“A riveting portrait of the day-to-day life of a wealthy, worldly Renaissance prince” as he pursues power and influence in the Catholic church (USA Today). The second son of Alfonso d’Este and Lucretia Borgia, the Duke and Duchess of Ferrara, Ippolito d’Este was made the archbishop of Milan at the age of nine. But from the time of his father’s death in 1534, he set his ambitions on acquiring the powerful and coveted cardinal’s hat. But one did not become a sixteenth century prince of the church through piety and good works. Ippolito had a taste for gambling and women. He enjoyed hunting in the Loir valley and pursued his ambition with money, schmoozing, and the dark arts of politics. Working with Ippolito’s letters and ledgers, recently uncovered in an archive in Modena, Italy, Mary Hollingsworth has pieced together a fascinating and undeniably titillating tale of this Renaissance cardinal and his road to power and wealth in sixteenth century Europe. The ledgers document every aspect of Ippolito’s comings, goings, purchases, and debts. Out of these finely detailed records, Hollingsworth brings to life not only Ippolito, but his world. “In this brilliant piece of historical detective work and narrative reconstruction . . . the most unlikely bits and pieces—a scrap of velvet, a stray barrel of wine—can be made to tell stories that resonate far beyond the neat columns of a well-kept account book.” —The Guardian

A Companion to the Early Modern Cardinal is the first comprehensive overview of its subject in English or any language. Cardinals are best known as the pope’s electors, but in the centuries from 1400 to 1800 they were so much more: pastors, inquisitors, diplomats, bureaucrats, statesmen, saints; entrepreneurs and investors; patrons of the arts, of music, literature, and science. Thirty-five essays explain their social background, positions and roles in Rome and beyond, and what they meant for wider society. This volume shows the impact which those men who took up the purple had in their respective fields and how their tenure of office shaped the entangled histories of Rome and the Catholic Church from a European and global perspective.

Wee Willie Sherdel was a very humble, courageous left-handed pitcher who became one of the all-time great southpaws in St. Louis Cardinals history. The son of a German blacksmith in a small Pennsylvania village, Willie’s dream was to become a major league pitcher – a rather big dream for a small boy. Not the most talented or biggest, he worked hard and learned from greats like Eddie Plank, Branch Rickey and Grover Cleveland Alexander. Sherdel’s best years were in the 1920s while Rickey was developing the farm system concept and the Cards were playing in two World Series. Known for his slow ball, Willie was given the honor of pitching the first game against Babe Ruth, Lou Gehrig and the powerful Yankees in both Series. Although labeled a hard-luck pitcher in the Series, Sherdel performed many great feats on the diamond. Since his retirement in 1932, he remains the Redbirds’ winningest left-hander and fourth all-time winner. Willie also has pitched the third-most games and the fourth-most innings. Like all pitchers, he loved to talk about his hitting. Among Cardinals’ pitchers, Sherdel owns the fourth-most career home runs and the fifth-best batting average for his .337 in 1923. His contemporaries included over 90 Hall of Famers and some of the greatest players of all-time including Ruth, Gehrig, Ty Cobb and Rogers Hornsby.

A set of case studies exploring the tastes, passions, and possessions of cardinals in Renaissance and Baroque Rome.

Chronicles the history and tradition of the St. Louis Cardinals, from the era when they were managed by Branch Rickey in the years following World War I to the present day.

Welcome to seventeenth-century Paris, where intrigue, duels, and spies are rife and Cardinal Richelieu’s men may be prevailed upon to risk life and limb in the name of France at a moment’s notice. And with war on the horizon, the defense of the nation has never been more pressing. Danger is rising from the south—an insidious plot that could end with a huge dragon-shaped shadow falling over France, a shadow cast by dragons quite unlike the pet dragonets that roam the cities like stray cats, or the tame wyverns men ride like horses, high over the Parisian rooftops. These dragons and their descendants are ancient, terrible, and powerful ... and their plans contain little room for the lives or freedom of men. Cardinal Richelieu has nowhere else to turn; Captain La Fargue and his elite group of men, the Cardinal’s Blades, must turn the tide. They must hold the deadly Black Claw cult at bay, root out traitors to the crown, rescue prisoners, and fulfill their mission for the Cardinal, for their country, but above all for themselves. It’s death or victory. And the victory has never been less certain.

A vivid history of the lives and times of the aristocratic elite whose patronage created the art and architecture of the Italian Renaissance. The fifteenth and sixteenth centuries was an era of dramatic political, religious, and cultural change in the Italian peninsula, witnessing major innovations in the visual arts, literature, music, and science. Princes of the Renaissance charts these developments in a sequence of eleven chapters, each of which is devoted to two or three princely characters with a cast of minor ones—from Federigo da Montefeltro, Duke of Urbino, to Cosimo I de' Medici, Duke of Florence, and from Isabella d'Este of Mantua to Lucrezia Borgia. Many of these princes were related by blood or marriage, creating a web of alliances that held Renaissance society together—but whose tensions could spark feuds that threatened to tear it apart. A vivid depiction of the lives and times of the aristocratic elite whose patronage created the art and architecture of the Renaissance, Princes of the Renaissance is a narrative that is as rigorous and definitively researched as it is accessible and entertaining. Perhaps most importantly, Mary Hollingsworth sets the aesthetic achievements of these aristocratic patrons in the context of the volatile, ever-shifting politics of an age of change and innovation.

Although a highly visible part of the ecclesiastical furniture of the Roman Catholic Church and the Vatican for thirteen centuries, surprisingly little has been written about cardinals or (apart from some notable individual biographies), about the men who became papal princes . The cardinals of the Roman Church are the nearly men of Catholicism - those whose office since the 11th century has been chiefly to choose the Pope, following efforts to wrest this power from Rome s nobility and militia. This compelling history traces the origins and growth of the office of cardinal and tells the stories of some of the remarkable (for all kinds of reasons) men who have worn the red cap, coveted by some, refused on occasion and sometimes laid down in exchange for marriage, though one maverick got wed in his red hat. The Cardinals is an informative and entertaining look at the lives of some of the more colourful characters who have worn the cardinatial red or purple. It reveals an unlikely company of saints and villains, patrons of the arts and scholars, cardinals who might have been pope but who were blackballed, and cardinals who were deprived of the title because of their dissolute lives, doubtful opinions, or interference in papal policies. There are diplomats in these pages, statesmen, kingmakers and soldiers. There are members of royal and noble families, and the son of a Doge of Venice. And there are the cardinals whose fame simply lies in their goodness and their care of the dioceses entrusted to them.

In this electrifying #1 New York Times bestselling thriller from Tom Clancy, a silent war between the USA and Russia will decide the fate of the world—and Jack Ryan is behind enemy lines. Two men possess vital data on Russia’s Star Wars missile defense system. One of them is CARDINAL—America's highest agent in the Kremlin—and he's about to be terminated by the KGB. The other is the one American who can save CARDINAL and lead the world to the brink of peace...or war.