Reprint of the original, first published in 1839.

Country Boy is a fiction novel which takes place in the Carolinas. It takes you away from the streetlights of the inner cities to the backwoods, dirt roads, and trailer parks, where poverty is often overlooked. It's the Real Dirty South. This thugged-out love story was based in the small city of Rockingham, North Carolina in a small community called Piney Grove, home of the Real Murderous Clique, The P.G. Crew. The Crew is made up of a group of young boys who grew up together in Piney Grove and created this group of backwoods, jaw-breaking, pistol-toting, country gangstersQ, AKA "Big Country" is the head of The Crew with Omar, Fat Dave, Poo, Glenn AKA "June", Tim, Big Kev, and Corey making up the body. . Eventually, they went from hanging in the neighborhood to the hustle game. Q is that nigga. Loved by few, hated by many, but damned sho' respected by all. Ballers envied him, women wanted him. After building his empire to a status most hustlers only dreamed of, Q suffers through tragedies that come with this lifestyle. . With the support of his only true love Van and the respect of all the O.G.s in the Carolinas, nobody's safe from his wrath.But as the city boys always say, "Everybody can't make it to the top without deadly consequences."

"The true story of a group of boy resistance fighters in Denmark after the Nazi invasion"--

Time and again Amartya Sen, one of the polymaths of our times, has stirred our thoughts and world-views through his writings and speeches. Intrigued by the questions of social justice and welfare, he argues, in this work, some of the fundamental issues--poverty, hunger, education, globalization, freedom of speech, injustice, inequality, exclusion, exploitation--that we negotiate with in our day to day lives. With a passion and conviction masked by a gently persuasive style and characterised by an undogmatic engagement with differing points of view, Sen's The Country of First Boys asserts that public policy should swing sharply towards the poor, the illiterate, and those suffering from ill health and malnourishment. Written in non-technical and easy to understand language while at the same time relying on rigorous intellectual and academic analysis, this volume would open a window to the ideas of an internationally renowned Nobel laureate to a wide spectrum of readers.

For more than 40 years, the legendary Oak Ridge Boys (40 million records sold) have been on the road entertaining sold-out audiences with their classic hit songs like "Elvira," "Bobbie Sue," "Thank God for Kids," and many others. As their fans will testify, an Oak Ridge Boys concert is an unforgettable experience. These "on the road" stories, written by tenor Joseph S. Bonsall and spanning the four decades since the present group came together, will bring laughter, insight, and heartfelt appreciation to their fans young and old. You'll read about... The faith shared by all four "Oaks" the backstage goings-on of The Oak Ridge Boys what "the Boys" do on the tour bus stories about special fans they've met down through the years their surprise mega-hit, "Elvira" and how it came about "Join me as I take you on the road with The Oak Ridge Boys. We'll revisit some of our favorite concerts, reminisce about some old friends, and I'll let you in on what happens behind the scenes. Come on along!" Oak Ridge Boy Joseph S. Bonsall

Country music boasts a long tradition of rich, contradictory gender dynamics, creating a world where Kitty Wells could play the demure housewife and the honky-tonk angel simultaneously, Dolly Parton could move from traditionalist "girl singer" to outspoken trans rights advocate, and current radio playlists can alternate between the reckless masculinity of bro-country and the adolescent girlishness of Taylor Swift. In this follow-up volume to A Boy Named Sue, some of the leading authors in the field of country music studies reexamine the place of gender in country music, considering the ways country artists and listeners have negotiated gender and sexuality through their music and how gender has shaped the way that music is made and heard. In addition to shedding new light on such legends as Wells, Parton, Loretta Lynn, and Charley Pride, it traces more recent shifts in gender politics through the performances of such contemporary luminaries as Swift, Gretchen Wilson, and Blake Shelton. The book also explores the intersections of gender, race, class, and nationality in a host of less expected contexts, including the prisons of WWII-era Texas, where the members of the Goree All-Girl String Band became the unlikeliest of radio stars; the studios and offices of Plantation Records, where Jeannie C. Riley and Linda Martell challenged the social hierarchies of a changing South in the 1960s; and the burgeoning cities of present-day Brazil, where "college country" has become one way of negotiating masculinity in an age of economic and social instability.