An anthology of landmark scholarship on the histories of the common soldier in the U.S. Civil War In 1943, Bell Wiley's groundbreaking book Johnny Reb launched a new area of study: the history of the common soldier in the U.S. Civil War. This anthology brings together landmark scholarship on the subject, from a 19th century account of life as a soldier to contemporary work on women who, disguised as men, joined the army. One of the only available compilations on the subject, The Civil War Soldier answers a wide range of provocative questions: What were the differences between Union and Confederate soldiers? What were soldiers' motivations for joining the army—their "will to combat"? How can we evaluate the psychological impact of military service on individual morale? Is there a basis for comparison between the experiences of Civil War soldiers and those who fought in World War II or Vietnam? How did the experiences of black soldiers in the Union army differ from those of their white comrades? And why were southern soldiers especially drawn to evangelical preaching? Offering a host of diverse perspectives on these issues, The Civil War Soldier is the perfect introduction to the topic, for the student and the Civil War enthusiast alike. Contributors: Michael Barton, Eric T. Dean, David Donald, Drew Gilpin Faust, Joseph Allen Frank, James W. Geary, Joseph T. Glaatthaar, Paddy Griffith, Earl J. Hess, Thomas Wentworth Higginson, Perry D. Jamieson, Elizabeth D. Leonard, Gerald F. Linderman, Larry Logue, Pete Maslowski, Carlton McCarthy, James M. McPherson, Grady McWhiney, Reid Mitchell, George A. Reaves, Jr., James I. Robertson, Fred A. Shannon, Maris A. Vinovskis, and Bell Irvin Wiley.

"Ramold disputes the old argument that citizen-soldiers in the Union Army differed little from civilians. He shows how a chasm of mutual distrust grew between soldiers and civilians during four years of fighting that led many Democratic soldiers to…build the groundwork for the postwar Republican Party. Filled with gripping anecdotes, this book makes for fascinating reading." —Scott Reynolds Nelson, College of William & Mary Union soldiers left home in 1861 with expectations that the conflict would be short, the purpose of the war was clear, and public support back home was universal. As the war continued, however, Union soldiers noticed growing disparities between their own expectations and those of their families at home with growing concern and alarm. Instead of support for the war, an extensive and oft-violent anti-war movement emerged. In this first study of the gulf between Union soldiers and northern civilians, Steven J. Ramold reveals the wide array of factors that prevented the Union Army and the civilians on whose behalf they were fighting from becoming a united front during the Civil War. In Across the Divide, Ramold illustrates how the divided spheres of Civil War experience created social and political conflict far removed from the better-known battlefields of the war. Steven J. Ramold, Associate Professor of American History at Eastern Michigan University, is the author of two previous books, Slaves, Sailors, Citizens: African Americans in the Union Navy and Baring the Iron Hand: Discipline in the Union Army. He and his wife reside in Ypsilanti, Michigan.

Letters have long been read as primary sources for biography and history, but their performative, fictive, and textual dimensions have only recently attracted serious notice. In this book, William Merrill Decker examines the place of the personal letter in American popular and literary culture from the colonial to the postmodern period. After offering an overview of the genre, Decker explores epistolary practices that coincide with American experiences of space, settlement, separation, and reunion. He discusses letters written by such well-known and well-educated persons as John Winthrop, Benjamin Franklin, Thomas Jefferson, Abigail and John Adams, Nathaniel Hawthorne, Margaret Fuller, Henry David Thoreau, Samuel Clemens, Henry James, and Alice James, but also letters by persons who, except in their correspondence, were not writers at all: indentured servants, New England factory workers, slaves, soldiers, and Western pioneers. Individual chapters explore the letter writing of Ralph Waldo Emerson, Emily Dickinson, and Henry Adams--three of America's most ambitious, accomplished, and theoretically astute letter writers. Finally, Decker considers the ongoing transformation of letter writing in the electronic age.

The soldiers on both sides of the Civil War were united by a common history, and yet the legacy of this past was ambiguous, upholding both rebellion and union. Union and Confederate men went to war as Americans, convinced they fought an un-American, savage enemy. The war they fought was as emotional and catastrophic as any in history, a violent crucible that forged a new national identity. Civil War Soldiers is a fresh and compelling attempt to fathom the war's significance—then and now—and makes immediate the charged issues and bitter ironies of a nation torn by a conflict over the common ideals of liberty and justice. Drawing on diaries and letters, the focus of this pioneering study is on the men who fought, caught up in a conflict whose causes and consequences seemed as complex and contradictory to the soldiers themselves as they do to us. Reid Mitchell re-creates their experience and discusses the questions one would have most wanted to ask them: Why did you fight? How did you feel about slavery and race? What did you take home from the war? What legacy have you left us? "Fresh insights, startling descriptions, and poignant human detail about the war from the men who fought it."—Chicago Tribune

New York Times bestselling author and award-winning historian John Boessenecker separates fact from fiction in the first new biography in decades of Black Bart, the Wild West’s most mysterious gentleman bandit. Black Bart is widely regarded today as not only the most notorious stage robber of the Old West but also the best behaved. Over his lifetime, Black Bart held up at least twenty-nine stagecoaches in California and Oregon with mild, polite commands, stealing from Wells Fargo and the US mail but never robbing a passenger. Such behavior earned him the title of a true “gentleman bandit.” His real name was Charles E. Boles, and in the public eye, Charles lived quietly as a boulevardier in San Francisco, the wealthiest and most exciting city in the American West. Boles was an educated man who traveled among respectable crowds. Because he did not drink, fight or consort with prostitutes, his true calling as America’s greatest stage robber was never suspected until his final capture in 1883. Sheriffs searched and struggled for years to find him, and newspaper editors had a field day reporting his exploits. Legends and rumors trailed his name until his mysterious death, and his ultimate fate remains one of the greatest mysteries of the Old West. Now historian John Boessenecker sheds new light on Black Bart’s beginnings, reputation and exploits, bringing to life the glittering story of the mysterious stage robber who doubled as a rich, genteel socialite in the golden era of the Wild West.

During the Civil War, Mississippi’s strategic location bordering the Mississippi River and the state’s system of railroads drew the attention of opposing forces who clashed in major battles for control over these resources. The names of these engagements—Vicksburg, Jackson, Port Gibson, Corinth, Iuka, Tupelo, and Brice’s Crossroads—along with the narratives of the men who fought there resonate in Civil War literature. However, Mississippi’s chronicle of military involvement in the Civil War is not one of men alone. Surprisingly, there were a number of female soldiers disguised as males who stood shoulder to shoulder with them on the firing lines across the state. Behind the Rifle: Women Soldiers in Civil War Mississippi is a groundbreaking study that discusses women soldiers with a connection to Mississippi—either those who hailed from the Magnolia State or those from elsewhere who fought in Mississippi battles. Readers will learn who they were, why they chose to fight at a time when military service for women was banned, and the horrors they experienced. Included are two maps and over twenty period photographs of locations relative to the stories of these female fighters along with images of some of the women themselves. The product of over ten years of research, this work provides new details of formerly recorded female fighters, debunks some cases, and introduces over twenty previously undocumented ones. Among these are women soldiers who were involved in such battles beyond Mississippi as Shiloh, Antietam, and Gettysburg. Readers will also find new documentation regarding female fighters held as prisoners of war in such notorious prisons as Andersonville.

Popular images of women during the American Civil War include self-sacrificing nurses, romantic spies, and brave ladies maintaining hearth and home in the absence of their men. However, as DeAnne Blanton and Lauren M. Cook show in their remarkable new study, that conventional picture does not tell the entire story. Hundreds of women assumed male aliases, disguised themselves in men’s uniforms, and charged into battle as Union and Confederate soldiers—facing down not only the guns of the adversary but also the gender prejudices of society. They Fought Like Demons is the first book to fully explore and explain these women, their experiences as combatants, and the controversial issues surrounding their military service. Relying on more than a decade of research in primary sources, Blanton and Cook document over 240 women in uniform and find that their reasons for fighting mirrored those of men—-patriotism, honor, heritage, and a desire for excitement. Some enlisted to remain with husbands or brothers, while others had dressed as men before the war. Some so enjoyed being freed from traditional women’s roles that they continued their masquerade well after 1865. The authors describe how Yankee and Rebel women soldiers eluded detection, some for many years, and even merited promotion. Their comrades often did not discover the deception until the “young boy” in their company was wounded, killed, or gave birth. In addition to examining the details of everyday military life and the harsh challenges of -warfare for these women—which included injury, capture, and imprisonment—Blanton and Cook discuss the female warrior as an icon in nineteenth-century popular culture and why -twentieth-century historians and society ignored women soldiers’ contributions. Shattering the negative assumptions long held about Civil War distaff soldiers, this sophisticated and dynamic work sheds much-needed light on an unusual and overlooked facet of the Civil War experience.

In an insightful, intimate look at the links between the Civil War soldier and his home and family, Mitchell draws on the letters, diaries, and memoirs of common soldiers to show how mid-19th-century ideas shaped the Union soldier's approach to everything from military discipline to battlefield bravery. Halftone illustrations.