A biologist and an anthropologist use evolutionary biology to explain the causes and inform the prevention of rape. In this controversial book, Randy Thornhill and Craig Palmer use evolutionary biology to explain the causes of rape and to recommend new approaches to its prevention. According to Thornhill and Palmer, evolved adaptation of some sort gives rise to rape; the main evolutionary question is whether rape is an adaptation itself or a by-product of other adaptations. Regardless of the answer, Thornhill and Palmer note, rape circumvents a central feature of women's reproductive strategy: mate choice. This is a primary reason why rape is devastating to its victims, especially young women. Thornhill and Palmer address, and claim to demolish scientifically, many myths about rape bred by social science theory over the past twenty-five years. The popular contention that rapists are not motivated by sexual desire is, they argue, scientifically inaccurate. Although they argue that rape is biological, Thornhill and Palmer do not view it as inevitable. Their recommendations for rape prevention include teaching young males not to rape, punishing rape more severely, and studying the effectiveness of "chemical castration." They also recommend that young women consider the biological causes of rape when making decisions about dress, appearance, and social activities. Rape could cease to exist, they argue, only in a society knowledgeable about its evolutionary causes. The book includes a useful summary of evolutionary theory and a comparison of evolutionary biology's and social science's explanations of human behavior. The authors argue for the greater explanatory power and practical usefulness of evolutionary biology. The book is sure to stir up discussion both on the specific topic of rape and on the larger issues of how we understand and influence human behavior.

The finest and most disturbing novel yet from the author of "The Dumb House" and The Mercy Boys. Twenty-five years ago a rapist stalked the streets of Cambridge attacking young women and subjecting them to violent assaults. These events form the background to this extraordinary novel in which circumstances force a young male photographer to examine his relations with women, and with other men. Over one dramatic summer, he becomes involved in a series of sexual intrigues as he journeys towards self-definition. What emerges from an atmosphere of tension and terror is a moving examination of male tenderness, individual autonomy and personal grace.

Twenty five years ago, during the spring and summer of 1975, a rapist stalked the streets of Cambridge, attacking young, single women in their bed-sits and flats and subjecting them to horrifying and increasingly violent assaults. For several months the city endured a climate of fear and suspicion, where the old assumptions about sexual relations and civic decency fell into question, and no male could be taken at face value. These events for the background to The Locust Room, John Burnside's extraordinary new novel, in which a young photographer is forced by circumstances to examine his relations with women, with other men and with his family at home. Over one dramatic summer, he becomes involved in a series of sexual intrigues and acts of subtle violence as he journeys towards tentative self-definition and what he comes to see as honourable isolation. What emerges from this atmosphere of tension and terror is Burnside's finest novel so far; an exquisitely written, beautifully observed fiction - and a moving examination of the possibilities of male tenderness, individual autonomy and personal grace.

The harrowing autobiography of Michael O'Brien (one of the Cardiff Newsagent Three) who was imprisoned for 11 years for a murder he didn't commit. Michael received the largest payout ever by the police to anyone who has been wrongly convicted.

First published in 1985. This conference on Perspectives on Memory Research was held at the University of Uppsala, June 20-24, 1977. A main purpose of it was to commemorate the birth of the University of Uppsala in 1477. This was also the purpose of more than 40 other conferences and symposia held in Uppsala during the year of 1977.

Originally published in 1979, this book contains papers presented at a conference held in 1977 to celebrate the 500th anniversary of the University of Uppsala. Beyond the commemoration, the main reason for this conference was to get students of memory together to discuss and evaluate the memory research that had already been carried out, was presently underway and to speculate about the type of research in this area that would be carried out in the future. The contributors were specifically asked to concentrate on overall theoretical and metatheoretical questions at the cost of empirical problems. With chapters from many of the leading experts in the field this is an opportunity to enjoy some of their early insights.

Terry Eagleton occupies a unique position in the English-speaking world today. He is not only a productive literary theorist, but also a novelist and playwright. He remains a committed socialist deeply hostile to the zeitgeist. Over the last forty years his public interventions have enlivened an otherwise bland and conformist culture. His pen, as many colleagues in the academy-including Harold Bloom, Gayatri Spivak and Homi Bhabha-have learned, is merciless and unsparing. As a critic Eagleton has not shied away from confronting the high priests of native conformity as highlighted by his coruscating polemic against Martin Amis on the issue of civil liberties and religion. This comprehensive volume of interviews covers both his life and the development of his thought and politics. Lively and insightful, they will appeal not only to those with an interest in Eagleton himself, but to all those interested in the evolution of radical politics, modernism, cultural theory, the history of ideas, sociology, semantic inquiry and the state of Marxist theory.

This classic text has in recent times been fused to its contemporaneous volume, Lud Heat, but very much deserves to stand on its own. Suicide Bridge was originally published by Albion Village Press in 1979 with the sub-title A Book of the Furies, A Mythology of the South & East - Autumn 1973 to Spring 1978. As elsewhere, Sinclair saunters into the shadowy city underworld with his ever-watchful eye and roving syntax, this time probing the mythic figures from William Blake's Jerusalem and the mythical king Bladud. Previously text-bound entities such as Hand, Hyle and Kotope are made flesh and and given to foggy breath in the contemporary landscape. Addressed to "the enemy" the reader is precariously perched on the teetering bridge while the author kicks at the mythic spindles that hold it up. Sinclair's alternating, inter-penetrating prose and poetry become the uneven struts and pylons of a new concrete/abstract literary edifice. - 'One of the cliffs of Blake's and Coleridge's Albion sweeping against the walls of Everywhere...This is the landscape of another realm. We are walking over a raw and smoking surface filled with surprises. All around are the possibilities of lost tribes quietly bustling in the shadows...This is a rare jewel.' - Michael McClure

Paddy Armstrong was one of four people falsely convicted of The Guildford Bombing in 1975. He spent fifteen years in prison for a crime he did not commit. Today, as a husband and father, life is wonderfully ordinary, but the memory of his ordeal lives on. Here, for the first time and with unflinching candour, he lays bare the experiences of those years and their aftermath. Life after Life is a testament to the resilience of the human spirit and the power of forgiveness. It reminds us of the privilege of freedom, and how the balm of love, family and everyday life can restore us and mend the scars of even the most savage injustice. 'This book captures the sweet soul of Paddy. Beautifully written. For lovers of freedom everywhere.' Jim Sheridan