His name was Vladislav Kuznetsov, and he had been a twenty-one-year-old student at Mount Harwell College in Mount Harwell, Ohio. On a Friday afternoon, March 24, 2001, he succumbed to a sudden attack of spring fever and cut his classes for a stroll in a public park near the campus. Even after fifty years and several hundred centuries, he remembered it as vividly as though it had happened an hour before. It was a warm, fresh day with a promise of spring--the first really pleasant day of the year after the usual vagaries of a midwest winter. He strolled leisurely through the park, thinking with shameless delight of the stuffy classrooms he was avoiding. Eventually he seated himself on a patch of greening grass with a convenient tree to lean against and enjoyed the soft breeze and the peaceful surroundings while he absently whittled on a twig he had picked up. He felt sleepy. Probably he dozed off. Then came a tremendous jerk, like having a chair pulled from under him at the same instant that a truck hit him, and he almost lost consciousness. He landed with a painful bump and skidded for a short distance along a very rough wood floor. For a moment he sat gazing about him dazedly. He had been abruptly translated from his seat on the ground in a pleasant park on a lovely spring day to a seat on a wood floor in a large, dim room with a thunderstorm raging outside. He had a distinct impression that the two scenes had been linked by an earthquake. He tried hard to focus his thoughts, staring first at a table where a candle burned brightly and then at an animal tied to one of the table's legs by a short leash. It was a hairy pig. He raised his eyes to the room's two small, water-streaked windows and saw nothing beyond but branches swaying in a strong wind...

Before his death in 2002, Dr. Lloyd Biggle, Jr. compiled a list of his early science fiction stories that he considered his finest works. His children, Kenneth Lloyd Biggle and Donna Biggle Emerson, have meticulously transcribed them from their original magazine and anthology publications and assembled this great "best of" collection -- plus one previously unpublished work, "Alien By Any Other Name." Included in this volume are: BEACHHEAD IN UTOPIA HORNET'S NEST MATING INSTINCT THE MADDER THEY COME TRAVELING SALESMAN ESIDARAP OT PIRT DNUOR LESSON IN BIOLOGY ON THE DOUBLE THEY LIVE FOREVER WHO STEALS MY MIND... AN ALIEN BY ANY OTHER NAME And if you enjoy this volume, don't forget to search your favorite ebook store for "Wildside Press Megapack" to see all the 175+ other entries in this great series, covering science fiction, fantasy, horror, mysteries, westerns, classics -- and much, much more!

This reference tracks the development of speculative fiction influenced by the advancement of science and the idea of progress from the eighteenth century to the present day. The major authors and publications of the genre and significant subgenres are covered. Additionally there are entries on fields of science and technology which have been particularly prolific in provoking such speculation. The list of acronyms and abbreviations, the chronology covering the literature from the 1700s through the present, the introductory essay, and the dictionary entries provide science fiction novices and enthusiasts as well as serious writers and critics with a wonderful foundation for understanding the realm of science fiction literature. The extensive bibliography that includes books, journals, fanzines, and websites demonstrates that science fiction literature commands a massive following.

The finest exponents of horror fiction writing today, Neil Gaiman, China Mieville, Ramsey Campbell, Kim Newman, Graham Joyce, Paul McCauley, Stephen Gallagher, Caitlin R. Kiernan, Basil Cooper, Glen Hirshberg, Jay Russell, feature in the world's premier annual horror anthology series, another bumper showcase devoted exclusively to excellence in macabre fiction. To accompany the very best in short stories and novellas is the year's most comprehensive horror overview and contacts listing as well as a fascinating necrology.

Science Fiction literature, also known as sci fi and sf, is one of the more recent genres, and also one of the more popular. It only truly emerged during the 20th century, and has not stopped growing in terms of authors, titles and readers. It has also evolved into a variety of subgenres, ranging from hard sf to soft sf, from Utopias to dystopias, with more than a smattering of horror, detective, war and feminist titles. Stableford covers all these aspects and more, taking a close look at what has become a booming industry, with its specialized writers, publishers, and fan magazines. The compendium includes not only sf from the United States and United Kingdom, but also France, Russia, and many others. While the chronology charts the genre's dazzling growth, and the dictionary section looks at writers, books, themes, and other specifics, the introduction provides exceptional insight into what Science Fiction Literature is all about.

This volume contains descriptions of 1,245 books in nine fiction genres, including author or editor's name, publication information, story type, major characters, setting, plot summary, and more.

Edited by Richard Grusin of the Center for 21st Century Studies, this is the first book to name and characterize—and therefore consolidate—a wide array of current critical, theoretical, and philosophical approaches to the humanities and social sciences under the concept of the nonhuman turn. Each of these approaches is engaged in decentering the human in favor of a concern for the nonhuman, understood by contributors in a variety of ways—in terms of animals, affectivity, bodies, materiality, technologies, and organic and geophysical systems. The nonhuman turn in twenty-first-century studies can be traced to multiple intellectual and theoretical developments from the last decades of the twentieth century: actor-network theory, affect theory, animal studies, assemblage theory, cognitive sciences, new materialism, new media theory, speculative realism, and systems theory. Such varied analytical and theoretical formations obviously diverge and disagree in many of their assumptions, objects, and methodologies. However, they all take up aspects of the nonhuman as critical to the future of twenty-first-century studies in the arts, humanities, and social sciences. Unlike the posthuman turn, the nonhuman turn does not make a claim about teleology or progress in which we begin with the human and see a transformation from the human to the posthuman. Rather, the nonhuman turn insists (paraphrasing Bruno Latour) that “we have never been human,” that the human has always coevolved, coexisted, or collaborated with the nonhuman—and that the human is identified precisely by this indistinction from the nonhuman. Contributors: Jane Bennett, Johns Hopkins U; Ian Bogost, Georgia Institute of Technology; Wendy Hui Kyong Chun, Brown U; Mark B. N. Hansen, Duke U; Erin Manning, Concordia U, Montreal; Brian Massumi, U of Montreal; Timothy Morton, Rice U; Steven Shaviro, Wayne State U; Rebekah Sheldon, Indiana U.

When a wealthy Welsh landowner is murdered, Sherlock Holmes' brilliant second assistant, Edward Porter, investigates the crime