In the world of Native Americans, oral communication takes the place of the written word in preserving their most valued “texts.” By a miracle of transmission, here is the earliest and most authenticated version of the story of the Cherokee people, from their origins in a land across the great waters to the coming of the white man. In olden times, it was recited at every Great Moon or Cherokee New Year festival so it could be learned by young people and the tribal lore perpetuated. It was set down in English in an Indian Territory newspaper by Cornsilk (the pen-name of William Eubanks) from the Cherokee language recitation of George Sahkiyah (Soggy) Sanders, a fellow Keetoowah Society priest, in 1896. We do not have anything anterior or more authoritative than Eubanks and Sanders’ “Red Man’s Origin," presented here as The Cherokee Origin Narrative. Mystic and plain-spoken at the same time, it tells how the clans became seven in number, reorganized their religion in America and struggled to maintain their “half-sphere temple of light.” You will hear in Cornsilk’s original words about the true name of the Cherokee people, the deathless Uktena serpent, divining crystals of the Urim and Thummin, “terrible Sa-ho-ni clan” and other Cherokee storytelling subjects. The brief narrative is edited with an introduction, notes and line drawings by Donald N. Yates, author of Old World Roots of the Cherokee and other titles in Cherokee history. If you own one book about the Cherokee Indians it should be this one.

The stories of the Cherokee people presented here capture in written form tales of history, myth, and legend for readers, speakers, and scholars of the Cherokee language. Assembled by noted authorities on Cherokee, this volume marks an unparalleled contribution to the linguistic analysis, understanding, and preservation of Cherokee language and culture. Cherokee Narratives spans the spectrum of genres, including humor, religion, origin myths, trickster tales, historical accounts, and stories about the Eastern Cherokee language. These stories capture the voices of tribal elders and form a living record of the Cherokee Nation and Eastern Band of Cherokee Indians' oral tradition. Each narrative appears in four different formats: the first is interlinear, with each line shown in the Cherokee syllabary, a corresponding roman orthography, and a free English translation; the second format consists of a morpheme-by-morpheme analysis of each word; and the third and fourth formats present the entire narrative in the Cherokee syllabary and in a free English translation. The narratives and their linguistic analysis are a rich source of information for those who wish to deepen their knowledge of the Cherokee syllabary, as well as for students of Cherokee history and culture. By enabling readers at all skill levels to use and reconstruct the Cherokee language, this collection of tales will sustain the life and promote the survival of Cherokee for generations to come.

Most histories of the Cherokee nation focus on its encounters with Europeans, its conflicts with the U. S. government, and its expulsion from its lands during the Trail of Tears. This work, however, traces the origins of the Cherokee people to the third century B.C.E. and follows their migrations through the Americas to their homeland in the lower Appalachian Mountains. Using a combination of DNA analysis, historical research, and classical philology, it uncovers the Jewish and Eastern Mediterranean ancestry of the Cherokee and reveals that they originally spoke Greek before adopting the Iroquoian language of their Haudenosaunee allies while the two nations dwelt together in the Ohio Valley.

How the World Was Made is a traditional Cherokee creation story. It takes place during a time when animals did many of the things that people can do. When the earth was young, the animals lived on a rock above it, and the earth was covered with water. The animals needed more room, but where could they find it? This book retells the delightful Cherokee tale of how the earth was created, while teaching the valuable lesson that even the smallest creature can make a big difference. Written in both Cherokee and English so readers can become acquainted with the Cherokee syllabary and language.

“Throughout our Cherokee history,” writes Joyce Dugan, former principal chief of the Eastern Band of Cherokee Indians, “our ancient stories have been the essence of who we are.” These traditional stories embody the Cherokee concepts of Gadugi, working together for the good of all, and Duyvkta, walking the right path, and teach listeners how to understand and live in the world with reverence for all living things. In Eastern Cherokee Stories, Sandra Muse Isaacs uses the concepts of Gadugi and Duyvkta to explore the Eastern Cherokee oral tradition, and to explain how storytelling in this tradition—as both an ancient and a contemporary literary form—is instrumental in the perpetuation of Cherokee identity and culture. Muse Isaacs worked among the Eastern Cherokees of North Carolina, recording stories and documenting storytelling practices and examining the Eastern Cherokee oral tradition as both an ancient and contemporary literary form. For the descendants of those Cherokees who evaded forced removal by the U.S. government in the 1830s, storytelling has been a vital tool of survival and resistance—and as Muse Isaacs shows us, this remains true today, as storytelling plays a powerful role in motivating and educating tribal members and others about contemporary issues such as land reclamation, cultural regeneration, and language revitalization. The stories collected and analyzed in this volume range from tales of creation and origins that tell about the natural world around the homeland, to post-Removal stories that often employ Native humor to present the Cherokee side of history to Cherokee and non-Cherokee alike. The persistence of this living oral tradition as a means to promote nationhood and tribal sovereignty, to revitalize culture and language, and to present the Indigenous view of history and the land bears testimony to the tenacity and resilience of the Cherokee people, the Ani-Giduwah.

126 myths: sacred stories, animal myths, local legends, many more. Plus background on Cherokee history, notes on the myths and parallels. Features 20 maps and illustrations.

Presents a collection of traditional Cherokee tales, teachings, and folklore, with four works presented in both English and Cherokee.

In Cherokee Asegi udanto refers to people who either fall outside of men’s and women’s roles or who mix men’s and women’s roles. Asegi, which translates as “strange,” is also used by some Cherokees as a term similar to “queer.” For author Qwo-Li Driskill, asegi provides a means by which to reread Cherokee history in order to listen for those stories rendered “strange” by colonial heteropatriarchy. As the first full-length work of scholarship to develop a tribally specific Indigenous Queer or Two-Spirit critique, Asegi Stories examines gender and sexuality in Cherokee cultural memory, how they shape the present, and how they can influence the future. The theoretical and methodological underpinnings of Asegi Stories derive from activist, artistic, and intellectual genealogies, referred to as “dissent lines” by Maori scholar Linda Tuhiwai Smith. Driskill intertwines Cherokee and other Indigenous traditions, women of color feminisms, grassroots activisms, queer and Trans studies and politics, rhetoric, Native studies, and decolonial politics. Drawing from oral histories and archival documents in order to articulate Cherokee-centered Two-Spirit critiques, Driskill contributes to the larger intertribal movements for social justice.

Traditional and modern stories by the Cherokee Indians of North Carolina reflect the tribe's religious beliefs and values, observations of animals and nature, and knowledge of history.

From the author of the Pulitzer Prize finalist Maud's Line, an epic novel that follows a web of complex family alliances and culture clashes in the Cherokee Nation during the aftermath of the Civil War, and the unforgettable woman at its center.