Filmmaker Rose Leclair is beautiful, famous, and happily married. But when a new star actress begins commanding unwelcome amounts of attention—even, reportedly, from Rose's own husband—her life of privilege unspools. First published in 1967, The Camera Always Lies is an absorbing novel of Hollywood politics and one woman's struggle to survive them.

Hugh Hood's classic novel of suspicion, jealousy, addiction and betrayal in 1960s Hollywood.

One marriage. So many secrets. Can a camera that captures those secrets, exposing them through pictures, save the marriage or send it crashing into the sea? Kelly Whitely is at the height of her career, selling the latest miracle drug to doctors and pharmacies across the country. But concerns about the side effects have her longing for the day when she can quit her high-paying job and really focus on saving her marriage and teenage daughter. She keeps trying to talk to her husband, Daniel, about it, but every time she brings it up, he retreats further and further away from her. Daniel Whitely is a successful marriage counselor and bestselling author, yet secrets from the past have created a chasm between him and Kelly. To make matters worse, the deadline for his second book has come and gone, and he still hasn’t written a single word. But he doesn’t dare tell anyone, not even his wife. When Daniel inherits an old camera from his grandfather, he notices an inscription on the bottom: “No matter what you think you might see, the camera never lies.” Daniel begins using the camera, but every time he develops his photos, they threaten to reveal secrets. Secrets about his own career, but also secrets about those around him, including Kelly. With each click of the camera, he risks exposure as a fraud, but if he doesn’t face the truths the photos reveal, what will happen to his marriage? To his family? A standalone short novel Approximately 60,000 words Includes discussion questions, perfect for book clubs Praise for The Camera Never Lies: "In his intriguing novel, The Camera Never Lies, David Rawlings challenges us to wonder what our photographs would look like if our souls, not our faces, were captured by the lens. This fascinating story will capture your imagination and your heart."—Rachel Hauck, New York Times bestselling author of The Wedding Dress “The camera never lies, and neither does this gripping story about unearthing our deepest secrets in the most fantastical of ways. A message relatable to us all, bottled in an adventure we all love to read.”—Melissa Ferguson, author of The Dating Charade "A thought-provoking look at the real price that secrets extract—not just from the person keeping them, but from their loved ones, too.You'll close this story and be compelled to examine your own life . . . and also look at those around you and wonder, 'Who else looks like they have it all together but is drowning on the inside?'"—Jessica Kate, author of Love and Other Mistakes

Alfred Hitchcock once famously remarked, "Actors are cattle." In The Camera Lies, Dan Callahan uncovers the sophisticated acting theory that lay beneath the director's notorious indifference towards his performers, spotlighting the great performances of deceit and duplicity he often coaxed from them.

"Examining the themes of presence and absence, the relationship between photography and theatre, history and death, these 'reflections on photography' begin as an investigation into the nature of photographs. Then, as Barthes contemplates a photograph of his mother as a child, the book becomes an exposition of his own mind."--Alibris.

Academy Award–winning director Errol Morris turns his eye to the nature of truth in photography In his inimitable style, Errol Morris untangles the mysteries behind an eclectic range of documentary photographs. With his keen sense of irony, skepticism, and humor, Morris shows how photographs can obscure as much as they reveal, and how what we see is often determined by our beliefs. Each essay in this book is part detective story, part philosophical meditation, presenting readers with a conundrum, and investigates the relationship between photographs and the real world they supposedly record. Believing Is Seeing is a highly original exploration of photography and perception, from one of America’s most provocative observers.

A concise and accessible guide to techniques for detecting doctored and fake images in photographs and digital media. Stalin, Mao, Hitler, Mussolini, and other dictators routinely doctored photographs so that the images aligned with their messages. They erased people who were there, added people who were not, and manipulated backgrounds. They knew if they changed the visual record, they could change history. Once, altering images required hours in the darkroom; today, it can be done with a keyboard and mouse. Because photographs are so easily faked, fake photos are everywhere—supermarket tabloids, fashion magazines, political ads, and social media. How can we tell if an image is real or false? In this volume in the MIT Press Essential Knowledge series, Hany Farid offers a concise and accessible guide to techniques for detecting doctored and fake images in photographs and digital media. Farid, an expert in photo forensics, has spent two decades developing techniques for authenticating digital images. These techniques model the entire image-creation process in order to find the digital disruption introduced by manipulation of the image. Each section of the book describes a different technique for analyzing an image, beginning with those requiring minimal technical expertise and advancing to those at intermediate and higher levels. There are techniques for, among other things, reverse image searches, metadata analysis, finding image imperfections introduced by JPEG compression, image cloning, tracing pixel patterns, and detecting images that are computer generated. In each section, Farid describes the techniques, explains when they should be applied, and offers examples of image analysis.

Britt Baxter is unaware of the effect she has on people. A big-hearted, no nonsense northern girl, she naturally looks for the best in everyone she meets, but in her attempts to make it as model she finds she struggles against being pinned down on the casting couch by the most unlikely people... So when a happy accident lands her a career as a presenter on breakfast television, it looks as if she has made it out of the modelling world of close-ups and cattle calls and into the big time - or at least daytime TV. But scarcely has Britt had time to wonder at how far she has come, when backstage machinations propel her with ever increasing speed through a series of trapdoors and she soon realises that the drama backstage far eclipses anything that happens in front of the camera. Tess Daly has written a fast-paced novel with perfect comic timing and as many twists and turns in the plot as her heroine has costume changes. With language that fizzes on the page, enough romance to make the Sex and the City girls blush and a cast of characters that includes American-smoothie heartthrob Hollywood reporter Josh Bailey, Rise and Shine's co-hosts Cherry Smith - known for her tinkling laugh and penchant for toyboys - and lecherous family man Ken Chudleigh who always has a hand in the cake tin. The Camera Never Lies is both hilarious and hair-raising.

In presenting the Photographic Sketch Book of the War to the attention of the public, it is designed that it shall speak for itself. The omission, therefore, of any remarks by way of preface might well be justified; and yet, perhaps, a few introductory words may not be amiss. As mementoes of the fearful struggle through which the country has just passed, it is confidently hoped that the following pages will possess an enduring interest. Localities that would scarcely have been known, and probably never remembered, save in their immediate vicinity, have become celebrated, and will ever be held sacred as memorable fields, where thousands of brave men yielded up their lives a willing sacrifice for the cause they had espoused. Verbal representations of such places, or scenes, may or may not have the merit of accuracy; but photographic presentments of them will be accepted by posterity with an undoubting faith. During the four years of the war, almost every point of importance has been photographed, and the collection from which these views have been selected amounts to nearly three thousand.