Taking you through the year day by day, The Cheltenham Book of Days contains quirky, eccentric, amusing and important events and facts from different periods of history, many of which had a major impact on the religious and political history of Britain as a whole. Ideal for dipping into, this addictive little book will keep you entertained and informed. Featuring hundreds of snippets of information gleaned from the vaults of Cheltenham's archives, it will delight residents and visitors alike.

For three hundred years the ghetto defined Jewish culture in the late medieval and early modern period in Western Europe. In the nineteenth-century it was a free-floating concept which travelled to Eastern Europe and the United States. Eastern European “ghettos”, which enabled genocide, were crudely rehabilitated by the Nazis during World War Two as if they were part of a benign medieval tradition. In the United States, the word ghetto was routinely applied to endemic black ghettoization which has lasted from 1920 until the present. Outside of America “the ghetto” has been universalized as the incarnation of class difference, or colonialism, or apartheid, and has been applied to segregated cities and countries throughout the world. In this Very Short Introduction Bryan Cheyette unpicks the extraordinarily complex layers of contrasting meanings that have accrued over five hundred years to ghettos, considering their different settings across the globe. He considers core questions of why and when urban, racial, and colonial ghettos have appeared, and who they contain. Exploring their various identities, he shows how different ghettos interrelate, or are contrasted, across time and space, or even in the same place. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

Join two of the internet's favorite dogs and their owner, sports broadcaster Andrew Cotter, as he shares journal entries from life during the pandemic lockdown. Are you sitting nicely? Good. Let's discover exactly what happened after two superstar Labradors chewed up the lockdown internet and found it really quite tasty. He's not kept a journal for decades but here, in Dog Days, Andrew Cotter draws inspiration from the great Samuel Pepys; like him, he bears witness to the extraordinary everyday as the world tilts on its axis in our own unsettling era. And so, with Olive and Mabel at his side—actually, dawdling in the long grass or sleeping upside down—Andrew takes a clear-eyed, often hilarious walk through a year that encompasses all of life from the crushingly mundane to the decidedly odd. Followed by whispers of "Is that really Olive and Mabel?"—not to mention the occasional Hollywood approach—the three of them pad around literary festivals, breakfast TV, live radio, and even an appearance on Good Morning America. Slightly bemused by their fame, Andrew not only pitches up in the iconic Mastermind chair, but makes a return to sports broadcasting to find that it has become rather strange as well. But, always, his pair of utterly endearing, endlessly optimistic and eternally hungry canine companions show just how precious our time is. Especially our time spent in the devoted company of dogs. For fans new and old, this witty, insightful account of a year like no other is an unmissable treat.

Mystery crime fiction written in the Golden Age of Murder "An absorbing head-scratcher." —Booklist In the seeming tranquility of Regency Square in Cheltenham live the diverse inhabitants of its ten houses. One summer's evening, the square's rivalries and allegiances are disrupted by a sudden and unusual death—an arrow to the head, shot through an open window at no. 6. Unfortunately for the murderer, an invitation to visit had just been sent by the crime writer Aldous Barnet, staying with his sister at no. 8, to his friend Superintendent Meredith. Three days after his arrival, Meredith finds himself investigating the shocking murder two doors down. Six of the square's inhabitants are keen members of the Wellington Archery Club, but if Meredith thought that the case was going to be easy to solve, he was wrong... The Cheltenham Square Murder is a classic example of how John Bude builds a drama within a very specific location. Here the Regency splendour of Cheltenham provides the perfect setting for a story in which appearances are certainly deceiving.

When his owners leave for a birthday party, Cheltenham the cat decides to throw a party of his own and invites all the animals in the neighborhood.

Helen Garner’s gritty, lyrical first novel divided the critics on its publication in 1977. Today, Monkey Grip is regarded as a masterpiece—the novel that shines a light on a time and a place and a way of living never before presented in Australian literature: communal households, music, friendships, children, love, drugs, and sex. When Nora falls in love with Javo, she is caught in the web of his addiction; and as he moves between loving her and leaving, between his need for her and promises broken, Nora’s life becomes an intense dance of loving and trying to let go. Helen Garner is one of Australia’s finest authors. In 2006 she received the inaugural Melbourne Prize for Literature, and in 2016 she won the prestigious Windham–Campbell Prize for non-fiction. Her novels include Monkey Grip, The Children’s Bach, Cosmo Cosmolino and The Spare Room. I rolled and rolled in the water, deafening my ears while I thought of, and discarded, all the reasons why I shouldn’t go. I popped up, hanging on to the rail, hair streaming on my neck. ‘OK. I’ll come.’ Javo was looking at me. So, afterwards, it is possible to see the beginning of things, the point at which you had already plunged in, while at the time you thought you were only testing the water with your toe. ‘Garner is a natural storyteller.’ James Wood, New Yorker ‘Her use of language is sublime.’ Scotsman ‘This is the power of Garner’s writing. She drills into experience and comes up with such clean, precise distillations of life, once you read them they enter into you. Successive generations of writers have felt the keen influence of her work and for this reason Garner has become part of us all.’ Australian ‘Its embattled characters are so real that by the last page you feel not just that you have read a magnificent novel but that you have experienced life itself.’ The Times on The Spare Room 'What Garner offers in these novels is an alternative to the cloying metafiction of the late 20th century and the washed-out realism of the 21st. They are undeniably of their time – the 1970s commitment to the liberating possibilities of sex, drugs and communal living in Monkey Grip, the hangover nursed in the 1980s in The Children’s Bach – but they also belong to a literary epoch we think of as long gone, as they earnestly strive to resurrect a modernist art of estrangement.' London Review of Books

'Walking to the End of the World' keeps us turning its pages--an elegant story woven in the seasoned voice of writer Beth Jusino, who shares great insight into her own strengths and weaknesses, relationships of all sorts, and a world view we'd all do well to consider. -Steven Watkins, author of Pilgrim Strong: Rewriting My Story on the Way of St. James

Describes the difficult and bloody four-month battle that tipped the stalemate on the Western Front in favor of the Allies in 1918 and drove back the Germans, bringing World War I to an end.