Longlisted for the CWA John Creasy New Blood Dagger Award 2013 and shortlisted for CWA Endeavour Historical Dagger Award 2014 ‘She looked up at the terraced house, with the closed shutters and the big room at the end of the long unlit corridor where the man who smiled too much did his work. She climbed the steps and knocked on the door...’

Berlin, 1922: A city of fading beauty plagued by unemployment and rampant inflation becomes home to a growing number of refugees. Esther Solomonova survives by working as secretary to her fellow Russian émigré, "Prince" Nick, a scheming cabaret owner. Always on the prowl for a deal, Nick smells money when he hears of a woman in an asylum claiming to be the Grand Duchess Anastasia, daughter of the Russian Czar, the lone member of her family to escape assassination by the Bolsheviks. Enlisting a highly suspicious Esther, Nick plans to prepare the woman—known as Anna Anderson—to claim the Romanov fortune. But Anna is being hunted. Or so she claims. At first Esther believes Anna’s fears to be just in her imagination—until innocent people around them begin to die. Together with a German police officer, a dogged inspector named Schmidt, Esther tries to discover who wants Anna dead—and why. Yet the deeper she and Schmidt dig, the more they realize that their own lives are at risk. Deeply atmospheric, peopled with rich, complex characters, City of Shadows is an enthralling novel.

In this all-new Counterfeit Lady Novel from USA Today bestselling author Victoria Thompson, newlywed Elizabeth Miles must use her unlawful skills to expose a dangerous charlatan. Elizabeth Miles Bates has returned from her honeymoon with Gideon and is taking great pride in having completely forsaken her disreputable past. Then her friend Anna Vanderslice begs her to use her talents to save her widowed mother from an unscrupulous medium. Since the war and the flu epidemic left so many families in mourning, séances have come back into vogue as desperate families long to communicate with their loved ones. Anna's mother has been attending séances in hopes of connecting with her son, David, who died of influenza. Anna had thought it a heartbreaking but harmless activity, but she's just learned that Mrs. Vanderslice is paying the medium ever-increasing sums of money in her eagerness to make contact. Since David's death has already caused Anna and her mother financial hardship, Mrs. Vanderslice's obsession is in danger of ruining them. Madame Ophelia is working with a group of con artists to fleece as many grieving New Yorkers as possible before moving on to another city. Several of Mrs. Vanderslice's friends, as well as some of Gideon's clients, have already been victims. Elizabeth knows that simply exposing the medium as a fraud will not be enough to recoup the stolen money; the only way is to con the medium and her cohorts. But will Elizabeth's family help her when it means betraying other con artists? Elizabeth recruits Gideon, her aunt Cybil, and her partner, Zelda, to lend a hand. Can Elizabeth and her gang of amateurs fool the professionals? Or will speaking to the dead lead to deadly consequences?

Alongside debates over rising inequalities, the stubbornness of urban poverty, globally, has emerged as a major academic and policy concern. Urban poverty policy positions are typically framed by paradigms of basic services and welfare. In the backdrop of Bangalore's evolution into India's silicon valley, the book presents research spanning old, inner city slums, new migrant settlements in urban peripheries, slum development projects, and garment export and construction workers, highlighting that intergenerationally, the urban poor remain tied to traditional low paying occupations, or, get incorporated into new urban growth channels (export industries, low end services) under highly unfavourable terms and conditions. Using the concepts of the old and the new poor, to explore channels of inclusion and exclusion, the book underscores that the poor's vulnerabilities are defined by different regimes of informality. Debates on the urban poor's political agency are used to problematize informality's complex relationship to contemporary theories of class.

Francesca Flores' Shadow City is the stunning action-packed conclusion to The City of Diamond and Steel duology. Aina Solís has fought her way to the top of criminal ranks in the city of Kosín by wresting control of an assassin empire owned by her old boss, Kohl. She never has to fear losing her home and returning to life on the streets again—except Kohl, the man who tried to ruin her life, will do anything to get his empire back. Aina sets out to kill him before he can kill her. But Alsane Bautix, the old army general who was banned from his seat in the government after Aina revealed his corruption, is working to take back power by destroying anyone who stands in his way. With a new civil war on the horizon and all their lives at risk, the only way for Aina to protect her home is to join up with the only other criminal more notorious than her: Kohl himself. As Bautix’s attacks increase, Aina and Kohl work together to stop his incoming weapons shipments and his plans to take back the Tower of Steel. To defeat them both, Aina will resort to betrayal, poison, and a deadly type of magic that hasn’t been used in years. Through narrow alleys, across train rooftops, and deep in the city’s tunnels, Aina and Kohl will test each other’s strengths and limits, each of them knowing that once Bautix is dead, they’ll still have to face each other. If she manages to kill him, she’ll finally have the freedom she wants—but it might forever mark her as his shadow in a city where only the strongest survive.

"Laura Sebastian is the next Madeline Miller. . . . a fierce, fresh, lyrical tale that will enthrall until the last page."--Kate Quinn, New York Times bestselling author of The Huntress A Popsugar Best Summer Read of 2021 A Bibliolifestyle Most Anticipated Summer 2021 Sci-fi and Fantasy Book "Magical, haunting, unique--I haven't been so excited about an Arthur book since I read The Once and Future King ."--Tamora Pierce, #1 New York Times bestselling author The Lady of Shalott reclaims her story in this bold feminist reimagining of the Arthurian myth from the New York Times bestselling author of Ash Princess. Everyone knows the legend. Of Arthur, destined to be a king. Of the beautiful Guinevere, who will betray him with his most loyal knight, Lancelot. Of the bitter sorceress, Morgana, who will turn against them all. But Elaine alone carries the burden of knowing what is to come--for Elaine of Shalott is cursed to see the future. On the mystical isle of Avalon, Elaine runs free and learns of the ancient prophecies surrounding her and her friends--countless possibilities, almost all of them tragic. When their future comes to claim them, Elaine, Guinevere, Lancelot, and Morgana accompany Arthur to take his throne in stifling Camelot, where magic is outlawed, the rules of society chain them, and enemies are everywhere. Yet the most dangerous threats may come from within their own circle. As visions are fulfilled and an inevitable fate closes in, Elaine must decide how far she will go to change destiny--and what she is willing to sacrifice along the way.

“Kingdom of Shadows must be called a spy novel, but it transcends genre, as did some Graham Greene and Eric Ambler classics.”—The Washington Post Paris, 1938. As Europe edges toward war, Nicholas Morath, an urbane former cavalry officer, spends his days working at the small advertising agency he owns and his nights in the bohemian circles of his Argentine mistress. But Morath has been recruited by his uncle, Count Janos Polanyi, a diplomat in the Hungarian legation, for operations against Hitler’s Germany. It is Morath who does Polanyi’s clandestine work, moving between the beach cafés of Juan-les-Pins and the forests of Ruthenia, from Czech fortresses in the Sudetenland to the private gardens of the déclassé royalty in Budapest. The web Polanyi spins for Morath is deep and complex and pits him against German intelligence officers, NKVD renegades, and Croat assassins in a shadow war of treachery and uncertain loyalties, a war that Hungary cannot afford to lose. Alan Furst is frequently compared with Eric Ambler, Graham Greene, and John le Carré, but Kingdom of Shadows is distinctive and entirely original. It is Furst at his very best. Praise for Kingdom of Shadows “Kingdom of Shadows offers a realm of glamour and peril that are seamlessly intertwined and seem to arise effortlessly from the author’s consciousness.”—Janet Maslin, The New York Times “Subtly spun, sensitive to nuances, generous with contemporary detail and information discreetly conveyed. . . . It’s hard to overestimate Kingdom of Shadows.”—Eugen Weber, Los Angeles Times “A triumph: evocative, heartfelt, knowing and witty.”—Robert J. Hughes, The Wall Street Journal “Imagine discovering an unscreened espionage thriller from the late 1930s, a classic black- and- white movie that captures the murky allegiances and moral ambiguity of Europe on the brink of war. . . . Nothing can be like watching Casablanca for the first time, but Furst comes closer than anyone has in years.”—Walter Shapiro, Time

Orphaned, two sisters are left to find their own way. Sweet and proper, Karah's future seems secure at a glamorous Flower House. She could be pampered for the rest of her life. . . if she agrees to play their game. Nemienne, neither sweet nor proper, has fewer choices. Left with no alternative, she accepts a mysterious mage's offer of an apprenticeship. Agreeing means a home and survival, but can Nemienne trust the mage? With the arrival of a foreign bard into the quiet city, dangerous secrets are unearthed, and both sisters find themselves at the center of a plot that threatens not only to upset their newly found lives, but also to destroy their kingdom.

Austin, Texas, is often depicted as one of the past half century's great urban successstories--a place that has grown enormously through "creative class" strategies. In Shadows of a Sunbelt City, Eliot Tretter reinterprets this familiar story by exploring the racial and environmental underpinnings of the postindustrial knowledge economy.

Look, but don't touch. Touch, but don't feel. Feel, but never ever love. From the moment Alina touches London's hottest fae superstar, breaking one of the laws founded to protect all of her kind, her fate – and the fae – close in. Below ground, the fae High Queen plots to claim the city as her own and places her pawns, ready for the battle to come. A battle she cannot lose, but for one small problem – Alina. There are four ancient keepers powerful enough to keep the queen in her prison. Three are dead. One remains ... And to fight back, Alina risks sacrificing everything she has come to love. This New Adult urban fantasy is packed with action and suspense and will have you yearning for more forbidden fae romance.