Drama. Translated from the Swedish by Paul Walsh. THE CHAMBER PLAYS OF AUGUST STRINDBERG are five short plays written by Strindberg at the end of his career for the Intimate Theater, a small 150 seat theater in Stockholm: "Storm," "Burned House," "The Ghost Sonata," "The Pelican," and "The Black Glove." The plays experiment with style in bold and exciting ways and show Strindberg to be one of the fathers of avant garde theater. THE CHAMBER PLAYS OF AUGUST STRINDBERG is a new translation by Paul Walsh, Professor of Dramaturgy and Dramatic Criticism at the Yale School of Drama.

Strindberg called these five highly original late works (from 1907) chamber plays to remind us of Beethoven's last quartets. Like the quartets, they are intensely disciplined yet elliptical creations, Written for the Intimate Theatre (founded with August Flack), they strive to reach elusive states of being. Strindberg breaks down for us the barriers between sensory perception and fantasy, between real people and their self-projections, between the living and the dead.

August Strindberg is one of the most enduring of nineteenth-century dramatists, and is also an internationally recognised novelist, autobiographer, and painter. This Companion presents contributions by leading international scholars on different aspects of Strindberg's highly colourful life and work. The essays focus primarily on his most celebrated plays; these include the Naturalist Dramas, The Father and Miss Julie; the experimental dramas with which he created a true modernist theatre – To Damascus and A Dream Play; and the Chamber Plays of 1908 which, like so much of his work, exerted a powerful influence on much later twentieth-century drama. His plays are contextualised for what they contribute both to the history of drama and developments in theatre practice, and other essays clarify the enormous importance to these dramas of his other work, most notably the autobiographical novel Inferno, and his lifelong interest in science, the occult, sexual politics, and the visual arts.

A collection of essays on the highly colourful life and work of August Strindberg - dramatist, novelist, autobiographer and painter.

Swedish writer August Strinberg played a major role in introducing a more modernist sensibility into his native country's literature, producing several major novels and plays that are still regarded as some of the most significant works of twentieth-century Swedish literature. The Road to Damascus is a dramatic trilogy that broke new ground in stagecraft and characterization, touching on complex themes of spirituality and selfhood in the process.

This collection of essays featuring contributions from eminent Swedish and American Strindberg scholars addresses the question of how Strindberg's art collides and colludes, ideologically and aesthetically, with the literary doyens of the nineteenth and twentieth centuries in both the Scandinavian and the larger Western cultural context.

August Strindberg's 'Plays by August Strindberg, First Series' showcases a collection of his most renowned plays, including 'The Father' and 'Miss Julie'. Known for his innovative approach to naturalism and psychological realism, Strindberg's narratives delve into the complexities of human relationships and societal expectations. His use of symbolism and poetic language adds depth to each character's internal struggles, making these plays essential to the development of modern drama. Strindberg's work challenges traditional norms and offers a raw portrayal of life's harsh realities, making it a vital part of the literary canon. The engaging dialogue and intense emotions depicted in each play captivate readers and spark further reflection on the human condition. As a pioneer in modern theater, Strindberg's contributions continue to influence playwrights and audiences alike, solidifying his place as a master of the craft. 'Plays by August Strindberg, First Series' is a must-read for those interested in exploring the complexities of human nature and the evolution of dramatic storytelling.