The author's original screenplay on the battle of ideas, the war of world views, and a philosophy on trial. What will be your verdict concerning The Case Against Man and Woman? ...we have never been able to touch the eternal for we have never understood that we can only touch it though each other. A man touches the eternal in a woman when he gives his life to her. That is what the sexual embrace is for a man--he is giving his whole life over to woman. A woman, in receiving that touch, unites with it and, in turn, gives her life to him in the next rebirth of life. You see, the great discovery of our times is that the procreant and the eternal are one. "Urge,urge, urge, always the procreant urge of the world," as Walt Whitman says in his Leaves of Grass. But let us not make the mistake of seeing this procreant process as only physical. It is metaphysical. It is happening right now. Feel it. Feel your other half with you right now. Touch him or her with your heart and never ever let them go. The challenge of our lives is to stand on this procreant love, now and forever. Keywords: Procreant, Balance. Love, Man, Woman, Two Forces, Eternal, Metaphysical, Philosophy, Sex

By considering the screenplay as a literary object worthy of critical inquiry, this volume breaks new ground in film studies. Though the history of the screenplay is as long and rich as the history of film itself, critics and scholars have neglected it as a topic of serious research. Script Culture and the American Screenplay treats the screenplay as a literary work in its own right, presenting analyses of screenplays from a variety of frameworks, including feminism, Marxism, structuralism, philosophy, and psychology. In distancing the text of screenplays from the on-screen performance typically associated with them, Kevin Alexander Boon expands the scope of film studies into exciting new territory with this volume. Script Culture and the American Screenplay is divided into two parts. Part 1 provides a general background for screenplay studies, tracing the evolution of the screenplay from the early shot lists and continuities of George Méliès and Thomas Harper Ince to the more detailed narratives of contemporary works. Part 2 offers specific, primarily thematic, critical examinations of screenplays, along with discussions of the original screenplay and the screenplay adaptation. In all, Boon explains that screenplay criticism distinguishes itself from traditional film studies in three major ways. The primary focus of screenplay criticism is on the screenplay rather than the film, the focus of screenplay studies is on the screenwriter rather than the director, and screenplay criticism, like literary criticism, is written to illuminate a reader’s understanding of the text. Boon demonstrates that whether we are concerned with aesthetics and identifying rules for distinguishing the literary from the non-literary, or whether we align ourselves with more contemporary theories, which recognize texts as distinguishable in their inter-relationships and marked difference, screenplays constitute a rich cache of works worthy of critical examination. Film scholars as well as students of film, creative writing, and literary studies will appreciate this singular volume.

Hollywood’s script guru teaches you how to write a screenplay in the ultimate three-volume guide to writing for film, featuring “the ‘bible’ of screenwriting” (The New York Times), Screenplay—now celebrating forty years of screenwriting success! This blockbuster ebook bundle includes: SCREENPLAY: FOUNDATIONS OF SCREENWRITING • THE SCREENWRITER’S WORKBOOK • THE SCREENWRITER’S PROBLEM SOLVER Syd Field was “the most sought-after screenwriting teacher in the world” according to The Hollywood Reporter. His pioneering insights into structure, concept, and character launched innumerable careers. Now in one handy collection, his invaluable expertise is available to aspiring writers and working professionals alike. The Essential Screenplay contains Syd Field’s Screenplay: The Foundations of Screenwriting, the industry standard for script development; The Screenwriter’s Workbook, a hands-on workshop full of practical exercises for creating successful screenplays; and The Screenwriter’s Problem Solver, a guide to identifying and fixing problems in your latest draft. Throughout, you’ll learn: • why the first ten pages of your script are crucially important • how to visually “grab” the reader from page one • what makes great stories work • the basics of writing dialogue • the essentials of creating great characters • how to adapt a novel, a play, or an article for the screen • the three ways to claim legal ownership of your work • tips for allowing your creative self to break free when you hit the “wall” • how to overcome writer’s block forever Featuring expert analysis of popular films including Pulp Fiction, Thelma & Louise, and the Lord of the Rings trilogy, The Essential Screenplay will transform your initial idea into a screenplay that’s destined for success—and maybe even Cannes. Praise for Syd Field “The most sought-after screenwriting teacher in the world.”—The Hollywood Reporter “Syd Field is the preeminent analyzer in the study of American screenplays.”—James L. Brooks, Academy Award–winning writer, director, producer

This book is appropriate as a text for postgraduate marriage and family counselor/therapist training, and also as a professional development resource for practicing marriage and family counselors. The first three chapters of this book introduce the notions of social construction assumptions and social scripting theory. The remaining chapters then apply the theory of "scripting" to common clinical family situations seen in therapy, such as death and grief in the family, premarital child-bearing, adolescence, couples therapy, and chemical dependence in the family.

A “stimulating and thought-provoking” guide to help you make productive and autonomous choices toward rewriting your life (Los Angeles Times). We choose a “life script” at an early age. But you can change its course. Whether born into wealth or poverty, into nurturing families or damaged abusers, fostered by strict parents or careless and undisciplined ones, each individual still has a spiritual core that exists independent of the environment and is equally crucial to his or her destiny. Countering the fundamental principle of psychiatry which asserts that emotional and mental distress comes from within, Claude Steiner believes that people are innately healthy but develop a pattern early in life based upon negative or positive influences of those around them. Those influences can rule every detail of our lives until our death. Thus children decide, however unconsciously, whether they will be happy or depressed, winners or failures, strong or dependent, caring or cruel, and having decided, they spend the rest of their lives making that decision come true. For those who choose to live by their negative script, the consequences can be disastrous unless they make a conscious decision to change. In Scripts We Live, Steiner tackles the puzzle of human fate. He reveals what determines our life scripts, and how each person’s combination of spirit and circumstance contributes to the final path that life takes. And he offers hopeful advice and practical analysis so that we all can rewrite for ourselves more meaningful and fulfilling lives.

Designed for classes in communication and relationships, insterpersonal communication, intrapersonal competence are provided. A downloadable teacher's guide is available on request. --Book Jacket.

Examines in a different light the innovative and influential scripted comedies of the Italian Renaissance.

In the early days of television, many of its actors, writers, producers and directors came from radio. This crossover endowed the American Radio Archives with a treasure trove of television documents. The collected scripts span more than 40 years of American television history, from live broadcasts of the 1940s to the late 1980s. They also cover the entire spectrum of television entertainment programming, including comedies, soap operas, dramas, westerns, and crime series. The archives cover nearly 1,200 programs represented by more than 6,000 individual scripts. Includes an index of personal names, program and episode titles and production companies, as well as a glossary of industry terms.

"We need good screenwriters who understand character." Everywhere Andrew Horton traveled in researching this book—from Hollywood to Hungary—he heard the same refrain. Yet most of the standard how-to books on screenwriting follow the film industry's earlier lead in focusing almost exclusively on plot and formulaic structures. With this book, Horton, a film scholar and successful screenwriter, provides the definitive work on the character-based screenplay. Exceptionally wide-ranging—covering American, international, mainstream, and "off-Hollywood" films, as well as television—the book offers creative strategies and essential practical information. Horton begins by placing screenwriting in the context of the storytelling tradition, arguing through literary and cultural analysis that all great stories revolve around a strong central character. He then suggests specific techniques and concepts to help any writer—whether new or experienced—build more vivid characters and screenplays. Centering his discussion around four film examples—including Thelma & Louise and The Silence of the Lambs—and the television series, Northern Exposure, he takes the reader step-by-step through the screenwriting process, starting with the development of multi-dimensional characters and continuing through to rewrite. Finally, he includes a wealth of information about contests, fellowships, and film festivals. Espousing a new, character-based approach to screenwriting, this engaging, insightful work will prove an essential guide to all of those involved in the writing and development of film scripts.

A one-of-a-kind text designed to launch readers into a thoughtful encounter with gender issues. Questioning Gender: A Sociological Exploration, Third Edition serves as a point-of-departure for productive conversations about gender, and as a resource for exploring answers to many of those questions. Rather than providing definitive answers, this unique book exposes readers to some of the best scholarship in the field that will lead them to question many of their assumptions about what is normal and abnormal. The author uses both historical and cross-cultural approaches—as well as a focus on intersectionality and transgender issues—to help students understand the socially constructed nature of gender.