Every culture has in its folklore and mythology beings of immense size and strength, as well as other preternatural humanoids great or small who walk among us, serving the divine or fulfilling their own agendas. This book catalogs the lore and legends of more than 1,000 different humanoid species and individual beings, including the Titans, Valkyries, Jotnar, yōkai, biblical giants, elves, ogres, trolls and many more.

No-one knows for sure when or why the Burryman ceremony in South Queensferry began, although many say it celebrates the granting to the town of Royal Burgh status by James VI in 1588. Whatever its origins, the ceremony was held every year for hundreds of years until it was suspended by the authorities after the gruesome and mysterious death of a participant in the 1990 ceremony. This is the story of the events surrounding that death. It is a story exposing the violence, bigotry and sectarianism that fester in the underbelly of small-town Scotland.

The Silver Bough is an indispensable treasury of Scottish culture, universally acknowledged as a classic of literature. The author, F Marian McNeill, succeeded in capturing and bringing to life many traditions and customs of old before they died out or were influenced by the modern era. The Silver Branch of the sacred apple tree, laden with crystal blossoms of golden fruit, is in Celtic mythology the equivalent of the Golden Bough of classical mythology - the symbolic bond between the world we know and the Otherworld.In the first volume of the Silver Bough, the author deals generally with Scottish folk-lore and folk belief, with chapters on ethnic origins, the Druids, the Celtic gods, the slow transition to Christianity, magic, the fairy faith, second sight, selkies, changelings and the witch cult. In volumes two and three she explored in some depth the foundations of many of these beliefs and rituals through the Calendar of Scottish national festivals, in which we find enshrined many of the fascinating folk customs of our ancestors. This fourth volume turns our attention to the Local Festivals of Scotland. As man makes greater and greater advances in the understanding and control of his physical environment, the river between the known and the unknown gradually changes its course, and the subjects of the simpler beliefs of former times become part of the new territory of knowledge. The Silver Bough maps out the old course of the waterway that in Celtic belief winds between here and beyond, and reveals the very roots of the Scottish people's distinctive customs and way of life. The Silver Bough is a large and important work which involved many years of research into both living and recorded lore. Its genesis lies, perhaps, in the author's subconscious need to reconcile the old primitive world she had glimpsed in childhood with the sophisticated modern world she later entered. "e;I do not believe that you can exaggerate the importance of the preservation of old ways and customs, and all those little things which bind a man to his native place. Today we live in difficult times. The steam-roller of progress is flattening out many of our old institutions, and there is a danger of a general decline in idiom and distinctive quality in our Scottish life. The only way to counteract this peril is to preserve jealously all these elder things which are bone of our bone and flesh of our flesh. For, remember, no man can face the future with courage and confidence unless it is solidly founded upon the past. And conversely, no problem will be too hard, no situation too strange, if we can link it with what we know and love"e; F Marian McNeill

Most vols. for 1890- contain list of members of the Folk-lore Society.

Ben Edge is a rising star of both the art world and the current folk renaissance. This first trade book of Edge's art, featuring over 200 artworks, is a unique insight into his creative process as well as the first mainstream book to explore the amazing and wildly popular folk customs of the British ritual year. 'In his deeply squirrelly, edgy, almost mystic paintings, Ben Edge tries to ask where we all come from and why we tell ourselves the stories we tell ourselves.' – Jerry Saltz 'It's time to rediscover the real and this book tells you where to find it. Indispensable.' – Jarvis Cocker Ben Edge has travelled the length and breadth of Britain recording the weird and wonderful folk customs alive in communities all over the country. In this book, the first trade edition of his art, he shares over 200 paintings and photographs, along with real-life stories, anecdotes and legends. He talks about how connecting with our incredible living folklore helped him recover from depression, and also introduces his idea of folklore activism, suggesting that the current massive resurgence of interest in contemporary folk culture represents ordinary people’s desire to find new ways of envisioning community and caring for and connecting to nature. Readers will be enchanted and inspired by the images and description of: Mass events that are attended by thousands such as the solstices at Stonehenge, the Padstow ‘Obby ‘Oss parade, the Burry Man’s Day and the Straw Bear of Whittlesea. Practices to celebrate the turning wheel of the year, from wassailing to May Day fertility rites to fire festivals to Mumming Plays. The progressive all-female Morris dancing side Boss Morris. The Green Man – how this has become an icon of modern spirituality and eco-consciousness and a personal symbol of mental health recovery to Ben. Standing stones and the mythology surrounding them. Overall the book explores the psyche of British folklore, showing how this has fed into his art and what this means in the context of contemporary life. It's a book about reconnection with nature, each other and the past through art and folklore.