Terence Fisher brought the modern Gothic horror film to life in the second half of the twentieth century. As director John Carpenter (Halloween) notes in his introduction, "Terence Fisher and The Curse of Frankenstein was the beginning of it all for the modern horror film..."

Kate Reilly has a hard time trusting people. Six years ago, the love of her life turned her over to the vampire parasites who call themselves the Thrall. Katie survives the powerful bite of the master parasite only to discover that the Thrall’s venom, coupled with her own natural psychic ability, has transformed her. Now she is next in line to be the Thrall Queen--and each day might be her last as a human. Tom, a handsome firefighter, arouses all of Katie’s dormant senses, but her heart shies away. After Dylan’s betrayal, how can she trust any man—even a seemingly perfect and terribly sexy werewolf? Tom’s sincerity--and sex appeal--begins to wear down Katie’s defenses. But his increasingly insistent charm hides a potentially deadly secret: his werewolf pack is hiding the one person who can stop the Thrall from completing Katie's transformation into Queen--and they won't give her up.

Sometimes the greater good requires the smaller evil. 17-year-old Arman Dukoff can't remember life without anxiety and chronic illness when he arrives at an expensive self-help retreat in the remote hills of Big Sur. He’s taken a huge risk—and two-thousand dollars from his meth-head stepfather—for a chance to "evolve," as Beau, the retreat leader, says. Beau is complicated. A father figure? A cult leader? A con man? Arman's not sure, but more than anyone he's ever met, Beau makes Arman feel something other than what he usually feels—worthless. The retreat compound is secluded in coastal California mountains among towering redwoods, and when the iron gates close behind him, Arman believes for a moment that he can get better. But the program is a blur of jargon, bizarre rituals, and incomprehensible encounters with a beautiful girl. Arman is certain he's failing everything. But Beau disagrees; he thinks Arman has a bright future—though he never says at what. And then, in an instant Arman can't believe or totally recall, Beau is gone. Suicide? Or murder? Arman was the only witness and now the compound is getting tense. And maybe dangerous. As the mysteries and paradoxes multiply and the hints become accusations, Arman must rely on the person he's always trusted the least: himself.

The Fairy World becomes perfect with the transformation of Evil to Good. That will be the sustenance of the world.

DigiCat Publishing presents to you this special edition of "Lancashire Folk-lore" (Illustrative of the Superstitious Beliefs and Practices, Local Customs and Usages of the People of the County Palatine) by Thomas Turner Wilkinson, John Harland. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

This book is a selection of modernized, paganized prayers and charms from volumes one and two of Carmichael's Carmina Gadelica, intended for use by Druids, Celtic Reconstructionists, or others interested in Celtic spiritulaity. The Carmina Gadelica is a six volume collection of prayers, charms, and folklore from Scotland assembled around 1900 by Alexander Carmichael. This book represents modernized, re-paganized versions of selected prayers and charms from the first two volumes of the series. It is designed to be used by Celtic Polytheists, Druids, or anyone else interested in Celtic Spirituality. All original deity references have been replaced with the names of Irish gods, and the language has been modernized, but otherwise the content has been kept as true to the original as possible.