Henrietta is a reader and a writer, unusual traits for a chicken, but when her book is published and she is invited to the Children's Book Festival, only the local librarian believes she is the author.

'The Noughts & Crosses series are still my favourite books of all time and showed me just how amazing story-telling could be' STORMZY 'I grew up reading her. It was one of the few books about black people, so I felt seen.' CANDICE CARTY-WILLIAMS 'The most original book I've ever read' BENJAMIN ZEPHANIAH 'Malorie Blackman is absolutely amazing ... [Noughts & Crosses] really spoke to me, especially as a woman of dual heritage.' ZAWE ASHTON 'Crossfire is searing, political and furious. Malorie's world building is sublime and the way the Noughts & Crosses series holds a mirror up to society is unrivalled' JUNO DAWSON _____ Years have passed since the love between Sephy - a Cross - and Callum - a Nought - destroyed their world and changed their families and society forever. Society appears to be very different now. For the first time ever, a Nought Prime Minister - Tobey Durbridge - is in power. Race and class don't divide people anymore. But things are never really that easy. Because Tobey's just been framed for murder, and the only way to free himself is to turn to his oldest friend - Callie-Rose. Their families divisions run deep, and when two young people are kidnapped, their lives and everything they've fought for are put in the firing line. And when you're playing a game as dangerous as this one, it won't be long before someone gets caught in the crossfire... Crossfire is the long-awaited new novel in legendary author Malorie Blackman's ground-breaking Noughts & Crosses series. 'Rich in moral and social issues, it is devastating about racial attitudes' THE SUNDAY TIMES, CHILDREN'S BOOK OF THE WEEK 'It chillingly echoes the tempestuous taste of the world today while offering the intensity of a thriller' I NEWSPAPER

Henrietta loves to read. When she clucks buk, buk, buk at the library, the librarian knows exactly what to recommend. Then Henrietta decides to write a book. With the help of her three aunties, she hatches a plot. But when Henrietta publishes her story, the critics say she's laid an egg! Is this the end of Henrietta's career as an author?

When Henrietta becomes the first chicken in her coop to learn how to read, she uses her skills to save her aunties from becoming chicken soup.

Whether used for thematic story times, program and curriculum planning, readers' advisory, or collection development, this updated edition of the well-known companion makes finding the right picture books for your library a breeze. Generations of savvy librarians and educators have relied on this detailed subject guide to children's picture books for all aspects of children's services, and this new edition does not disappoint. Covering more than 18,000 books published through 2017, it empowers users to identify current and classic titles on topics ranging from apples to zebras. Organized simply, with a subject guide that categorizes subjects by theme and topic and subject headings arranged alphabetically, this reference applies more than 1,200 intuitive (as opposed to formal catalog) subject terms to children's picture books, making it both a comprehensive and user-friendly resource that is accessible to parents and teachers as well as librarians. It can be used to identify titles to fill in gaps in library collections, to find books on particular topics for young readers, to help teachers locate titles to support lessons, or to design thematic programs and story times. Title and illustrator indexes, in addition to a bibliographic guide arranged alphabetically by author name, further extend access to titles.

“A book that should be read . . . Smith brings an alchemic talent to describing physical labor.” —The New York Times Book Review “Beautiful, funny, and harrowing.” – Sarah Smarsh, The Atlantic “Remarkable . . . this is the book that Hillbilly Elegy should have been.” —Kirkus Reviews A vivid window into the world of working class men set during the Bakken fracking boom in North Dakota Like thousands of restless men left unmoored in the wake of the 2008 economic crash, Michael Patrick Smith arrived in the fracking boomtown of Williston, North Dakota five years later homeless, unemployed, and desperate for a job. Renting a mattress on a dirty flophouse floor, he slept boot to beard with migrant men who came from all across America and as far away as Jamaica, Africa and the Philippines. They ate together, drank together, argued like crows and searched for jobs they couldn't get back home. Smith's goal was to find the hardest work he could do--to find out if he could do it. He hired on in the oil patch where he toiled fourteen hour shifts from summer's 100 degree dog days to deep into winter's bracing whiteouts, all the while wrestling with the demons of a turbulent past, his broken relationships with women, and the haunted memories of a family riven by violence. The Good Hand is a saga of fear, danger, exhaustion, suffering, loneliness, and grit that explores the struggles of America's marginalized boomtown workers—the rough-hewn, castoff, seemingly disposable men who do an indispensable job that few would exalt: oil field hands who, in the age of climate change, put the gas in our tanks and the food in our homes. Smith, who had pursued theater and played guitar in New York, observes this world with a critical eye; yet he comes to love his coworkers, forming close bonds with Huck, a goofy giant of a young man whose lead foot and quick fists get him into trouble with the law, and The Wildebeest, a foul-mouthed, dip-spitting truck driver who torments him but also trains him up, and helps Smith "make a hand." The Good Hand is ultimately a book about transformation--a classic American story of one man's attempt to burn himself clean through hard work, to reconcile himself to himself, to find community, and to become whole.

WHAT DOES IT TAKE TO BELIEVE IN MAGIC? It is Christmas Eve and all is not well. Amelia Wishart is trapped in Mr Creeper's workhouse and Christmas is in jeopardy. Magic is fading. If Christmas is to happen, Father Christmas knows he must find her. With the help of some elves, eight reindeer, the Queen and a man called Charles Dickens, the search for Amelia - and the secret of Christmas - begins . . .

The outdoor music festival market has developed and commercialised significantly since the mid-1990s, and is now a mainstream part of the British summertime leisure experience. The overall number of outdoor music festivals staged in the UK doubled between 2005 and 2011 to reach a peak of over 500 events. UK Music (2016) estimates that the sector attracts over 3.7 million attendances each year, and that music tourism as a whole sustains nearly 40,000 full-time jobs. Music Festivals in the UK is the first extended investigation into this commercialised rock and pop festival sector, and examines events of all sizes: from mega-events such as Glastonbury Festival, V Festival and the Reading and Leeds Festivals to 'boutique' events with maximum attendances as small as 250. In the past, research into festivals has typically focused either on their carnivalesque heritage or on developing managerial tools for the field of Events Management. Anderton moves beyond such perspectives to propose new ways of understanding and theorising the cultural, social and geographic importance of outdoor music festivals. He argues that changes in the sector since the mid-1990s, such as professionalisation, corporatisation, mediatisation, regulatory control, and sponsorship/branding, should not necessarily be regarded as a process of transgressive 'alternative culture' being co-opted by commercial concerns; instead, such changes represent a reconfiguration of the sector in line with changes in society, and a broadening of the forms and meanings that may be associated with outdoor music events.

'I'm going to camp out on the land ... try and get my soul free'. So sang Joni Mitchell in 1970 on 'Woodstock'. But Woodstock is only the tip of the iceberg. Popular music festivals are one of the strikingly successful and enduring features of seasonal popular cultural consumption for young people and older generations of enthusiasts. From pop and rock to folk, jazz and techno, under stars and canvas, dancing in the streets and in the mud, the pleasures and politics of the carnival since the 1950s are discussed in this innovative and richly-illustrated collection. The Pop Festival brings scholarship in cultural studies, media studies, musicology, sociology, and history together in one volume to explore the music festival as a key event in the cultural landscape - and one of major interest to young people as festival-goers themselves and as students.

In Great British Music Festivals, Edith Bowman packs her rain boots and braves the unpredictable weather to explore some of the country's best- and lesser-known music festivals. From the muddy fields of Glastonbury, to the warmer climes of the Isle of Wight, Edith travels the length of the UK in the search for the ultimate festival experience. With detailed guides and histories of the most celebrated musical events in the UK--including Bestival, Greenman, and Latitude--this is the must-have book for both the seasoned festival-goer or anyone looking to have their first festival experience. Includes exclusive behind-the-scenes photography from Edith's personal collection, and features exclusive digital content with interviews from high profile musicians.