Lives of the Animals takes us to that place where the boundaries between predator and prey, the observer and the observed, merge, reverse, become re-imagined. We find ourselves inside a story of death and life, witness to acts of survival so primal they seem less instinctive than passionate. And it is passion that most informs these poems: the bond between lovers, between parent and child, between humans and other animals, both wild and domestic, that populate our shared world of hunger and need.

A powerful new collection from an acclaimed, award-winning poet With nine previously published collections of poetry, Robert Wrigley has become one of his generation's most accomplished poets, renowned for his irony, power, and lucid style and for his ability to fuse narrative and lyrical impulses. Wrigley's tenth collection, Box, is a book of poems obsessed with human containment, with the way people are contained or confined—by time, mortality, technology, identity, culture, and history—in almost everything they are and everything they do. Even the body, even the poem itself, is in this regard a kind of self-containing crate, in which the human being, perhaps the human spirit, is shipped into the world at large. But Box is also a book obsessed with escape from containment, and escape comes from dreams, from deep awareness, from contemplation, from love, and above all, as Wallace Stevens insisted, from "the imagination pressing back against the pressure of reality." The poems in Box aim to do nothing less than "help people live their lives," as Stevens put it.

One of his generation's most accomplished poets, Robert Wrigley is renowned for his ironic, powerful, and lucid style as well as his ability to fuse narrative and lyrical impulses. Earthly Meditations features nineteen original poems alongside a collection of sixty-one poems chosen from his first six books.

From an award-winning poet, a new collection that endeavors to pass along what the things of the earth are telling us Over the course of his career Robert Wrigley has won acclaim for the emotional toughness, sonic richness, and lucid style of his poems, and for his ability to fuse narrative and lyrical impulses. In his new collection, Wrigley means to use poetry to capture the primal conversation between human beings and the perilously threatened planet on which they love and live, proceeding from a line from Auden: “All we are not stares back at what we are.” In language that is both elegiac and playful, declarative and yet ringingly musical; in traditional sonnets, quatrains, and free verse, Wrigley transcribes the consciousness and significance of every singing thing—in order to sing back.

Collects poems chosen by the editors as the best of 2014, featuring works by John Ashbery, Anne Carson, Mary Ruefle, Frederick Seidel, and others.

Robert Wrigley is a poet of America's northern Rocky Mountains. Over three decades his poetry's pervading concerns have been rural Western landscapes and humankind's place within the natural world. This selection covers his works from nine collections. Elegiac and lyrical, playful and angry, this book offers a vision that is fierce, unflinching and clear.

"From the start of the series in 1976, the editors of The Pushcart Prize have celebrated all sorts of poetry, from the traditional to the experimental, by both known and unknown poets. More than 750 poems have appeared, selected by new poetry editors for most of the twenty-five editions" -- publisher website (January 2008).

An annual collection of more than sixty of the prior year's top selected short stories, essays, and poems as published in literary magazines and small presses is complemented by an index to the series and a listing of hundreds of outstanding presses and authors. Simultaneous.