'Exquisitely written... haunting... Few books, I think, capture so well the sense of a life broken for ever by trauma and guilt' Sunday Times 'An unsparing, honest and insightful memoir, that shows how private failure becomes national disaster' Hilary Mantel Twenty years after the end of the war, Horst Krüger attempted to make sense of his childhood. He had grown up in a quiet Berlin suburb. Here, people lived ordinary lives, believed in God, obeyed the law, and were gradually seduced by the promises of Nazism. He had been 'the typical child of innocuous Germans who were never Nazis, and without whom the Nazis would never have been able to do their work'. With tragic inevitability, this world of respectability, order and duty began to crumble. Written in accomplished prose of lingering beauty, The Broken House is a moving coming-of-age story that provides a searing portrait of life under the Nazis.

In this "raucous, moving, and necessary" story by a Pulitzer Prize finalist (San Francisco Chronicle), the De La Cruzes, a family on the Mexican-American border, celebrate two of their most beloved relatives during a joyous and bittersweet weekend. "All we do, mija, is love. Love is the answer. Nothing stops it. Not borders. Not death." In his final days, beloved and ailing patriarch Miguel Angel de La Cruz, affectionately called Big Angel, has summoned his entire clan for one last legendary birthday party. But as the party approaches, his mother, nearly one hundred, dies, transforming the weekend into a farewell doubleheader. Among the guests is Big Angel's half brother, known as Little Angel, who must reckon with the truth that although he shares a father with his siblings, he has not, as a half gringo, shared a life. Across two bittersweet days in their San Diego neighborhood, the revelers mingle among the palm trees and cacti, celebrating the lives of Big Angel and his mother, and recounting the many inspiring tales that have passed into family lore, the acts both ordinary and heroic that brought these citizens to a fraught and sublime country and allowed them to flourish in the land they have come to call home. Teeming with brilliance and humor, authentic at every turn, The House of Broken Angels is Luis Alberto Urrea at his best, and cements his reputation as a storyteller of the first rank. "Epic . . . Rambunctious . . . Highly entertaining." -- New York Times Book Review"Intimate and touching . . . the stuff of legend." -- San Francisco Chronicle"An immensely charming and moving tale." -- Boston GlobeNational Bestseller and National Book Critics Circle Award finalistA New York Times Notable BookOne of the Best Books of the Year from National Public Radio, American Library Association, San Francisco Chronicle, BookPage, Newsday, BuzzFeed, Kirkus, St. Louis Post-Dispatch, Literary Hub

Sin has ravaged the house that God created. It sits slumped, disheveled and in pain, groaning for the restoration that can only be accomplished by the hands of him who built it in the first place. The good news is that the divine Builder will not relent until everything about his house is made new again. The bad news is that you and I are living right in the middle of the restoration process. We live each day in a house that is terribly broken, where nothing works exactly as intended. But Emmanuel lives here as well, and he is at work returning his house to its former beauty. --from publisher description

The year was 2000. The alternative music scene had all but died, and pre-packaged pop stars had filled the vacuum. But in a basement apartment in the heart of downtown Toronto, two musicians were forming a creative partnership that would revive the mass appeal of indie music and forever change how we think of a band. In this biography of the ever-evolving indie-rock collective, Broken Social Scene, music columnist Stuart Berman tracks the group's inception by Kevin Drew and Brendan Canning; groundbreaking performances at Ted's Wrecking Yard that raised the band's local status to mythical proportions; Broken Social Scene's meteoric rise upon the release of breakout album You Forgot It In People; the creation of Arts & Crafts records with music-biz maverick Jeffrey Remedios; and life on the road with revolving bandmates, including members of Stars, Metric, The Dears, and international pop sensation Feist. Stuart Berman has drawn from hours of interviews with members and affiliates of Broken Social Scene, and exclusive, never-before-seen photographs, gig posters, and artwork to create a spectacular oral and visual history of this ever-evolving indie-rock collective.

Who was Narciste Duprey and why did he build a mansion on Poverty Ridge in Sacramento, California? Why did his beauti ful wife, Velvulott a Gomez, hate him so much? Why did the children born into this house have broken, shatt ered fi ngers? Why, to this day, does the old mansion sit dark and empty? The House of the Broken Hands is a frightening ghost story about the people and the lives they lived in this mansion, and what happened to them. Set in Sacramento in the 1990's, a journalist who lives in the neighborhood becomes curious about the old house with no signs of life. She is determined to learn its history, and aft er hearing the bare bones of the story from an old woman who grew up in the neighborhood, she is compelled to dig deeper into the house's past.

This is the first collection to investigate Charles Dickens on his vast and various opinions about the uses and abuses of the tenets of Christian faith that imbue English Victorian culture. Although previous studies have looked at his well-known antipathies toward Dissenters, Evangelicals, Catholics, and Jews, they have also disagreed about Dickens’ thoughts on Unitarianism and speculated on doctrines of Protestantism that he endorsed or rejected. Besides addressing his depiction of these religious groups, the volume’s contributors locate gaps in scholarship and unresolved illations about poverty and charity, representations of children, graveyards, labor, scientific controversy, and other social issues through an investigation of Dickens’ theological concerns. In addition, given that Dickens’ texts continue to influence every generation around the globe, a timely inclusion in the collection is a consideration of the neo-Victorian multi-media representations of Dickens’ work and his ideas on theological questions pitched to a postmodern society.

There is ‘no place like home’ sighs Dorothy in The Wizard of Oz. A sentiment with heightened meaning in Britain 2020. There is no book like Broken Homes either.

'But if a rose can bloom in the snow, be trodden on and ripped apart. Grow from the ashes of burning debris, and still find the strength to carry on, and be more beautiful than before, surely we can too. Annabella has experience with bullying and depression, first love and meeting her idols at the Harry Potter World Premiere. But nothing could prepare her for the devastating events that would change the course of her life forever. The Broken tells the true story of a young womans journey, through her grandmothers battle with cancer, her broken family and dealing with the hospital neglect scandal. She must now learn to rebuild her life, and finally find the happiness she longs for. An inspirational story of courage and family love. Moving forward and above all never losing hope.

Ninety years ago the Toomey brothers, along with twenty-five other men and four thousand head of cattle, vanished en route to Arizona. When writer and historian Dan Sheridan is invited to the missing brothers’ ranch by its current owner, he jumps at the chance. The visit fits right in with his plan to solve the century-old mystery—but it turns out that his host isn’t a fan of books, writers, or people who don’t mind their own business. Soon Dan is living the dangers of the Old West firsthand—tracked through the savage wilderness by vicious killers straight out of the most violent pages of his stories. However, his enemies have made one serious mistake: Sheridan is no pencil-pushing greenhorn, and killing him won’t be as easy as they think.

Absorbing fiction from Outsiders in a land that does not absorb foreigners easily.