The Smithsons have also added contemporary commentary to provide a context for the work."--BOOK JACKET.

Writing to his brother, G’Ra Asim reflects on building his own identity while navigating Blackness, masculinity, and young adulthood—all through wry social commentary and music/pop culture critique How does one approach Blackness, masculinity, otherness, and the perils of young adulthood? For G’Ra Asim, punk music offers an outlet to express himself freely. As his younger brother, Gyasi, grapples with finding his footing in the world, G’Ra gifts him with a survival guide for tackling the sometimes treacherous cultural terrain particular to being young, Black, brainy, and weird in the form of a mixtape. Boyz n the Void: a mixtape to my brother blends music and cultural criticism and personal essay to explore race, gender, class, and sexuality as they pertain to punk rock and straight edge culture. Using totemic punk rock songs on a mixtape to anchor each chapter, the book documents an intergenerational conversation between a Millennial in his 30s and his zoomer teenage brother. Author, punk musician, and straight edge kid, G’Ra Asim weaves together memoir and cultural commentary, diving into the depths of everything from theory to comic strips, to poetry to pizza commercials to mapping the predicament of the Black creative intellectual. With each chapter dedicated to a particular song and placed within the context of a fraternal bond, Asim presents his brother with a roadmap to self-actualization in the form of a Doc Martened foot to the behind and a sweaty, circle-pit-side-armed hug. Listen to the author’s playlist while you read! Access the playlist here: https://sptfy.com/a18b

Striving to adapt the progressive ideas of the pre-war modern movement to the specific human needs of post-war reconstruction, Alison and Peter Smithson were among the most influential and controversial architects of the latter half of the twentieth century. As younger members of CIAM (Congrès Internationaux d'Architecture Moderne) and as founding members of Team 10 they were at the heart of the debate on the future course of Modern Architecture. Their polemics and designs - addressing issues such as the rising consumer society and the orientation of urban planning - laid the foundations for New Brutalism and the Pop Art Movement of the 1960s. An important adaptation made by the Smithsons and their generation was the rejection of modernism's machine aesthetics. The new notions of place and territory were juxtaposed to Le Corbusier's machine à habiter. To the Smithsons a house was a particular place, which should be suited to its location and able to meet the ordinary requirements of everyday life and to accommodate its inhabitants' individual patterns of use. This exhibition examines the evolution of the Smithsons' approach to this everyday "art of inhabitation." It does this by extensively documenting most of their designs for individual dwellings, especially their optimistic House of the Future of 1956 and the series of renovations of and additions to the fairy-tale-like Hexenhaus in Germany from the late 1980s onward

A girl must face the consequences after her actions indirectly lead to her sister’s disappearance in this haunting novel about sisterhood, tragedy, and the hole that’s left behind when we lose a loved one. Rhylee didn’t mean to kiss her sister’s boyfriend. At least, not the first time. But it doesn’t matter, because her sister, Abby, caught them together, ran into the dark woods behind their house…and never came home. As evidence mounts that something terrible has happened to Abby, no one wants to face the truth. Rhylee can’t bring herself to admit what she’s done: that she is the reason her sister ran away. Now Tommy, Abby’s boyfriend, is the prime suspect in her disappearance, and Rhylee’s world has been turned upside down. Slowly, Rhylee’s family is breaking—their lives hinging on the hope that Abby will return. Rhylee knows they need to face the truth and begin healing—but how can they, when moving on feels like a betrayal? And how do you face the guilt of wishing a person gone…when they actually disappear?

SURVIVAL HAS CONSEQUENCES Seven years ago, the last survivor of Earth crashed through uncountable dimensions to a strange new world. Nick Prasad found shelter, and a living, as a prophet for the ruling family—servants of the Ancient Ones who destroyed his home. Now, he’s been offered a chance to rid the multiverse of the Ancient Ones, past and present and forever, although he’ll have to betray his new masters to do it. The first step is jailbreaking a god—and that’s the easy part...

The Arthur C. Clarke award-winning author of Children of Time brings us the second novel in an extraordinary space opera trilogy about humanity on the brink of extinction, and how one man's discovery will save or destroy us all. After eighty years of fragile peace, the Architects are back, wreaking havoc as they consume entire planets. In the past, Originator artefacts – vestiges of a long-vanished civilization – could save a world from annihilation. This time, the Architects have discovered a way to circumvent these protective relics. Suddenly, no planet is safe. Facing impending extinction, the Human Colonies are in turmoil. While some believe a unified front is the only way to stop the Architects, others insist humanity should fight alone. And there are those who would seek to benefit from the fractured politics of war – even as the Architects loom ever closer. Idris, who has spent decades running from the horrors of his past, finds himself thrust back onto the battlefront. As an Intermediary, he could be one of the few to turn the tide of war. With a handful of allies, he searches for a weapon that could push back the Architects and save the galaxy. But to do so, he must return to the nightmarish unspace, where his mind was broken and remade. What Idris discovers there will change everything.

Recently, there has been a surge of activity to elucidate the behavior of highly charged soft matter and Coulomb fluids in general. Such systems are ubiquitous, especially in biological matter where the length scale and the strength of the interaction between highly charged biomolecules are governed by strong electrostatic effects. Several interesting limits have been discovered in the parameter space of highly charged many-particle Coulomb matter where analytical progress is possible and completely novel and unexpected results have been obtained. One of the challenges in highly charged matter is to correctly describe systems with finite coupling strength in the transition regime between weak and strong couplings. After studying the fluctuations of both, several theories have been developed that describe this experimentally highly relevant regime. At the same time, computer simulation algorithms and computing power have advanced to the level where all-ion simulations, including many-body and polarization effects, are possible; the new theories thus can be subjected to numerical confirmation. Another important question is the effect of the structural disorder on electrostatic interactions. It has recently been demonstrated, both theoretically and experimentally, that charge disorder can impose long-range interaction between charged or even uncharged surfaces. These interactions might become very significant in biological processes. Filling a void in the literature, this volume cross-pollinates different theoretical and simulation approaches with new experiments and ties together the low temperature, high coupling constant, and disorder parameters in a unified description of the electrostatic interactions, which largely determine the stability and conformations of most important biological macromolecules. With striking graphical illustrations, the book presents a unified view of the current advances in the field of Coulomb (bio)colloidal systems, building on previous literature that summarized the field over 20 years ago. Leading scientists in the field offer a detailed introduction to different modern methods in statistical physics of Coulomb systems. They detail various approaches to elucidate the behavior of strongly charged soft matter. They also provide experimental and theoretical descriptions of disorder effects in Coulomb systems, which have not been discussed in any other book.

Since the Renaissance, books and drawings have been a primary means of communication among architects and their colleagues and clients. In this volume, 12 historians explore the use of books by architects in America in the late 18th and early 19th centuries, a period when the profession of architecture was first emerging in the United States.

"When le Corbusier assembled "Vers Une Architecture,"" write the Smithsons, "he gave to young architects everywhere a way of looking at the emergent machine-served society, and from that, a way of looking at antiquity and a rationale to support his personal aesthetic. Viollet-le-Duc had performed the same service to architects before le Corbusier: the role they played is traditional to the development of architecture. In this essay, based on material written between 1955 and 1972, we try to do the same as these architects before us."We write to make ourselves see what we have got in the inescapable present...to give another interpretation of the same ruins...to show a glimpse of another aesthetic."The Smithsons gained an international reputation in the early 1950s, both for their buildings and for being instrumental in the development of the "thoughtful" approach to modern architecture. Their theoretical accommodation of the economic and social context in which the architect/urbanist works was set out as succinctly as possible in "Urban Structuring, " published in 1967. "Team 10 Primer, " first published in a special issue of "Architectural Design" in 1962, and subsequently brought up to date and published by The MIT Press in book form in 1968, documented the Smithsons' search with other leading architect/urbanist/teachers for a technique of working together, a skill or way of thinking that past cultures obviously had but that seemed to be lost to the builders in our present cities."Without Rhetoric"--concerned with architectural form and its material embodiment--is a parallel volume to "Ordinariness and Light" (The MIT Press, 1970), which contained those essays concerning urban form written over the years 1952-1960. Architecture tends to be long-lasting, which makes thoughtful architects cautious, anxious to try to understand, to respond intelligently. They tend to dig into things, so that their intuition has as sound a base as possible to work on. "Without Rhetoric" is a refinement of the results of twenty years of such digging, intended to give the reader a real feeling for these particular architects' interests and obsessions. Among the many subjects discussed in word and image are The New Brutalism...the role of advertising in shaping what we think we need...The Rocket, a statement on the present state of architecture...Mies van der Rohe, a homage...some meditations on Braun...The use of repetition....