ction of the art of Paul Landry. The artist's text, a series of short stories reflecting upon hometown life, family, gardening and art, is a colorful and emotional as his palette. Includes over 150 color images.

The book begins with Jerry Rogerson becoming interested in the U.S. Navy, obtaining an appointment to the Naval Academy. He was a Midshipman at the Academy for four years, graduates and becomes a Commisioned officer. He serves at sea in two battleships: a U.S. Navy Oil Tanker and a Heavy Cruiser, by now as a Commander. Right after serving on the Navy Oil Tanker, he marries Phyllis Larkin. He's at sea again in a Heavy Cruiser, which is damaged in a kamikaze attack. The Cruiser is sent home for repairs and the War ends. For the next few years, Jerry's assignements include the Pentagon and the Philadelphia Shipyard, where is is promoted to Captain. He is sent to Pearl Harbor and while he's there, his wife is killed in an automoble accident, leaving him to raise two children alone. There, the family becomes fluent in Spanish and Jerry is involvedin Intelligence work. On a trip to Washinton, D.C., Jerry, by chance, meets Captain Mary Ann Graybill again after a number of years. He is single now and she has never married. Their romance begins. On a visit to Spain, she is persuaded to marry Jerry and theirs is a transatlantic marriage. At the age of 47, Mary Ann must learn to be a stepmother and wife, but they become a happy family. Jerry is transferred to Washington, D.C. to work in Intelligence. He and the children teach Mary Ann to speak Spanish and she becomes fluent also. Jerry is promoted to the rank of Rear Admiral. His rank, together with their language skills cause Jerry and Mary Ann to be assigned to the Presidential party when the President of the U.S. pays a State Visit to Argentina. That was a trip of a lifetime for the Rogersons, to travel on Air Force One and to be lavishly entertained as members of the Presidential party. They decide they should both retired and begin traveling in a motor home throughout the U.S. and Canada.

In the tradition of The Boys of Summer and The Bronx Is Burning, New York Times sports columnist Harvey Araton delivers a fascinating look at the 1970s New York Knicks—part autobiography, part sports history, part epic, set against the tumultuous era when Walt Frazier, Willis Reed, and Bill Bradley reigned supreme in the world of basketball. Perfect for readers of Jeff Pearlman’s The Bad Guys Won!, Peter Richmond’s Badasses, and Pat Williams’s Coach Wooden, Araton’s revealing story of the Knicks’ heyday is far more than a review of one of basketball’s greatest teams’ inspiring story—it is, at heart, a stirring recreation of a time and place when the NBA championships defined the national dream.

It was more than an incident. It was a deadly assault across the 38th parallel. It was the Korean War. In the fear and frenzy of battle, those who had served with heroism before were called again by America to man the trenches and sandbag bunkers. From Pusan to the Yalu, they drove forward with commands too new and tanks too old: brothers in war, bonded together in battle as they had never been in peace...