About the Anthology Covering American literature from its pre-contact Indigenous beginnings through the Reconstruction period, the first two volumes of The Broadview Anthology of American Literature represent a substantial reconceiving of the canon of early American literature. Guided by the latest scholarship in American literary studies, and deeply committed to inclusiveness, social responsibility, and rigorous contextualization, the anthology balances representation of widely agreed-upon major works with an emphasis on American literature's diversity, variety, breadth, and connections with the rest of the Americas. Volume A, which covers Beginnings to 1820, is available separately or packaged together with Volume B. Volumes covering Reconstruction to the Present will be published in 2024. Highlights of Volume B: 1820 to Reconstruction - Complete texts of Narrative of the Life of Frederick Douglass, An American Slave; and Benito Cereno - In-depth, Contexts sections on such topics as "Nature and the Environment," "Expansion, Native American Expulsion, and Manifest Destiny," "Gender and Sexuality," and "Oratory" - Broader and more extensive coverage of African American oral literature than in competing anthologies - Full author sections in the anthology are devoted to authors such as George Moses Horton, Jane Johnston Schoolcraft, José Maria Heredia, Black Hawk, and many others

Covering American literature from its pre-contact Indigenous beginnings through the Reconstruction period, the first two volumes of The Broadview Anthology of American Literature represent a substantial reconceiving of the canon of early American literature. Guided by the latest scholarship in American literary studies, and deeply committed to inclusiveness, social responsibility, and rigorous contextualization, the anthology balances representation of widely agreed-upon major works with an emphasis on American literature’s diversity, variety, breadth, and connections with the rest of the Americas. Highlights of Volume B: 1820 to Reconstruction • Complete texts of Narrative of the Life of Frederick Douglass, An American Slave; and Benito Cereno • In-depth, Contexts sections on such topics as “Nature and the Environment,” “Expansion, Native American Expulsion, and Manifest Destiny,” “Gender and Sexuality,” and “Oratory” • Broader and more extensive coverage of African American oral literature than in competing anthologies • Full author sections in the anthology are devoted to authors such as George Moses Horton, Jane Johnston Schoolcraft, José Maria Heredia, Black Hawk, and many others

Covering American literature from its pre-contact Indigenous beginnings through the Reconstruction period, the first two volumes of The Broadview Anthology of American Literaturerepresent a substantial reconceiving of the canon of early American literature. Guided by the latest scholarship in American literary studies, and deeply committed to inclusiveness, social responsibility, and rigorous contextualization, the anthology balances representation of widely agreed-upon major works with an emphasis on American literature's diversity, variety, breadth, and connections with the rest of the Americas. Highlights of the two-volume set include the complete texts of Mary Rowlandson's captivity narrative, The Coquette, Narrative of the Life of Frederick Douglass; and Benito Cereno; in-depth, themed sections on such topics as Slavery and Resistance, Print Culture and Popular Literature, Expansion, Native American Expulsion, and Manifest Destiny, and Gender and Sexuality; and broader and more extensive coverage of Indigenous oral and visual literature and African American oral literature than in competing anthologies. In addition to more frequently anthologized figures, full author sections in the anthology are devoted to authors such as Anne Hutchinson, Sor Juana Inés de la Cruz, Briton Hammon, Jane Johnston Schoolcraft, Jose Maria Heredia, and Black Hawk.

Guided by the latest scholarship in American literary studies, and deeply committed to inclusiveness, social responsibility, and rigorous contextualization, The Broadview Anthology of American Literature balances representation of widely agreed-upon major works with a thoroughgoing reassessment of the canon that emphasizes American literature’s diversity, variety, breadth, and connections with the rest of the Americas. This concise volume represents American literature from its pre-contact Indigenous beginnings through the Reconstruction period, offering a more streamlined alternative to the full two-volume set covering the same timespan. Highlights of Concise Volume 1: Beginnings to Reconstruction • Complete texts of Mary Rowlandson’s captivity narrative; Narrative of the Life of Frederick Douglass, An American Slave; and Benito Cereno • In-depth thematic sections on such topics as “Rebellions and Revolutions,” “Print Culture and Popular Literature,” and “Expansion, Native American Expulsion, and Manifest Destiny” • More extensive coverage of Indigenous oral and visual literature and African American oral literature than in competing anthologies • Full author sections in the anthology are devoted to authors such as Anne Hutchinson, Sor Juana Inés de la Cruz, Briton Hammon, Jane Johnston Schoolcraft, José María Heredia, Black Hawk, and many others • Extensive online component offers well over a thousand pages of additional readings and other resources

Covering American literature from its pre-contact Indigenous beginnings through the Reconstruction period, the first two volumes of The Broadview Anthology of American Literature represent a substantial reconceiving of the canon of early American literature. Guided by the latest scholarship in American literary studies, and deeply committed to inclusiveness, social responsibility, and rigorous contextualization, the anthology balances representation of widely agreed-upon major works with an emphasis on American literature’s diversity, variety, breadth, and connections with the rest of the Americas. Highlights of Volume A: Beginnings to 1820 • Complete texts of Mary Rowlandson’s captivity narrative and Hannah Webster Foster’s The Coquette • In-depth Contexts sections on such topics as “Slavery and Resistance,” “Rebellions and Revolutions,” and “Print Culture and Popular Literature” • Broader and more extensive coverage of Indigenous oral and visual literature than in competing anthologies • Full author sections in the anthology devoted not only to frequently anthologized figures but also to authors such as Anne Hutchinson, Sor Juana Inés de la Cruz, and Briton Hammon

This product contains both The Broadview Anthology of American Literature Volume A: Beginnings to 1820 and The Broadview Anthology of American Literature Volume B: 1820 to Reconstruction as a single purchase. Covering American literature from its pre-contact Indigenous beginnings through the Reconstruction period, the first two volumes of The Broadview Anthology of American Literature represent a substantial reconceiving of the canon of early American literature. Guided by the latest scholarship in American literary studies, and deeply committed to inclusiveness, social responsibility, and rigorous contextualization, the anthology balances representation of widely agreed-upon major works with an emphasis on American literature’s diversity, variety, breadth, and connections with the rest of the Americas. Highlights of Volumes A & B: Beginnings to Reconstruction • Complete texts of Mary Rowlandson’s captivity narrative, The Coquette, Narrative of the Life of Frederick Douglass, An American Slave; and Benito Cereno • In-depth, Contexts sections on such topics as “Slavery and Resistance,” “Print Culture and Popular Literature,” “Expansion, Native American Expulsion, and Manifest Destiny,” and “Gender and Sexuality” • Broader and more extensive coverage of Indigenous oral and visual literature and African American oral literature than in competing anthologies • Full author sections in the anthology are devoted to authors such as Anne Hutchinson, Sor Juana Inés de la Cruz, Briton Hammon, Jane Johnston Schoolcraft, José Maria Heredia, Black Hawk, and many others

About the Anthology Covering American literature from its pre-contact Indigenous beginnings through the Reconstruction period, the first two volumes of The Broadview Anthology of American Literature represent a substantial reconceiving of the canon of early American literature. Guided by the latest scholarship in American literary studies, and deeply committed to inclusiveness, social responsibility, and rigorous contextualization, the anthology balances representation of widely agreed-upon major works with an emphasis on American literature's diversity, variety, breadth, and connections with the rest of the Americas. Volume B, which covers 1820 to Reconstruction, is available separately or packaged together with Volume A. Volumes covering Reconstruction to the Present will be published in 2024. Highlights of Volume A: Beginnings to 1820 - Complete texts of Mary Rowlandson's captivity narrative and Hannah Webster Foster's The Coquette - In-depth Contexts sections on such topics as "Slavery and Resistance," "Rebellions and Revolutions," and "Print Culture and Popular Literature" - Broader and more extensive coverage of Indigenous oral and visual literature than in competing anthologies - Full author sections in the anthology devoted not only to frequently anthologized figures but also to authors such as Anne Hutchinson, Sor Juana Inés de la Cruz, and Briton Hammon

This book is a cultural-historical (rather than purely linguistic) introduction to American English. The first part consists of a general account of variation in American English. It offers concise but comprehensive coverage of such topics as the history of American English; regional, social and ethnic variation; variation in style (including slang); and British and American differences. The second part of the book puts forward an account of how American English has developed into a dominant variety of the English language. It focuses on the ways in which intellectual traditions such as puritanism and republicanism, in shaping the American world view, have also contributed to the distinctiveness of American English.

For more than three decades, preeminent scholars in comparative literature and postcolonial studies have called for a return to philology as the indispensable basis of critical method in the humanities. Against such calls, this book argues that the privilege philology has always enjoyed within the modern humanities silently reinforces a colonial hierarchy. In fact, each of philology's foundational innovations originally served British rule in India. Tracing an unacknowledged history that extends from British Orientalist Sir William Jones to Palestinian American intellectual Edward Said and beyond, Archaeology of Babel excavates the epistemic transformation that was engendered on a global scale by the colonial reconstruction of native languages, literatures, and law. In the process, it reveals the extent to which even postcolonial studies and European philosophy—not to mention discourses as disparate as Islamic fundamentalism, Hindu nationalism, and global environmentalism—are the progeny of colonial rule. Going further, it unearths the alternate concepts of language and literature that were lost along the way and issues its own call for humanists to reckon with the politics of the philological practices to which they now return.

In this broad-reaching, multi-disciplinary collection, leading scholars investigate how the digital medium has altered the way we read and write text. In doing so, it challenges the very notion of scholarship as it has traditionally been imagined. Incorporating scientific, socio-historical, materialist and theoretical approaches, this rich body of work explores topics ranging from how computers have affected our relationship to language, whether the book has become an obsolete object, the nature of online journalism, and the psychology of authorship. The essays offer a significant contribution to the growing debate on how digitization is shaping our collective identity, for better or worse. Text and Genre in Reconstruction will appeal to scholars in both the humanities and sciences and provides essential reading for anyone interested in the changing relationship between reader and text in the digital age.