A comprehensive illustrated guide to chapels in Wales, spiritual, cultural social powerhouses for over two centuries. Huw Owen's survey records some of the buildings now being lost and explores the life to be found within those which remain.

Marks the centenary of the Church in Wales and critically assesses landmarks in its evolution.

Broadcaster Huw Edwards traces the history of London's Welsh churches, the origins of the London Welsh, the pattern of Welsh migration to London past and present, the influence of Howel Harris and the early Methodists, the tradition of Welsh preaching, and describes in detail the Welsh religious causes in London.

From the great citadels of Caernarvon, Harlech, Powis and Beaumaris in the north, to the Victorian glories of Cardiff in the south, St David's cathedral ('the loveliest church in Wales') in the west to the exquisite little hill church of Patrishow in the east, from Plas Newydd above the Menai Straits to the romantic citadel of Carreg Cennan in the heart of the country, the buildings of Wales embody its history and are the equal of any in the British Isles. Simon Jenkins has travelled, it seems, every mile of the country to celebrate, and in some cases to find the very best of them, and irresistibly conveys in this book his enthusiasm for them. Cumulatively they amount to a cultural history of Wales by one of its most devoted sons. Anyone who is visiting Wales or who loves it will want to own this glorious book.

Ranging from the nineteenth-century to the present, this book explores several central aspects of the ways in which the English-language poetry and fiction of Wales has responded to what was, for a crucial period of a century or so, the dominant culture of Wales: the culture of Welsh Nonconformity. In the introduction, the author reflects on why no sustained attempt has hitherto been made to investigate one of the formative cultural influences on modern 'Anglo-Welsh' literature, the Nonconformist inheritance. The importance of addressing this strange and significant cultural deficit is then explained, and a preliminary attempt made to capture something of the spirit of Welsh Nonconformity. The succeeding chapters address and seek to answer such questions as: What exactly did the Welsh chapels believe and do? Why have the English-language writers of Wales, from Caradoc Evans and Dylan Thomas to R.S. Thomas and the authors of today, been so fascinated by them? How accurate are the impressions we've been given of chapel life and chapel people in the English-language poetry and fiction of Wales? The answers offered may alter our views both of the Welsh Nonconformist past and of Welsh writing in English. One of the ideas advanced is that many of Wales' most important writers went to war with the preachers in their texts, and that their work is therefore the site of cultural struggle. Theirs was a war in words waged to determine who would have the last word on modern Welsh experience.

Surveying the images and iconography that made the medieval church a riot of colour, this book brings together many of the best surviving examples of medieval church wall paintings. It uses new technologies to allow us to visualise these works as the artists first intended. Rosewell's text accompanies the images.

David Matthews was one of the participants of the Welsh revival, and "I Saw the Welsh Revival" is his personal impression of the 1904 revival in Wales. First published by Moody Press, it is published again to recall the mighty days of a century ago when revival fire spread throughout the principality of Wales and beyond. Our present greatest need is revival. I Saw the Welsh Revival will stimulate preachers and churches and encourage spiritually-minded people to continue in prayer for a modern-day outpouring of the Holy Spirit in revival power.

After the Protestant Reformation, religion remained remarkably unstable in Great Britain, and places of worship were the focus of dispute and regular change. Beginning in the seventeenth century, the growth of the Nonconformist denominations left a particularly rich architectural legacy in the form of a vast and diverse network of churches and chapels constructed throughout the towns and cities of England. Although many of these buildings have been lost, about 20,000 remain, some still in use by congregations to this day. The Chapels of England provides the first chronological history of Nonconformist architecture in England, from the seventeenth century to the present day. Beautifully illustrated throughout with interior and exterior photography, the book includes examples that range from small wayside chapels to large urban churches and encompass all the country's regions and each of Nonconformity's main religious traditions. The book's chronological organization allows readers to follow the main developments in the architecture of Nonconformity and understand how these developments fit within broader religious and cultural conversations.