A classic British locked room mystery for fans of both thrillers and crime: The Clockmaker's Secret. Currently FREE for a limited time only! A buried clock holds the key to a decades-old mystery. On holiday to escape the nightmares of his last case, disgraced soldier turned private detective John “Slim” Hardy comes upon something buried in the peat on Bodmin Moor. Unfinished and water-damaged but still ticking, the old clock provides a vital clue to an unsolved missing-persons case. As Slim begins to ask questions of the tiny Cornish village of Penleven, he is drawn into a world of lies, rumours, and secrets, some of which the residents would prefer to stay buried. Twenty-three years ago, a reclusive clockmaker left his workshop and walked out onto Bodmin Moor, taking his last, unfinished clock with him. He disappeared. Slim is determined to find out why. The Clockmaker’s Secret is the stunning sequel to Jack Benton’s acclaimed debut, The Man by the Sea. #freeebook #freemystery #classicmystery #britishmystery #privateinvestigator #lockedroom #traditionalbritish #theclockmakerssecret #doomedlove #secretsandlies

A buried clock holds the key to a decades-old mystery. On holiday to escape the nightmares of his last case, disgraced soldier turned private detective John "Slim" Hardy comes upon something buried in the peat on Bodmin Moor. Unfinished and water-damaged but still ticking, the old clock provides a vital clue to an unsolved missing-persons case. As Slim begins to ask questions of the tiny Cornish village of Penleven, he is drawn into a world of lies, rumours, and secrets, some of which the residents would prefer to stay buried. Twenty-three years ago, a reclusive clockmaker left his workshop and walked out onto Bodmin Moor, taking his last, unfinished clock with him. He disappeared. Slim is determined to find out why. The Clockmaker's Secret is the stunning sequel to Jack Benton's acclaimed debut, The Man by the Sea.

A cloth bag containing ten copies of the title.

An orphan and thief, Hugo lives in the walls of a busy train station. He desperately believes a broken automaton will make his dreams come true. But when his world collides with an eccentric girl and a bitter old man, Hugo's undercover life are put in jeopardy. Turn the pages, follow the illustrations and enter an unforgettable new world!

Read the original Nancy Drew mystery! The Secret of the Old Clock is the mystery that began it all for America's favorite teenaged slueth. The accidental rescue of a little girl who lives with her two great-aunts leads to an adventurous search for a missing will.

INSTANT NEW YORK TIMES BESTSELLER From the author of the New York Times bestseller Homecoming—“An ambitious, compelling historical mystery with a fabulous cast of characters…Kate Morton at her very best.” —Kristin Hannah “An elaborate tapestry…Morton doesn’t disappoint.” —The Washington Post "Classic English country-house Goth at its finest." —New York Post In the depths of a 19th-century winter, a little girl is abandoned on the streets of Victorian London. She grows up to become in turn a thief, an artist’s muse, and a lover. In the summer of 1862, shortly after her eighteenth birthday, she travels with a group of artists to a beautiful house on a bend of the Upper Thames. Tensions simmer and one hot afternoon a gunshot rings out. A woman is killed, another disappears, and the truth of what happened slips through the cracks of time. It is not until over a century later, when another young woman is drawn to Birchwood Manor, that its secrets are finally revealed. Told by multiple voices across time, this is an intricately layered, richly atmospheric novel about art and passion, forgiveness and loss, that shows us that sometimes the way forward is through the past.

#1 NATIONAL BESTSELLER • Two starcrossed magicians engage in a deadly game of cunning in the spellbinding novel that captured the world's imagination. • "Part love story, part fable ... defies both genres and expectations." —The Boston Globe The circus arrives without warning. No announcements precede it. It is simply there, when yesterday it was not. Within the black-and-white striped canvas tents is an utterly unique experience full of breathtaking amazements. It is called Le Cirque des Rêves, and it is only open at night. But behind the scenes, a fierce competition is underway: a duel between two young magicians, Celia and Marco, who have been trained since childhood expressly for this purpose by their mercurial instructors. Unbeknownst to them both, this is a game in which only one can be left standing. Despite the high stakes, Celia and Marco soon tumble headfirst into love, setting off a domino effect of dangerous consequences, and leaving the lives of everyone, from the performers to the patrons, hanging in the balance.

K.J. Parker's new stand-alone novel is a perfectly executed tale of intrigue and deception. For the first time in nearly forty years, an uneasy truce has been called between two neighbouring kingdoms. The war has been long and brutal, fought over the usual things: resources, land, money. . . Now, there is a chance for peace. Diplomatic talks have begun and with them, the games. Two teams of fencers represent their nations at this pivotal moment. When the future of the world lies balanced on the point of a rapier, one misstep could mean ruin for all. Human nature being what it is, does peace really have a chance?

Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.