The Bush Always Burns introduces a Jesus all of us can seek, find, and trust in moments that are bright and moments that are dark. Heath Adamson takes us back in time to meet an undesirable character from his youth: him at age seventeen. Adamson grew up knowing a little bit about the occult, too much about drugs, and almost nothing about God. If you find yourself struggling to know your heavenly Father the way Heath did, The Bush Always Burns offers strength and solace for today. It is a life-giving reminder that Jesus is (and always has been) waiting for us to turn and see that the bush always burns and the ground is always sacred. His power is constantly available to us if we want it. This is the first title in a series of three releases from this author. The second release titled The Silence Always Speaks will be available September 2015.

There is nothing more important in this life or the one to come than an intimate connection with Jesus. Unfortunately, we have thousands of voices distracting us, and all too often we listen to them. We confuse proximity to God with intimacy with God and are content with a Christian-branded life yet miss out on what we were created for: knowing God intimately. Sharing the touching story of a demon-possessed man who had every reason to run the other way when he encountered Jesus, Heath Adamson shows us how spiritual hunger can overcome our hopelessness, our shame, and our excuses. He encourages us to pursue God regardless of where we've been or where we are, seeing our salvation as a doorway. Once we walk through it, we can discover the love of God in a tangible way. This book is for anyone who longs for a deeper connection to God, who has felt far from peace and hope, and who needs the assurance that God is both interested in who they are and accepts them.

The Bush Always Burns introduces a Jesus all of us can seek, find, and trust in moments that are bright and moments that are dark. Heath Adamson takes us back in time to meet an undesirable character from his youth: him at age seventeen. Adamson grew up knowing a little bit about the occult, too much about drugs, and almost nothing about God. If you find yourself struggling to know your heavenly Father the way Heath did, The Bush Always Burns offers strength and solace for today. It is a life-giving reminder that Jesus is (and always has been) waiting for us to turn and see that the bush always burns and the ground is always sacred. His power is constantly available to us if we want it. This is the first title in a series of three releases from this author. The second release titled The Silence Always Speaks will be available September 2015.

How did the Democratic Party--party of JFK, LBJ, and civil rights--fall from glory? How did Texas become Bush territory? What do politicians on either side need to do today to get our country back on track? Ben Barnes has the answers. Barnes had a front-row seat through it all. He won a seat in the Texas Legislature in 1960, at the age of 22, and four years later became the youngest Speaker of the House since the Civil War. In 1968, he helped Congressman George H. W. Bush get his son into the National Guard. How did his party lose its place in Texas, and the nation? Here, Barnes takes readers inside the rise and fall of the party he loves. He uses lessons learned in the Texas trenches as a guiding light for a new generation of lawmakers and political hopefuls, and calls for a return to bipartisan consensus building.--From publisher description.

Most Australians live in cities and cling to the coastal fringe, yet our sense of what an Australian is – or should be – is drawn from the vast and varied inland called the bush. But what do we mean by 'the bush', and how has it shaped us? Starting with his forebears' battle to drive back nature and eke a living from the land, Don Watson explores the bush as it was and as it now is: the triumphs and the ruination, the commonplace and the bizarre, the stories we like to tell about ourselves and the national character, and those we don't. Via mountain ash and mallee, the birds and the beasts, slaughter, fire, flood and drought, swagmen, sheep and their shepherds, the strange and the familiar, the tragedies and the follies, the crimes and the myths and the hope – here is a journey that only our leading writer of non-fiction could take us on. At once magisterial in scope and alive with telling, wry detail, The Bush lets us see our landscape and its inhabitants afresh, examining what we have made, what we have destroyed, and what we have become in the process. No one who reads it will look at this country the same way again. 'Nothing he has written quite matches the wonders of The Bush . . . There is no dull page or even lifeless sentence between its covers and my urge is that if anyone wants a full blast of what Australia is, was, or might be, thrust The Bush into their hands. Watson seems to have been preparing to write it all his life, from when he was a small boy (born 1949) open to wonders on his family's Gippsland dairy farm . . . It's the unalloyed wonder of that small boy . . . that guides the reader most of all . . . a fountaining freshness of spirit that gives everything he sees and does the vivacity of being sighted for the first time.' Roger McDonald, The Age 'Flawlessly elegant writing . . . But this is excellent, hard-headed history, too . . . Utterly mesmerising and entrancing . . . A challenge to contemplate what it really is about this country that makes us who we think we are . . . A literary-historical odyssey.' Paul Daley, The Guardian (Australia) 'A loving rumination on Australia, the landmass, and those who live on it and from it . . . Watson refuses to be captured by easy categorisations or received opinion . . . The writing is crisp, witty and sardonic . . . Watson is an original, with an authentic, prophetic voice.' John Hirst, The Monthly 'An overwhelmingly affectionate portrait, one that's never sentimental or indulgently nostalgic, and one that defiantly resists lamentation . . . There is no doubt that The Bush stands with Bill Gammage's The Biggest Estate on Earth as one of the most important books published on the history of this country in recent years . . . The Bush is the crown in Watson's oeuvre, a magnificent, sprawling ode to the best in Australia, a challenge to us all to find new ways of loving the country.' The Saturday Paper 'Don Watson's magnificent, celebratory, contradictory study of the Australian bush will challenge the national imagination . . . An amiable, learned, playful and engrossing book . . . [A] great, succulent magic pudding of a book . . . Most of what we read is nothing like we would have expected . . . There is a sense that an amiable and eloquent uncle is telling us everything piquant he knows about theology and culture and land use and the beasts and flora and families of the bush.' Thomas Keneally, Weekend Australian 'The power of this book does come from the way Watson positions himself as both an insider and outsider to the Australian bush . . . A meditation on Australia itself through a reflection on the bush.' Frank Bongiorno, Australian Book Review 'A sprawling, fascinating book . . . Watson has pulled off a marvel, a book that educates and fascinates at the same time as it calls for action to preserve some things before they're lost. The best part, though, is his prose: bare and dry, with a dark sense of humour. A bit like the country he's describing.' Margot Lloyd, The Advertiser (Adelaide) 'Every now and again a book comes out that is so groundbreaking it causes you to think about a particular subject in a radically different light. Don Watson's The Bush: Travels in The Heart of Australia is one such work; a masterpiece of research, inquiry and poetry that challenges our basic assumptions of the Outback. Watson . . . has pulled off a dazzling achievement with The Bush, blending philosophy with science and storytelling . . . A beautifully written and thoughtful book.' Johanna Leggatt, Weekly Times 'Elegant, intricate, sprawling and sometimes harsh . . . [Watson] explores the bush with a mix of academic insight and campfire yarn . . . In a word: hypnotic.' Jeff Maynard, Herald Sun 'His romantic prose moves seamlessly through autobiographical tales to discuss the landscapes and histories that have shaped Australia.' National Geographic 'One of my favourite reads this year. What a writer he is . . . You find yourself sneaking off from others to be with it.' Kathleen Noonan, Courier-Mail 'Vast in scope, richly sourced, soaring and poetic, this journey to the heart of Australia has been rightly compared in significance to Bill Gammage's The Biggest Estate on Earth.' Barbara Farrelly, South Coast Register 'The Bush is his homage to Australia's mythic hinterland. Watson travels through the Mallee and the Murray-Darling, to WA's wheat belt and beyond, meeting people, talking, listening. Good writing that engages with Australia's past is a rare beast, too often bound up in the need for ''balance''. Watson has the freedom to ignore the rules; he allows himself to opine and he yarns at will. A delightful read.' Mark MacLean, Newcastle Herald

Perhaps no psalm is more widely known than Psalm 23. Spoken by David during a time of great stress and difficulty, it summons us to lie down in green pastures and walk thru the valley of the shadow of death. Yet so often it seems we do just the reverse, lying down in the valley and fixating on the danger, fear, and uncertainty. We wonder where God has gone and why he doesn't make things right, never considering that perhaps what we perceive as a spiritual trial is actually an invitation from God. In this inspirational examination of Psalm 23, Heath Adamson asks the provocative question: What if the green pasture and valley of the shadow of death is the same place? Uncovering the rich historical and spiritual context of the shepherd's psalm, he explores how God has provided a place of rest for each of us, even in the times of unrest, uncertainty, moral ambiguity, and fear.

Terry Allen Moe came as pastor to Redeemer Lutheran, a traditional, working-class congregation in a poorer, mixed-race neighborhood in Portland, Oregon, in 1981. Five US presidents, six Portland mayors, and four Lutheran bishops later, Redeemer had been transformed into an innovative, spiritual-not-religious, member-based nonprofit called Leaven Community, and a new ELCA congregation--Salt and Light Lutheran--nested in the midst of Leaven. This is the story of how an intertwining of spirituality and organizing transformed a pastor and congregation. Using the metaphor of paying attention to the voice of God in the burning bush (Exodus 3), Moe describes how he and the congregation turned to the burning bush of deepened spirituality coupled with hard-nosed organizing embodied in the IAF network. The process was not easy or smooth, but the pastor and people changed, and together they impacted the larger Portland community. This is the story of listening, discerning, acting, and evaluating to address the upstream causes of pressing issues and of identifying and lifting up the public dimensions of people's pain. This is the story of prayer circles that addressed societal challenges contributing to people's private struggles. This is the story of unearthing and confronting the impacts of political decisions, overcoming the mentality that "church and politics don't mix." Sunday worship shifted to include the stories of addiction, job loss, rising energy costs, and ecological grieving from the members and their neighbors. This book demonstrates how the power of spiritual discernment and community organizing can transform a community of faith. It's timely inspiration for congregations struggling to find their way out of decline and the immobilization caused by fear and lack of creative leadership.

A woman sits in prayerful meditation, waiting to offer her first confession in more than thirty years. She holds a small book on her lap, one that she's made, and tells herself again the Bible stories it contains, the ones she has written anew, for herself, each story told aslant, from Jonah to Jesus, Moses to Mary Magdalen. Woven together and stitched by hand, they provide a new version, virtually a new translation, of the heart of this ancient and sacred text. Rakow's Bernadette traces, through each brief and familiar story, a line where belief and disbelief touch, the line that has been her home, ragged and neglected, that hidden seam. The result is an amazing book of extraordinary beauty, so human and humorous, and yet so holy it becomes a work of poetry, a canticle, a song of lament and praise. In the private terrain of silence and devotion, shared with us by a writer of power and grace, Rakow offers, through Bernadette, her own lectio divina for the modern world. No reader will forget this book or be able to read the Bible itself without a new perspective on this text that remains, arguably, Western civilization's greatest literary achievement.

Bruce Edward Hall may have an English name and a Connecticut upbringing, but for him a trip to Chinatown, New York, is a visit to the ghosts of his Chinese ancestors - ancestors who helped create the neighborhood that is really as much a transplanted Cantonese village as it is a part of a great American city. Among these Ancestors are missionaries and reprobates, businessmen and scholars. In Tea That Burns, Bruce Edward Hall uses the stories of these and others to tell the history of Chinatown, starting with the tumultuous journey from an ancient empire ruled by the nine dragons of the universe to a bewildering land of elevated trains, solitary labor, and violent discrimination. The world they constructed was built of backbreaking labor and poetry contests; gambling dens and Cantonese opera; Tong Wars, festivals, firecrackers, incense, and food - always food, to celebrate every conceivable occasion and to confound the ever-meddlesome "White Devils" as they attempt to master the mysteries of chop sticks and stir-fry.