Rima Lanisell is at a loose end, following the death of her father. She has come to California to stay with her godmother, Addison Early, who once knew Rima's father well. Addison is a best-selling mystery writer. Over the years, she has tried to protect her work and her privacy as her fans have become ever more intrusive.

This publication is not for sale to libraries. Rima Lanisell has a habit of losing things - car keys, sunglasses, lovers, and family members. Following the death of Rima's father, she goes to stay with her godmother Addison, a successful, albeit eccentric, mystery writer. Addison's beach house seems the place to make sense of Rima's loss.

A dinosaur detective in the land of unwanted ideas battles trauma, anxiety, and the first serial killer of imaginary friends. Most ideas fade away when we’re done with them. Some we love enough to become Real. But what about the ones we love, and walk away from? Tippy the triceratops was once a little girl’s imaginary friend, a dinosaur detective who could help her make sense of the world. But when her father died, Tippy fell into the Stillreal, the underbelly of the Imagination, where discarded ideas go when they’re too Real to disappear. Now, he passes time doing detective work for other unwanted ideas – until Tippy runs into The Man in the Coat, a nightmare monster who can do the impossible: kill an idea permanently. Now Tippy must overcome his own trauma and solve the case, before there’s nothing left but imaginary corpses. File Unders: Fantasy [ Fuzzy Fiends | Death to Imagination | Hardboiled but Sweet | Not Barney ]

**A Guardian 'Best Thriller of the Year!'** The New York Times bestselling author of Magpie Murders and Moriarty brilliantly reinvents the classic crime novel once again with this clever and inventive mystery starring a fictional version of the author himself as the Watson to a modern-day Holmes, investigating a case involving buried secrets, murder, and a trail of bloody clues. A woman crosses a London street. It is just after 11am on a bright spring morning, and she is going into a funeral parlor to plan her own service. Six hours later the woman is dead, strangled with a crimson curtain cord in her own home. Enter disgraced police detective Daniel Hawthorne, a brilliant, eccentric man as quick with an insult as he is to crack a case. And Hawthorne has a partner, the celebrated novelist Anthony Horowitz, curious about the case and looking for new material. As brusque, impatient, and annoying as Hawthorne can be, Horowitz—a seasoned hand when it comes to crime stories—suspects the detective may be on to something, and is irresistibly drawn into the mystery. But as the case unfolds, Horowitz realizes he’s at the center of a story he can’t control . . . and that his brilliant partner may be hiding dark and mysterious secrets of his own. A masterful and tricky mystery which plays games at many levels, The Word Is Murder is Anthony Horowitz at his very best.

P. D. James, the undisputed queen of mystery, gives us an intriguing, inspiring and idiosyncratic look at the genre she has spent her life perfecting. Examining mystery from top to bottom, beginning with such classics as Charles Dickens's Bleak House and Wilkie Collins's The Woman in White, and then looking at such contemporary masters as Colin Dexter and Henning Mankell, P. D. James goes right to the heart of the genre. Along the way she traces the lives and writing styles of Arthur Conan Doyle, Agatha Christie, Dashiell Hammett, and many more. Here is P.D. James discussing detective fiction as social history, explaining its stylistic components, revealing her own writing process, and commenting on the recent resurgence of detective fiction in modern culture. It is a must have for the mystery connoisseur and casual fan alike.

**THE INSTANT #1 NEW YORK TIMES BESTSELLER** "An unforgettable—and Hollywood-bound—new thriller... A mix of Hitchcockian suspense, Agatha Christie plotting, and Greek tragedy." —Entertainment Weekly The Silent Patient is a shocking psychological thriller of a woman’s act of violence against her husband—and of the therapist obsessed with uncovering her motive. Alicia Berenson’s life is seemingly perfect. A famous painter married to an in-demand fashion photographer, she lives in a grand house with big windows overlooking a park in one of London’s most desirable areas. One evening her husband Gabriel returns home late from a fashion shoot, and Alicia shoots him five times in the face, and then never speaks another word. Alicia’s refusal to talk, or give any kind of explanation, turns a domestic tragedy into something far grander, a mystery that captures the public imagination and casts Alicia into notoriety. The price of her art skyrockets, and she, the silent patient, is hidden away from the tabloids and spotlight at the Grove, a secure forensic unit in North London. Theo Faber is a criminal psychotherapist who has waited a long time for the opportunity to work with Alicia. His determination to get her to talk and unravel the mystery of why she shot her husband takes him down a twisting path into his own motivations—a search for the truth that threatens to consume him....

Loosely based in historical fact, Sister Noon is a wryly funny, playfully mysterious, and totally subversive novel from the New York Times bestselling author of The Jane Austen Book Club. Lizzie Hayes, a member of the San Francisco elite, is a seemingly docile, middle-aged spinster praised for her volunteer work with the Ladies Relief and Protection Society Home, or "The Brown Ark". All she needs is the spark that will liberate her from the ruling conventions. When the wealthy and well-connected, but ill-reputed Mary Ellen Pleasant shows up at the Brown Ark, Lizzie is drawn to her. It is the beautiful, but mysterious Mary Ellen, an outcast among the women of the elite because of her notorious past and her involvement in voodoo, who will eventually hold the key to unlocking Lizzie's rebellious nature.

This history-mystery series continues with another fine display of brains and bravery from the Wollstonecraft Girls—Ada Bryon Lovelace and Mary Shelley. Inspired fun for middle grade readers and fans of The Mysterious Benedict Society and Lemony Snicket! The Wollstonecraft Detective Agency was supposed to be a secret constabulary, but after the success of their first case, all of London knows that Lady Ada and Mary are the girls to go to if you have a problem. Their new case is a puzzle indeed. It involves a horrible hospital, a missing will, a hasty engagement, and a suspiciously slippery servant. But Mary’s stumbled onto a mystery of her own. She spotted a ghostly girl in a grey gown dashing through the park. A girl who is the spitting image of their new client. The two cases must be linked . . . or else there’s a perfectly supernatural explanation.

A mad director, off his meds, is making a movie about how he murders the producers who ruined his career. The movie is in his mind. The murders are real. Tommy Veasy, a pot-smoking homicide detective--our hero--who writes poetry to help him solve cases and ward off despair, thinks he sees a pattern in these seemingly accidental deaths. His colleagues think he's being dramatic. But the bodies keep piling up. The staff of a syndicated TV show in its tenth year, formerly an international hit but now only being aired in Montenegro and Botswana, worries about how they will maintain their Hollywood lifestyles when they become unemployable. How will the producer finance his two-hooker-a-weekend habit? How will the staff writer pay private school tuition, an underwater mortgage, tennis club dues, the housekeeper, the gardener, cable TV bills, the couples' therapist, et al.? Not a big problem: the mad director has planted a bomb in the office phone and is frantically trying to set it off. And meanwhile, a home invader keeps invading the wrong homes, to everyone's perplexity. In other words: it's just another day in paradise.

A neurologist explores the very real world of psychosomatic illness. Most of us accept the way our heart flutters when we set eyes on the one we secretly admire, or the sweat on our brow as we start the presentation we do not want to give. But few of us are fully aware of how dramatic our body's reactions to emotions can sometimes be. Take Pauline, who first became ill when she was fifteen. What seemed at first to be a urinary infection became joint pain, then food intolerances, then life-threatening appendicitis. And then one day, after a routine operation, Pauline lost all the strength in her legs. Shortly after that her convulsions started. But Pauline's tests are normal; her symptoms seem to have no physical cause whatsoever. Pauline may be an extreme case, but she is by no means alone. As many as a third of men and women visiting their GP have symptoms that are medically unexplained. In most, an emotional root is suspected and yet, when it comes to a diagnosis, this is the very last thing we want to hear, and the last thing doctors want to say. In It's All in Your Head consultant neurologist Dr Suzanne O'Sullivan takes us on a journey through the very real world of psychosomatic illness. She takes us from the extreme -- from paralysis, seizures and blindness -- to more everyday problems such as tiredness and pain. Meeting her patients, she encourages us to look deep inside the human condition. There we find the secrets we are all capable of keeping from ourselves, and our age-old failure to credit the intimate and extraordinary connection between mind and body.