of essays examines the history of cotton textiles at a global level over the period 1200-1850. This volume sheds light on new answers to two questions: what is it about cotton that made it the paradigmatic first global commodity? And second, why did cotton industries in different parts of the world follow different paths of development? Included in this second question is, of course, the problem of the so-called "great divergence" that suggests that Europe and Asia followed a common path of economic development until the end of the eighteenth century. Cotton textiles have been central in explaining the nature, timing and effects of a "divergence" in the nineteenth. A volume of this sort is timely for many reasons, not least of which is the growing interest in global history. Textiles remain one of the most important manufactured commodities in debates about economic, social and cultural change across the globe. By adopting a long historical view and a broad geographical viewpoint, this book wishes to avoid a Eurocentric perspective that has long dominated debates over the birth and rise of the cotton textiles industry in Europe. Empirically this book brings together, and adds to, the current state of knowledge on a number of questions related to the history of cotton textiles. The outlines of the cotton industry in medieval and early modern times, whether in southern Europe, central Africa, west Asia or the Indian subcontinent, are known only in the sketchiest of terms. The relationship between cotton textiles and those made from other fibers such as wool, linen, and silk is poorly understood. And there has been a woeful neglect of the cloth made from the great mixtures of cotton and linen, cotton and wool, and cotton and silk, which were mainstays of textile manufacturing from Europe to Bengal. And the long history of commerce and connections between the producers and consumers of cotton textiles in Asia, Africa, the Americas and Europe remains under-researched. As a consequence, even the Indian trade in cotton textiles and the rise of the Lancashire cotton industry are not fully understood within their larger temporal and regional and global contexts. This volume draws upon papers that were presented at a conference on "Cotton Textiles as a Global Industry" held in Padua, Italy, in November 2005 and a workshop on "Global Histories of Economic Development: Cotton Textiles and Other Global Industries in the Early Modern Period" held at the Fondation des Treilles, France, in March 2006. Both meetings were sponsored and organized by the Global Economic History Network of the London School of Economics and were held in preparation for Session 59 on "Cotton Textiles as a Global Industry" for the XIV International Economic History Association Congress held in Helsinki in late August 2006. Essays included in the volume are authored by 19 scholars from eight different nations, all of whom are specialists in the study of textiles. They are drawn from a range of sub-disciplines within history and bring together their areas and periods of specialization to provide a global history. Therefore, the volume covers a wide variety of approaches to the study of history, which is essential for constructing a global picture. Some of the contributors are internationally well known for their publications on the history of cotton, as well as other textiles in different world areas. The volume also draws upon the research of a number of younger scholars whose work will form the core of the future development of textile history as a global discipline.

The first five volumes of the Correspondence of Jeremy Bentham contain over 1,300 letters written both to and from Bentham over a 50-year period, beginning in 1752 (aged three) with his earliest surviving letter to his grandmother, and ending in 1797 with correspondence concerning his attempts to set up a national scheme for the provision of poor relief. Against the background of the debates on the American Revolution of 1776 and the French Revolution of 1789, to which he made significant contributions, Bentham worked first on producing a complete penal code, which involved him in detailed explorations of fundamental legal ideas, and then on his panopticon prison scheme. Despite developing a host of original and ground-breaking ideas, contained in a mass of manuscripts, he published little during these years, and remained, at the close of this period, a relatively obscure individual. Nevertheless, these volumes reveal how the foundations were laid for the remarkable rise of Benthamite utilitarianism in the early nineteenth century. Bentham’s early life is marked by his extraordinary precociousness, but also family tragedy: by the age of 10 he had lost five infant siblings and his mother. The letters in this volume document his difficult relationship with his father and his increasing attachment to his surviving younger brother Samuel, his education, his interest in chemistry and botany, and his committing himself to a life of philosophy and legal reform.

John Stuart Mill’s Utilitarianism is a philosophical defense of utilitarianism, a moral theory stating that right actions are those that tend to promote overall happiness. The essay first appeared as a series of articles published in Fraser’s Magazine in 1861; the articles were collected and reprinted as a single book in 1863. Mill discusses utilitarianism in some of his other works, including On Liberty and The Subjection of Women, but Utilitarianism contains his only sustained defence of the theory. In this Broadview Edition, Colin Heydt provides a substantial introduction that will enable readers to understand better the polemical context for Utilitarianism. Heydt shows, for example, how Mill’s moral philosophy grew out of political engagement, rather than exclusively out of a speculative interest in determining the nature of morality. Appendices include precedents to Mill’s work, reactions to Utilitarianism, and related writings by Mill.

Bentham's writings for the French Revolution were dominated by the themes of rights, representation, and reform. In 'Nonsense upon Stilts' (hitherto known as 'Anarchical Fallacies'), the most devastating attack on the theory of natural rights ever written, he argued that natural rights provided an unsuitable basis for stable legal and political arrangements. In discussing the nature of representation he produced the earliest utilitarian justification of political equality and representative democracy, even recommending women's suffrage.

Bentham and the Arts considers the sceptical challenge presented by Bentham’s hedonistic utilitarianism to the existence of the aesthetic, as represented in the oft-quoted statement that, ‘Prejudice apart, the game of push-pin is of equal value with the arts and sciences of music and poetry. If the game of push-pin furnish more pleasure, it is more valuable than either.’ This statement is one part of a complex set of arguments on culture, taste, and utility that Bentham pursued over his lifetime, in which sensations of pleasure and pain were opposed to aesthetic sensibility. Leading scholars from a variety of disciplines reflect on the implications of Bentham’s radical utilitarian approach for our understanding of the history and contemporary nature of art, literature, and aesthetics more generally.