When Thea Wyndham and Mitchell Baker learn they've been named joint guardians for their late friends' three children, they're little more than acquaintances. Barely polite acquaintances, at that. Something about Mitch's forthright intensity has always left ad exec Thea feeling off-balance, while Mitch makes no secret of his disdain when Thea offers him financial assistance if he'll take sole guardianship. Thea is far from heartless. She's just plain terrified of her new parenting responsibilities. Both she and Mitch are romantically involved with other people. Yet the more time they spend together, the less certain she is of her loyalties. There are complications and missteps, tears and laughter--lots of it. And somehow, through it all, the dawning realization that the last place she thought she'd find herself could be just where she belongs. . . Praise for Jo Goodman's Marry Me "Fans of historical and western romance will appreciate Goodman's witty dialogue, first-rate narrative prose and clever plotting." –Publishers Weekly (starred review) "An insightful, gently sensual love story." –Library Journal

“Rarely will a book touch your heart like A Place to Call Home. So sit back, put up your feet, and enjoy.”—The Atlanta Journal and Constitution Twenty years ago, Claire Maloney was the willful, pampered, tomboyish daughter of the town's most respected family, but that didn’t stop her from befriending Roan Sullivan, a fierce, motherless boy who lived in a rusted-out trailer amid junked cars. No one in Dunderry, Georgia—least of all Claire’s family--could understand the bond between these two mavericks. But Roan and Claire belonged together . . . until the dark afternoon when violence and terror overtook them, and Roan disappeared from Claire's life. Now, two decades later, Claire is adrift, and the Maloneys are still hoping the past can be buried under the rich Southern soil. But Roan Sullivan is about to walk back into their lives. . . . By turns tender and sexy and heartbreaking and exuberant, A Place to Call Home is an enthralling journey between two hearts—and a deliciously original novel from one of the most imaginative and appealing new voices in Southern fiction. Praise for A Place to Call Home “A beautiful, believable love story.”—Chicago Tribune “For sheer storytelling virtuosity, Ms. Smith has few equals.”—Richmond Times-Dispatch “Enchanting new novel . . . a beautiful love story of reunion.”—The News & Observer, Raleigh, NC “Stylishly written, filled with Southern ease and humor.”—Tampa Tribune

The latest novel from Nobel Prize winner Toni Morrison. An angry and self-loathing veteran of the Korean War, Frank Money finds himself back in racist America after enduring trauma on the front lines that left him with more than just physical scars. His home--and himself in it--may no longer be as he remembers it, but Frank is shocked out of his crippling apathy by the need to rescue his medically abused younger sister and take her back to the small Georgia town they come from, which he's hated all his life. As Frank revisits the memories from childhood and the war that leave him questioning his sense of self, he discovers a profound courage he thought he could never possess again. A deeply moving novel about an apparently defeated man finding himself--and his home.

The New York Times bestselling author of the Orchard Mysteries presents this short prequel that started Meg Corey's mysterious adventures on the apple orchard in the small town of Granford, Massachusetts. Out of a job and living alone in a drafty Colonial house, Meg Corey is supposed to be fixing the house up to sell, but now she's got the flu and she's freezing and she feels very sorry for herself. Then Deborah Warren shows up to distract her—but is Deborah a ghost, or just the product of Meg's feverish imagination? Choosing to believe that Deborah really is a ghost, Meg sets out to discover the truth of why she's been around for 200 years when all she wants is to go home.

Irresistible, feel-good fiction from Top 10 bestselling author Jenny Oliver... ***Shortlisted for The Golsboro Books Contemporary Romantic Novel Award*** Bestselling author Debbie Johnson says Jenny Oliver writes about ‘love, humour, family and hope – the perfect ingredients for a summer read'.

“A novelistic mosaic that simultaneously reads like a thriller and like a strange, dreamlike excursion into the subconscious.” —The New York Times Years ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth -- musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies -- the book eventually made its way into the hands of older generations, who not only found themselves in those strangely arranged pages but also discovered a way back into the lives of their estranged children. Now this astonishing novel is made available in book form, complete with the original colored words, vertical footnotes, and second and third appendices. The story remains unchanged, focusing on a young family that moves into a small home on Ash Tree Lane where they discover something is terribly wrong: their house is bigger on the inside than it is on the outside. Of course, neither Pulitzer Prize-winning photojournalist Will Navidson nor his companion Karen Green was prepared to face the consequences of that impossibility, until the day their two little children wandered off and their voices eerily began to return another story -- of creature darkness, of an ever-growing abyss behind a closet door, and of that unholy growl which soon enough would tear through their walls and consume all their dreams.

Liza Barclay, aged 10, shot her mother while trying to protect her from her violent stepfather, ex-FBI agent Charley Foster. Despite her stepfather's claim that it was a deliberate act, the Juvenile Court ruled the death an accident. Many people, however, agreed with Foster and tabloids compared Liza to the infamous murderess, Lizzie Borden, pointing even to the similarity in name. Growing up with adoptive parents who tried to erase every trace of her past, her name is changed to Celia. Always, though, the fear hung over her and the family - that someday, her vengeful stepfather would reappear to harm her. Aged 25, a successful interior designer, she marries a childless sixty-year old widower and they have a son. Before their marriage, she had confided her earlier life to her husband. Two years on, on his deathbed, he tells her that he would want her to re-marry, but makes her swear never to reveal her past to anyone, so that their son would not carry the burden of this family tragedy - a promise that plunges her into a new cycle of violence. Three years later, happily re-married, Celia is shocked when her second husband presents her with a gift -- the house where she killed her mother. When the real estate agent who has made the sale recognises her and, soon after, is murdrered, Celia is accused of the crime. Once again, she is home -- the place where she is stamped as a murderess.

Abandoned by her mother at age fourteen, Fran is used to fending for herself in the family's isolated Ontario farmhouse, but four years later, her mother begins calling the house with strange, sensuous lurid tales that will eventually transform Fran. Reprint. 15,000 first printing.

The harsh realities of life serve as the foundation for three heart-tugging stories of love, lost and love found. Emma, desperate to keep the child she vowed to raise for a dying friend, finds herself in the market for a mail-order husband. Beth's heart is pierced with anxiety when the uncle of her deceased fiancé's two young children, an inveterate wanderer, comes to claim the only family he has left. Darcie encounters the nephew of her father's killer and faces unforgiveness and hatred in the hidden recesses of her own heart. Three women, three stories, three opportunities for glorious and surprising twists from the hand of God.

From the author of The Great Glass Sea, three linked novellas set between the Virginias about men confronting love, loss, and personal demons. Set in the hardscrabble hill country between the Virginias, The New Valley contains characters striving to forge new lives in the absence of those they have loved. Told in three varied and distinct voices—a soft-spoken middle-aged beef farmer struggling to hold himself together after his dad’s death; a health-obsessed single father desperate to control his reckless, overweight daughter; and a developmentally delayed man who falls in love with a married woman intent on using him in a scheme that will wound them both—each story explores survival, isolation, and the deep, consuming ache for human connection. As the men battle against grief and solitude, their heartache leads them all to commit acts that will bring both ruin and salvation, in these tales “full of tenderness and looming menace” (The New York Times Book Review). “Stark and haunting . . . Delivers great beauty” —Publishers Weekly, starred review “[Weil’s] language is exquisite, his sentences glorious. . . . Refreshing and engaging.” —Ploughshares