From December 1901 to May 1902, the City of Charleston, South Carolina, hosted the only world's fair ever held on Palmetto State soil. Officially known as the South Carolina Interstate and West Indian Exposition, or more commonly as the Charleston Exposition, the event was eagerly anticipated by Charlestonians in hopes that it would boost business ad industry. Even an unusually cold winter could not deter the 675,000 people who visited this landmark celebration in South Carolina history. With the arrival of the Exposition's 100th anniversary, a renewed interest has been sparked in the story that surrounds it. People from all over the country flocked to the Charleston Exposition to tour the detailed building erected in what is now known as Hampton Park. Appearances from President Theodore Roosevelt and author Samuel Clemens; shows with Jim Key, the famous intelligent horse; and the display of the Liberty Bell, on loan from Philadelphia, were just a few of the highlights that enticed visitors to come to South Carolina's Lowcountry. Readers of The Charleston Exposition will experience this almost forgotten event, from its conception, through its planning and construction, to the fair's arrival and completion.

With nearly 2,000 entries and 520 illustrations, this comprehensive reference surveys the history and culture of the Palmetto State from A to Z, mountains to coast, and prehistory to the present.

Most visitors to Charleston never venture far enough north to discover what residents claim as the most appealing public open space on the peninsula. Hampton Park is completely unexpected in this city famous for highly manicured gardens with clipped lawns, sculpted shrubs and precise designs hidden behind massive walls and iron gates. Hampton Park's naturalistic character was created as an antidote to the cramped conditions of the lower peninsula, and it still offers open fields of grass, walking trails, shade trees and overflowing flower beds. But the story is not that simple--it began more than three hundred years ago with Native Americans and involves early plantation life, Revolutionary War battles, horse racing, the Civil War, industrial development, civic spectacle, professional baseball, a zoo and disco.

The fascinating story of the Jamestown Exposition of 1907, a tricentennial celebration of America's first settlement in 1607, continues to unfold in this companion volume, which explores the exposition's parades, exhibitions, and the people who worked and participated in the days' events. Not only important as a statewide event, the exposition provided the United States government and many other states a stage to display their history and culture for the whole world to see and enjoy. In this second volume, you will continue your visual journey on the exposition grounds, viewing the new wonders of the time--flying machines--and the architecturally diverse State Buildings, such as Kentucky's frontierera fort, Virginia's replica colonial planter's mansion, and Vermont's country cottage. As you thumb through these pages, you will learn the incredible stories of some of the most famous people of the day who attended the exposition, such as William Jennings Bryan and Mark Twain, and the captivating history of the Black Jamestown Exposition Company, a group that held a separate exhibit along with the festivities of the larger exposition. Also, the exposition served as the starting point for the around-the-world voyage of President Teddy Roosevelt's Great White Fleet, a bold demonstration of America's naval superiority and new role as a leading world power.

When So-Called Dollars was published it was the first, and it is still the only book to deal comprehensively with its subject matter. The book begins with the legendary Erie Canal Completion issues of 1826 and proceeds to catalog 135 years of the Golden Age of American history, all the way up to 1961. Although there have been many propositions for reviving the book over the years, none were more than theoretical musings until two collectors, Tom Hoffman of Crystal Lake, IL and Jonathan Brecher of Cambridge, MA set the process in motion. They have been joined by two others, Dave Hayes and John Dean, to produce a remarkable new edition, of the sort that can only be the product of dedicated hobbyists who love their subject and see it as their obligation to share with others the knowledge gained from years of collecting. While the second edition holds true to the original in basic style and in substance, prices have skyrocketed and it offers much that is new. There are many more illustrations than in the first edition. In fact, virtually every type is now represented by a photograph. More historical information for the issues is presented in the text, which has been further expanded with additional listings of both previously unknown metal varieties and totally new items. The size of each item is now given in mm rather than in 16ths of an inch as in the 1963 edition. Each issue has been assigned a rarity rating of from R-1, indicating more than 5,000 known, to R-10, meaning unique. In addition, a loose-leaf price guide included in each book at no additional charge. The index has been expanded to include references to more subjects and places. Finally, there is a section of color plates. The Hibler & Kappen book remains the standard reference work on the subject with its HK numbers an instantly recognizable means of cataloging and identification.

Focusing on Black Americans' participation in world’s fairs, Emancipation expositions, and early Black grassroots museums, Negro Building traces the evolution of Black public history from the Civil War through the civil rights movement of the 1960s. Mabel O. Wilson gives voice to the figures who conceived the curatorial content: Booker T. Washington, W. E. B. Du Bois, Ida B. Wells, A. Philip Randolph, Horace Cayton, and Margaret Burroughs. Originally published in 2012, the book reveals why the Black cities of Chicago and Detroit became the sites of major Black historical museums rather than the nation's capital, which would eventually become home for the Smithsonian's National Museum of African American History and Culture, which opened in 2016.

In the decades before the Civil War, Charleston, South Carolina, enjoyed recognition as the center of scientific activity in the South. By 1850, only three other cities in the United States--Philadelphia, Boston, and New York--exceeded Charleston in natural history studies, and the city boasted an excellent museum of natural history. Examining the scientific activities and contributions of John Bachman, Edmund Ravenel, John Edwards Holbrook, Lewis R. Gibbes, Francis S. Holmes, and John McCrady, Lester Stephens uncovers the important achievements of Charleston's circle of naturalists in a region that has conventionally been dismissed as largely devoid of scientific interests. Stephens devotes particular attention to the special problems faced by the Charleston naturalists and to the ways in which their religious and racial beliefs interacted with and shaped their scientific pursuits. In the end, he shows, cultural commitments proved stronger than scientific principles. When the South seceded from the Union in 1861, the members of the Charleston circle placed regional patriotism above science and union and supported the Confederate cause. The ensuing war had a devastating impact on the Charleston naturalists--and on science in the South. The Charleston circle never fully recovered from the blow, and a century would elapse before the South took an equal role in the pursuit of mainstream scientific research.

This text captures the indomitable spirit of one of America's oldest and best-preserved cities. The collection of 168 black and white photographs depicts Charleston from the advent of photography in the 1840s through the late 20th century.