Paul Tremblay’s terrifying twist to the home invasion novel—inspiration for the upcoming major motion picture from Universal Pictures “Tremblay’s personal best. It’s that good.” — Stephen King Seven-year-old Wen and her parents, Eric and Andrew, are vacationing at a remote cabin on a quiet New Hampshire lake. Their closest neighbors are more than two miles in either direction along a rutted dirt road. One afternoon, as Wen catches grasshoppers in the front yard, a stranger unexpectedly appears in the driveway. Leonard is the largest man Wen has ever seen, but he is young, friendly, and he wins her over almost instantly. Leonard and Wen talk and play until Leonard abruptly apologizes and tells Wen, “None of what’s going to happen is your fault.” Three more strangers then arrive at the cabin carrying unidentifiable, menacing objects. As Wen sprints inside to warn her parents, Leonard calls out: “Your dads won’t want to let us in, Wen. But they have to. We need your help to save the world.” Thus begins an unbearably tense, gripping tale of paranoia, sacrifice, apocalypse, and survival that escalates to a shattering conclusion, one in which the fate of a loving family and quite possibly all of humanity are entwined. The Cabin at the End of the World is a masterpiece of terror and suspense from the fantastically fertile imagination of Paul Tremblay.

From Paul Tremblay, the author of A Head Full of Ghosts, comes a contemporary psychological suspense concerning a family shaken to its core after the mysterious disappearance of a teenage boy. “A Head Full of Ghosts scared the living hell out of me, and I’m pretty hard to scare,” raved Stephen King about Paul Tremblay’s previous novel. Now, Tremblay returns with another disturbing tale sure to unsettle readers. Late one summer night, Elizabeth Sanderson receives the devastating news that every mother fears: her thirteen-year-old son, Tommy, has vanished without a trace in the woods of a local park. The search isn’t yielding any answers, and Elizabeth and her young daughter, Kate, struggle to comprehend Tommy’s disappearance. Feeling helpless and alone, their sorrow is compounded by anger and frustration: the local and state police have uncovered no leads. Josh and Luis, the friends who were the last to see Tommy before he vanished, may not be telling the whole truth about that night in Borderland State Park, when they were supposedly hanging out a landmark the local teens have renamed Devil’s Rock. Living in an all-too-real nightmare, riddled with worry, pain, and guilt, Elizabeth is wholly unprepared for the strange series of events that follow. She believes a ghostly shadow of Tommy materializes in her bedroom, while Kate and other local residents claim to see a shadow peering through their windows in the dead of night. Then, random pages torn from Tommy’s journal begin to mysteriously appear—entries that reveal an introverted teenager obsessed with the phantasmagoric; the loss of his father, killed in a drunk-driving accident a decade earlier; a folktale involving the devil and the woods of Borderland; and a horrific incident that Tommy believed connects them. As the search grows more desperate, and the implications of what happened become more haunting and sinister, no one is prepared for the shocking truth about that night and Tommy’s disappearance at Devil’s Rock.

Michelle and Cliff Stage bought their isolated vacation cabin in the mountains of North Carolina with hopes of repairing their eighteen-year marriage. But when Cliff disappears one night searching for the source of a mysterious light in the woods, Michelle’s life will change in unimaginable ways. After the sheriff’s department fails to find him, Michelle scrambles down the same dark mountainside alone, the strange, beckoning light her only guide. What she discovers is a cabin, identical to theirs, housing a life she barely recognizes—and a husband she hardly knows. Cliff is a changed man. Now caring and considerate, no longer a manipulative womanizer, he is also missing a finger. He claims that Cassie, their teenage daughter, is dead, killed in a car accident over a year ago. Michelle knows that’s not possible—Cassie had phoned her from Atlanta only hours before. Even when shown Cassie’s grave, Michelle refuses to accept she’s gone. Michelle wants her daughter and her life back, and the only clue to what has happened is a man named Pink. A real estate agent and the man who years earlier built Michelle and Cliff’s cabin, Pink was rumored to have killed his wife and buried her on the property, then vanished, never to be seen again. But in Michelle’s new reality, Pink and his wife still reside in town and Pink’s smile-splashed billboards are everywhere. To get back to the world where her daughter exists, Michelle must unravel the mystery of Pink while questioning her very reality—and her sanity. Haunting, atmospheric, and deeply thought-provoking, The Cabin on Souder Hill questions the very nature of our existence and the choices we make to form it.

The wickedly entertaining debut featuring Mark Genevich, Narcoleptic Detective Mark Genevich is a South Boston P.I. with a little problem: he's narcoleptic, and he suffers from the most severe symptoms, including hypnagogic hallucinations. These waking dreams wreak havoc for a guy who depends on real-life clues to make his living. Clients haven't exactly been beating down the door when Mark meets Jennifer Times—daughter of the powerful local D.A. and a contestant on American Star—who walks into his office with an outlandish story about a man who stole her fingers. He awakes from his latest hallucination alone, but on his desk is a manila envelope containing risqué photos of Jennifer. Are the pictures real, and if so, is Mark hunting a blackmailer, or worse? Wildly imaginative and with a pitch-perfect voice, Paul Tremblay's The Little Sleep is the first in a new series that casts a fresh eye on the rigors of detective work, and introduces a character who has a lot to prove—if only he can stay awake long enough to do it.

A New York Times Notable Book Winner of the Bram Stoker Award "One of the best collections of the 21st century." — Stephen King A chilling collection of psychological suspense and literary horror from the multiple award-winning author of the national bestseller The Cabin at the End of the World and A Head Full of Ghosts. A masterful anthology featuring nineteen pieces of short fiction, Growing Things is an exciting glimpse into Paul Tremblay’s fantastically fertile imagination. In “The Teacher,” a Bram Stoker Award nominee for best short story, a student is forced to watch a disturbing video that will haunt and torment her and her classmates’ lives. Four men rob a pawn shop at gunpoint only to vanish, one-by-one, as they speed away from the crime scene in “The Getaway.” In “Swim Wants to Know If It’s as Bad as Swim Thinks,” a meth addict kidnaps her daughter from her estranged mother as their town is terrorized by a giant monster . . . or not. Joining these haunting works are stories linked to Tremblay’s previous novels. The tour de force metafictional novella “Notes from the Dog Walkers” deconstructs horror and publishing, possibly bringing in a character from A Head Full of Ghosts, all while serving as a prequel to Disappearance at Devil’s Rock. “The Thirteenth Temple” follows another character from A Head Full of Ghosts—Merry, who has published a tell-all memoir written years after the events of the novel. And the title story, “Growing Things,” a shivery tale loosely shared between the sisters in A Head Full of Ghosts, is told here in full. From global catastrophe to the demons inside our heads, Tremblay illuminates our primal fears and darkest dreams in startlingly original fiction that leaves us unmoored. As he lowers the sky and yanks the ground from beneath our feet, we are compelled to contemplate the darkness inside our own hearts and minds.

Now a Netflix film starring Julia Roberts, Mahershala Ali, Ethan Hawke, Myha'la, Farrah Mackenzie, Charlie Evans and Kevin Bacon. Written for the Screen and Directed by Sam Esmail. Executive Producers Barack and Michelle Obama, Tonia Davis, Daniel M. Stillman, Nick Krishnamurthy, Rumaan Alam A Read with Jenna Today Show Book Club Pick! Finalist for the 2020 National Book Award in Fiction One of Barack Obama's Summer Reads A Best Book of the Year From: The Washington Post * Time * NPR * Elle * Esquire * Kirkus * Library Journal * The Chicago Public Library * The New York Public Library * BookPage * The Globe and Mail * EW.com * The LA Times * USA Today * InStyle * The New Yorker * AARP * Publisher's Lunch * LitHub * Book Marks * Electric Literature * Brooklyn Based * The Boston Globe A magnetic novel about two families, strangers to each other, who are forced together on a long weekend gone terribly wrong. From the bestselling author of Rich and Pretty comes a suspenseful and provocative novel keenly attuned to the complexities of parenthood, race, and class. Leave the World Behind explores how our closest bonds are reshaped—and unexpected new ones are forged—in moments of crisis. Amanda and Clay head out to a remote corner of Long Island expecting a vacation: a quiet reprieve from life in New York City, quality time with their teenage son and daughter, and a taste of the good life in the luxurious home they’ve rented for the week. But a late-night knock on the door breaks the spell. Ruth and G. H. are an older couple—it’s their house, and they’ve arrived in a panic. They bring the news that a sudden blackout has swept the city. But in this rural area—with the TV and internet now down, and no cell phone service—it’s hard to know what to believe. Should Amanda and Clay trust this couple—and vice versa? What happened back in New York? Is the vacation home, isolated from civilization, a truly safe place for their families? And are they safe from one other?

Read the official novelization to get the full story of this terrifying movie! From Joss Whedon, the creator of Buffy the Vampire Slayer, and Drew Goddard, writer of the monster movie phenomenon Cloverfield, comes the horror film to end all horror films! The details of the plot are a closely guarded secret, though Joss himself has described it as “a straight-up, balls-out, really terrifying horror movie,” adding,"it is not just a slasher in the woods. It's a little more complicated than that..."

In the nineteenth century Uncle Tom's Cabin sold more copies than any other book in the world except the Bible.

How big does a home really need to be? When Henry decides to build a cabin for himself in the woods, he gets some help and a lot of advice from his friends. But Henry, being Henry, has his own ideas, and he sets about building his house as a bird builds its nest. As he adds everything he thinks his cabin needs, Henry’s new home ends up being a lot bigger than it looks! Inspired by the life of Henry David Thoreau, and illustrated with nature-filled paintings by author and artist D. B. Johnson, Henry Builds a Cabin is a thoughtful and beautiful meditation on what a home can be.