"A powerfully doomy debut" (The Guardian), Shaun Prescott’s The Town is a novel of a rural Australian community besieged by modern day anxieties and threatened by a supernatural force seeking to consume the dying town. This is Australia, an unnamed, dead-end town in the heart of the outback—a desolate place of gas stations, fast-food franchises, and labyrinthine streets: flat and nearly abandoned. When a young writer arrives to research just such depressing middles-of-nowhere as they are choked into oblivion, he finds something more sinister than economic depression: the ghost towns of Australia appear to be literally disappearing. An epidemic of mysterious holes is threatening his new home’s very existence, and this discovery plunges the researcher into an abyss of weirdness from which he may never escape. Dark, slippery and unsettling, Shaun Prescott’s debut resurrects the existential novel for the age of sprawl and blight, excavates a nation’s buried history of colonial genocide, and tells a love story that asks if outsiders can ever truly belong anywhere. The result is a disquieting classic that vibrates with an occult power.

In Cassette Culture, Peter Manuel tells how a new mass medium—the portable cassette player—caused a major upheaval in popular culture in the world's second-largest country. The advent of cassette technology in the 1980s transformed India's popular music industry from the virtual monopoly of a single multinational LP manufacturer to a free-for-all among hundreds of local cassette producers. The result was a revolution in the quantity, quality, and variety of Indian popular music and its patterns of dissemination and consumption. Manuel shows that the cassette revolution, however, has brought new contradictions and problems to Indian culture. While inexpensive cassettes revitalized local subcultures and community values throughout the subcontinent, they were also a vehicle for regional and political factionalism, new forms of commercial vulgarity, and, disturbingly, the most provocative sorts of hate-mongering and religious chauvinism. Cassette Culture is the first scholarly account of Indian popular music and the first case study of a technological revolution now occurring throughout the world. It will be an essential resource for anyone interested in modern India, communications theory, world popular music, or contemporary global culture.

The tales and travels of the Sugar Creek Gang have passed the test of time, delighting young readers for more than fifty years. Great mysteries for kids with a message, The Sugar Creek Gang series chronicles the faith-building adventures of a group of fun-loving, courageous Christian boys. Your kids will be thrilled, chilled, and inspired to grow as they follow the legendary escapades of Bill Collins, Dragonfly, and the rest of the gang as they struggle with the application of their Christian faith to the adventure of life. The Sugar Creek Gang's adventure to Chicago is full of ups and downs. It starts with an airplane ride over a storm. The adventure includes museum visits, rescue mission ministry, performing on the radio at Moody Bible Institute, and an elevated train ride. A fight between Jim and Bob Till lands one of them in the hospital in critical condition. Join the Gang as they learn again that the only way to heaven is through Jesus.

"As the circus of the Blagojevich saga unfolded, Natasha Korecki was right at the center.... It was a seriocomedy suited to her enterprise and imagination, and she’s the one to write the book." —Roger Ebert "Natasha Korecki's chronicle of the Blagojevich saga was a cutting-edge lesson in how to blend old-fashioned reporting with new media." —Richard Roeper Chicago, Illinois, and America at large were captivated by the arrest, trial, and general public embarrassment of Illinois governor Rod Blagojevich. Only in Chicago is derived from the best of award-winning Chicago Sun-Times reporter Natasha Korecki's work on the Blagojevich scandal, weaving together years of reporting and never-before published details into one straightforward, fast-paced narrative. From the infamous audiotapes to Blagojevich's strange public relations campaign, this is one of the most bizarre true political tales ever told. Beyond the slew of backroom dealmakers who were sucked into the Blagojevich imbroglio, President Barack Obama himself--while never accused of any wrongdoing--was also interviewed by federal prosecutors. Now-mayor Rahm Emanuel's discussions with Blagojevich are included as well. The political figure who became most entangled with the scandal, however, was Congressman Jesse Jackson Jr., who is accused of offering Blagojevich $6 million for Obama's vacated Senate seat through an intermediary.

The explosive Edgar Award–winning debut novel—told entirely through surveillance recordings, eyewitness reports, and other “official” documents—by New York Times bestselling author Lawrence Sanders New York City. Summer 1968.Newly sprung from prison, professional burglar John Anderson is preparing for the biggest heist of his criminal career. The mark is a Manhattan luxury apartment building with the tony address of 535 East Seventy-Third Street. Enlisting a crew of scouts, con artists, and a getaway driver, Anderson orchestrates what he believes to be a foolproof plan. To pull off the big score, he needs one last thing: the permission of the local mafia, who expect a piece of the action. But no one inside Anderson’s operation knows that the police have recorded their conversations. The New York Police Department has hatched a plot of its own—but even its task force may not be enough to stop such a cunningly planned robbery.

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"Only eleven men and one woman are alive today who have made the life-and-death decisions that come with running the world's most powerful and influential intelligence service. With unprecedented, deep access to nearly all these individuals plus several of their predecessors, Chris Whipple tells the story of an agency that answers to the United States president alone, but whose activities--spying, espionage, and covert action--take place on every continent. At pivotal moments, the CIA acts as a brake on rogue presidents, starting in the mid-seventies with DCI Richard Helms's refusal to conceal Richard Nixon's criminality and continuing to the present as the actions of a CIA whistleblower have ignited impeachment proceedings against Donald Trump. Since its inception in 1947, the Central Intelligence Agency has been a powerful player on the world stage, operating largely in the shadows to protect American interests. For The Spymasters, Whipple conducted extensive, exclusive interviews with nearly every living CIA director, pulling back the curtain on the world's elite spy agencies and showing how the CIA partners--or clashes--with counterparts in Britain, France, Germany, Israel, Jordan, Saudi Arabia, and Russia. Topics covered in the book include attempts by presidents to use the agency for their own ends; simmering problems in the Middle East and Asia; rogue nuclear threats; and cyberwarfare"--

New York Times Bestseller "A moving, beautifully etched picture of America’s lost and profoundly lonely." —Kazuo Ishiguro, author of The Remains of the Day and winner of the 2017 Nobel Prize for Literature “Brilliant . . . Darnielle is a master at building suspense, and his writing is propulsive and urgent; it’s nearly impossible to stop reading . . . [Universal Harvester is] beyond worthwhile; it’s a major work by an author who is quickly becoming one of the brightest stars in American fiction.” —Michael Schaub, Los Angeles Times “Grows in menace as the pages stack up . . . [But] more sensitive than one would expect from a more traditional tale of dread.” —Joe Hill, New York Times Book Review Life in a small town takes a dark turn when mysterious footage begins appearing on VHS cassettes at the local Video Hut. So begins Universal Harvester, the haunting and masterfully unsettling new novel from John Darnielle, author of the New York Times Bestseller and National Book Award Nominee Wolf in White Van Jeremy works at the Video Hut in Nevada, Iowa. It’s a small town in the center of the state—the first a in Nevada pronounced ay. This is the late 1990s, and even if the Hollywood Video in Ames poses an existential threat to Video Hut, there are still regular customers, a rush in the late afternoon. It’s good enough for Jeremy: it’s a job, quiet and predictable, and it gets him out of the house, where he lives with his dad and where they both try to avoid missing Mom, who died six years ago in a car wreck. But when a local schoolteacher comes in to return her copy of Targets—an old movie, starring Boris Karloff, one Jeremy himself had ordered for the store—she has an odd complaint: “There’s something on it,” she says, but doesn’t elaborate. Two days later, a different customer returns a different tape, a new release, and says it’s not defective, exactly, but altered: “There’s another movie on this tape.” Jeremy doesn’t want to be curious, but he brings the movies home to take a look. And, indeed, in the middle of each movie, the screen blinks dark for a moment and the movie is replaced by a few minutes of jagged, poorly lit home video. The scenes are odd and sometimes violent, dark, and deeply disquieting. There are no identifiable faces, no dialogue or explanation—the first video has just the faint sound of someone breathing— but there are some recognizable landmarks. These have been shot just outside of town. In Universal Harvester, the once placid Iowa fields and farmhouses now sinister and imbued with loss and instability and profound foreboding. The novel will take Jeremy and those around him deeper into this landscape than they have ever expected to go. They will become part of a story that unfolds years into the past and years into the future, part of an impossible search for something someone once lost that they would do anything to regain. “This chilling literary thriller follows a video store clerk as he deciphers a macabre mystery through clues scattered among the tapes his customers rent. A page-tuning homage to In Cold Blood and The Ring.” —O: The Oprah Magazine “[Universal Harvester is] so wonderfully strange, almost Lynchian in its juxtaposition of the banal and the creepy, that my urge to know what the hell was going on caused me to go full throttle . . . [But] Darnielle hides so much beautiful commentary in the book’s quieter moments that you would be remiss not to slow down.” —Abram Scharf, MTV News “Universal Harvester is a novel about noticing hidden things, particularly the hurt and desperation that people bear under their exterior of polite reserve . . . Mr. Darnielle possesses the clairvoyant’s gift for looking beneath the surface.” —Sam Sacks, The Wall Street Journal “[Universal Harvester is] constantly unnerving, wrapped in a depressed dread that haunts every passage. But it all pays off with surprising emotionality.” —Kevin Nguyen, GQ.com