The bestselling series, a former Richard and Judy bookclub pick, returns with another chilling case.Munch and Kr ger. An unexpected pairing. A brilliant team.Winter 1999. An old man is driving home. It is dark and cold, and his is the only car on the road. Suddenly his headlights catch an animal up ahead. He hits the breaks furiously. Just in front of his bonnet he finds a young boy with a set of deer antlers on his head. Fourteen years later, a woman is found brutally murdered. Her body hidden in the boot of a car. She is the first but she won?t be the last. Holger Munch is glad for the work; his personal life is anything but simple and escape is sweet. Mia Kr ger is a woman on a mission. For the first time in a long time, she is clean. As more victims are reported, each crime scene is a little different to the last. There?s an uncanny resemblance to cases from Mia?s past. And then one day she sees a familiar face on the bus. It is her sister Sigrid, but she knows that?s not possible, she?s got the death certificate to prove it.

Dina von Zweck (1933-2012) was a prolific award-winning writer and painter who left a large trove of poetry. Lyrical, graceful, and eminently beguiling, their often dazzlingly concise, cryptic stanzas open larger realms and vistas. Each poem is a portal—like a window with Venetian blinds suddenly opening and revealing startling sights, then closing again. Dina’s immediately engaging poetry also serves as a portal for the rest of her voluminous literary legacy—five novels, several novella, twenty-three stage plays, numerous screen scripts, libretti, operas, and essays. Poets always have something unexpected up their sleeves, being able to perceive and materialize what otherwise eludes our imaginations, to make unlikely and confounding connections. Silly Putty non sequiturs and fractured metaphors juxtaposed with an illumined madcap juggle of tropes create whimsical fissions of logic that can suddenly make more sense than sense.

The thrilling follow-up to Samuel Bjørk’s internationally bestselling I'm Traveling Alone, which The Wall Street Journal calls “tense and smartly constructed” When a troubled teenager disappears from an orphanage and is found murdered, her body arranged on a bed of feathers, veteran investigator Holger Munch and his team are called into the case. Star investigator Mia Kruger, on temporary leave while she continues to struggle with her own demons, jumps back on the team and dives headfirst into this case: just in time to decode the clues in a disturbing video of the victim before she was killed, being held prisoner like an animal in a cage. Meanwhile, Munch’s daughter, Miriam, meets an enticing stranger at a party—a passionate animal rights activist who begins to draw her into his world and away from her family. Munch, Kruger, and the team must hunt down the killer before he can strike again in this sophisticated, intricately plotted psychological thriller by the newest phenomenon in international crime fiction.

When a woman's body is discovered at a lighthouse in the Icelandic town of Akranes, investigators discover shocking secrets in her past. First in the disturbing, chillingly atmospheric, addictive new Forbidden Iceland series. **WINNER of the CWA New Blood Dagger** **WINNER OF THE CWA JOHN CREASEY NEW BLOOD DAGGER** **WINNER of the Storytel Award for Best Crime Novel 2020** **WINNER of the Blackbird Award for Best Icelandic Crime Novel** **SHORTLISTED for the Amazon Publishing Readers Award for Best Independent Voice** **SHORTLISTED for the Amazon Publishing Readers Award for Best Debut Novel** 'Eva Björg Ægisdóttir's accomplished first novel is not only a full-fat mystery, but also a chilling demonstration of how monsters are made' The Times 'Fans of Nordic Noir will love this moving debut from Icelander Eva Björg Ægisdóttir's. It's subtle, nuanced, with a sympathetic central character and the possibilities of great stories to come' Ann Cleeves 'An exciting and harrowing tale from one of Iceland's rising stars' Ragnar Jónasson _________________ When a body of a woman is discovered at a lighthouse in the Icelandic town of Akranes, it soon becomes clear that she's no stranger to the area. Chief Investigating Officer Elma, who has returned to Akranes following a failed relationship, and her collegues Sævar and Hörður, commence an uneasy investigation, which uncovers a shocking secret in the dead woman's past that continues to reverberate in the present day ... But as Elma and her team make a series of discoveries, they bring to light a host of long-hidden crimes that shake the entire community. Sifting through the rubble of the townspeople's shattered memories, they have to dodge increasingly serious threats, and find justice ... before it's too late. For fans of Yrsa Sigurdardottir, Ruth Rendell, P D James, Sarah Hilary and Camilla Lackberg _________________ 'Elma leaves Reykjavik CID for a job with the police in her hometown of Akranes, deeming it "every bit as quiet as it appeared to be" — until the discovery of a murdered woman starts to unravel a thread of long-buried crimes hidden deep in the community. Elma is a fantastic heroine' Sunday Times 'We're used to Icelandic writers lowering the temperature — in more ways than one — and Ægisdóttir proves to be adept at this chilly art as any of her confrères (and consoeurs). Elma is a memorably complex character, and Victoria Cribb's translation is (as usual) non-pareil' Financial Times 'A deserted lighthouse and a murdered woman set the scene for this haunting and compelling mystery where the dark secrets of a small town are shockingly exposed. As chilling and atmospheric as an Icelandic winter' Lisa Gray, author of Thin Air 'The setting in Iceland is fascinating, the descriptions creating a vivid picture of the reality of living in a small town. The Creak on the Stairs is a captivating tale with plenty of tension and a plot to really get your teeth into' LoveReading 'At each stage, Ægisdóttir is not giving us information but asking things of us. She's getting us to think through the implications: what if it's him, what if it's her, what would it mean? We're involved, we've got skin in the game and we can't ask for more as readers' Café Thinking

Rejecting the offers of the local drug pusher, Adam and his friends become the victims of reprisals. At this time, Adam falls in love with the troubled and abused sister of the drug pusher. The worlds of the drug pushers and Adam eventually collide and matters come to a head.

When Brianna Jenson agreed to move in with her cruel uncle Shane in rural Pennsylvania, she didn't expect to find herself in the middle of a terrifying town legend. Every afternoon on her walk home from school, as the sun begins to set behind the ove

An unfathomable loss or an unthinkable crime? Tami Hoag keeps you guessing in this harrowing New York Times bestselling thriller. When Detective Nick Fourcade enters the home of Genevieve Gauthier outside the sleepy town of Bayou Breaux, Louisiana, the bloody crime scene that awaits him is both the most brutal and the most confusing he's ever seen. Genevieve's seven-year-old son, KJ, has been murdered by an alleged intruder, yet Genevieve is alive and well. Meanwhile, Nick's wife, Detective Annie Broussard, sits with the grieving Genevieve. A mother herself, Annie understands the devastation this woman is going through, but as a detective she's troubled: Who would murder a child and leave the only witness behind? When KJ's sometimes babysitter, twelve-year-old Nora Florette, is reported missing the very next day, the town fears a maniac is preying on their children. With pressure mounting from a tough, no-nonsense new sheriff, the media, and the parents of Bayou Breaux, Nick and Annie dig deep into the dual mysteries. Is someone from Genevieve's past or present responsible for the death of her son? Is Nora a victim, or something worse? Then everything changes when Genevieve’s past as a convicted criminal comes to light. Could she have killed her own child to free herself from the burden of motherhood, or is the loss of her beloved boy pushing her to the edge of insanity? Could she have something to do with the disappearance of Nora, or is the troubled teen the key to the murder? How far will Nick and Annie have to go to uncover the dark truth of the boy?

Retired detective Konrad returns to a haunting cold case in The Darkness Knows by Arnaldur Indridason, the "undisputed King of the Icelandic thriller." —The Guardian (UK) A frozen body is discovered in the icy depths of Langjökull glacier, apparently that of a businessman who disappeared thirty years before. At the time, an extensive search and police investigation yielded no results—one of the missing man’s business associates was briefly held in custody, but there wasn’t enough evidence to charge him. Now the associate is arrested again and Konrad, the retired policeman who originally investigated the disappearance, is called back to reopen the case that has weighed on his mind for decades. When a woman approaches him with new information that she obtained from her deceased brother, progress can finally be made in solving this long-cold case. In The Darkness Knows, the master of Icelandic crime writing reunites readers with Konrad, the unforgettable retired detective from The Shadow District. This is a powerful and haunting story about the poisonous secrets and cruel truths that time eventually uncovers.

A darkly melancholic tale that combines Scorsese’s Taxi Driver and Camus’s The Fall —Nakamura’s Akutagawa Prize-winning novel is here translated into English for the first time and is another high-water mark in this important writer’s career. As an unnamed Tokyo taxi driver works a night shift, picking up fares that offer him glimpses into the lives of ordinary people, he can’t escape his own nihilistic thoughts. Almost without meaning to, he puts himself in harm’s way; he can’t stop daydreaming of suicide, envisioning himself returning to the earth in obsessive fantasies that soon become terrifying blackout episodes. The truth is, his long-estranged father has tried to reach out to him, triggering a cascade of traumatic memories. As the cab driver wrestles with the truth about his past and the history of violence in his childhood, he must also confront his present, which is no less complicated or grim. A precursor to Los Angeles Times Book Prize finalist The Thief, The Boy in the Earth is a closely told character study that poses a difficult question: Are some lives so damaged they are beyond redemption? Is every child worth trying to save? A poignant and thought-provoking tour de force by one of Japan’s leading literary voices.

'The thought behind this book is not just me wanting to tell my story in the standard autobiographical fashion but to create a kind of self-help book that includes my story. There are many things people don't know about me and maybe when they read about those things they will have an understanding of the journey I have been on, why I've made the mistakes I have and hopefully help other people overcome their adversities.' Life has presented its fair share of setbacks for James Arthur, from his disrupted childhood - during which he felt like a stray and a misfit, entering the care system in his teens - to a very public fall from favour just at the point when all his dreams should have been coming true. With an extraordinary comeback in 2016, starting with No. 1 single 'Say You Won't Let Go' and his Platinum album Back From The Edge, Back To The Boy shows the British singer and songwriter reflecting not only on his past but also on his return to the charts, and the phenomenal global success that followed. James shares his struggles with mental health issues which led to drug abuse, and how he dealt with the feelings of intense pressure and loneliness that accompanied his sudden rise to fame. Back to the Boy gives an insight into the life of one of the most exciting musicians of today, and how his experiences are reflected in the raw emotion and passion in his music. This is a story of hope and self-discovery to inspire those who have ever hit rock-bottom and managed to pick themselves up again.