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What would you think if your cell phone started texting you an advice? Bizarre things start occurring in twenty-three-year-old Kimberlys life after receiving a cloud device that becomes her confidant and adviser. Brains/wit, with activated words Mr. Smart, helps her with boyfriend problems, work-related difficulties, Mom worries, and even everyday household issues. But is this entity going too far when it begins sending text messages and emails on her behalf? "Kimberly, you look great. Even happy. What's going on?" "Well, Clint dropped by to tell me he's now dating class and money. And then he gives me a wicked widget as a gift that's doing strange things. I'm developing a school-girl crush on my boss's son who's already taken. And I'm doing a lousy job at work because this sales woman won't turn in paperwork I need." "Okay," Barbara responds, "So why do you appear so cheerful?" "I'm not sure. Maybe because the impish gadget said, 'To be happy -- let go of thoughts that make you sad.'" "Explain the wicked gadget, please," Barbara requests. "It's one of those cloud services that acts like an oral Google or Bing. You ask it questions, and it gives supposedly correct answers." Great beach book, soft science fiction, love story, chick lit, or just a fun read.

DigiCat presents to you this meticulously edited collection of feminist masterpieces - from fictional protagonists who influenced generations of young women to the real heroines of the past, their life stories and their legacy. Fiction: Camilla (Fanny Burney) Maria; Or, The Wrongs of Woman (Mary Wollstonecraft) Pride and Prejudice (Jane Austen) Jane Eyre (Charlotte Brontë) The Scarlet Letter (Nathaniel Hawthorne) Lady Macbeth of the Mzinsk District (Nikolai Leskov) Hester (Margaret Oliphant) Life in the Iron Mills (Rebecca Davis) Little Women (Louisa May Alcott) The Portrait of a Lady (Henry James) Anna Karenina (Leo Tolstoy) Tess of the d'Urbervilles (Thomas Hardy) North and South (Elizabeth Gaskell) The Yellow Wallpaper (Charlotte Perkins Gilman) Herland (Charlotte Perkins Gilman) A Doll's House (Henrik Ibsen) Hedda Gabler (Henrik Ibsen) The Awakening (Kate Chopin) The Woman Who Did (Grant Allen) Miss Cayley's Adventures (Grant Allen) New Amazonia (Elizabeth Corbett) A Girl of the Limberlost (Gene Stratton-Porter) The Iron Woman (Margaret Deland) My Ántonia (Willa Cather) The House of Mirth (Edith Wharton) Summer (Edith Wharton) Sister Carrie (Theodore Dreiser) Sisters (Ada Cambridge) Hagar (Mary Johnston) Samantha on the Woman Question (Marietta Holley) The Precipice (Elia Wilkinson Peattie) To the Lighthouse (Virginia Woolf) Miss Lulu Bett (Zona Gale) Lady Chatterley's Lover (D. H. Lawrence) The Enchanted April (Elizabeth von Arnim) Gone with the Wind (Margaret Mitchell) Emily of New Moon (Lucy Maud Montgomery) Memoirs: Madame Vigée Lebrun Jane Austen Caroline Herschel Mrs. Seacole Elizabeth Cady Stanton Emmeline Pankhurst Biographies: Lucretia Sappho Aspasia of Cyrus Portia Octavia Cleopatra Julia Domna Zenobia Valeria Hypatia Roswitha the Nun Marie de France Mechthild of Magdeburg Joan of Arc Catharine of Arragon Anne Boleyn Queen Elizabeth Mary, Queen of Scots Queen Anne Maria Theresa Marie Antoinette Madame de Stael Augustina Saragoza Charlotte Brontë Florence Nightingale Harriet Tubman

DigiCat presents to you this meticulously edited collection of feminist masterpieces - from fictional protagonists who influenced generations of young women to the real heroines of the past, their life stories and their legacy. Fiction: Camilla (Fanny Burney) Maria; Or, The Wrongs of Woman (Mary Wollstonecraft) Pride and Prejudice (Jane Austen) Jane Eyre (Charlotte Brontë) The Scarlet Letter (Nathaniel Hawthorne) Lady Macbeth of the Mzinsk District (Nikolai Leskov) Hester (Margaret Oliphant) Life in the Iron Mills (Rebecca Davis) Little Women (Louisa May Alcott) The Portrait of a Lady (Henry James) Anna Karenina (Leo Tolstoy) Tess of the d'Urbervilles (Thomas Hardy) North and South (Elizabeth Gaskell) The Yellow Wallpaper (Charlotte Perkins Gilman) Herland (Charlotte Perkins Gilman) A Doll's House (Henrik Ibsen) Hedda Gabler (Henrik Ibsen) The Awakening (Kate Chopin) The Woman Who Did (Grant Allen) Miss Cayley's Adventures (Grant Allen) New Amazonia (Elizabeth Corbett) A Girl of the Limberlost (Gene Stratton-Porter) The Iron Woman (Margaret Deland) My Ántonia (Willa Cather) The House of Mirth (Edith Wharton) Summer (Edith Wharton) Sister Carrie (Theodore Dreiser) Sisters (Ada Cambridge) Hagar (Mary Johnston) Samantha on the Woman Question (Marietta Holley) The Precipice (Elia Wilkinson Peattie) To the Lighthouse (Virginia Woolf) Miss Lulu Bett (Zona Gale) Lady Chatterley's Lover (D. H. Lawrence) The Enchanted April (Elizabeth von Arnim) Gone with the Wind (Margaret Mitchell) Emily of New Moon (Lucy Maud Montgomery) Memoirs: Madame Vigée Lebrun Jane Austen Caroline Herschel Mrs. Seacole Elizabeth Cady Stanton Emmeline Pankhurst Biographies: Lucretia Sappho Aspasia of Cyrus Portia Octavia Cleopatra Julia Domna Zenobia Valeria Hypatia Roswitha the Nun Marie de France Mechthild of Magdeburg Joan of Arc Catharine of Arragon Anne Boleyn Queen Elizabeth Mary, Queen of Scots Queen Anne Maria Theresa Marie Antoinette Madame de Stael Augustina Saragoza Charlotte Brontë Florence Nightingale Harriet Tubman

This volume contains 189 hitherto unpublished letters by Edwin Arlington Robinson. They were written between 1897 and 1930 to one of his first admirers, Edith Brower of Pennsylvania. The letters begin when the twenty-seven-year-old poet writes gratefully to the stranger who has expressed appreciation of his first, privately printed, book of poems, The Torrent and the Night Before. Soon he was carrying on an intense correspondence, baring his soul--safely, he believed, because the woman he described as "infernally bright and not at all ugly," with "something of a literary reputation," was "too old to give me a chance to bother myself with any sentimental uneasiness." (She was twenty-one years his senior.) Continually reflecting his laconic, self-deprecating Yankee spirit, the letters range from the uncontrollable outpourings of a lonely individual, desperate for encouragement and understanding, to brief words of greeting or farewell. Without reserve, Robinson--who was eventually awarded the Pulitzer prize for poetry three times--confides his reactions to people and places, his thoughts about his own work, and his personal opinions of such writers as Browning, Dickens, Hardy, Moody, and Pater. Mr. Cary has included Miss Brower's unpublished memoir on the poet's character and literary career, "Memories of Edwin Arlington Robinson," and her penetrating review of The Children of the Night. In addition to an informative Introduction, he contributes full explanatory notes, a list of Robinson's works, and an index.

The author, Galina Andreyev (Khailo), was born in 1962, in the former USSR in the city of Krasniy Luch, English translation is "Red Beam." She grew up in a Christian family of 15 children. Behind the closed "Iron Curtain," the KGB persecuted faithful Christians including Galina's parents for their beliefs in Christ. Vladimir Khailo, Galina's father "started new underground church in his house, and by doing that he subjected himself to be persecuted for Christ because he knows that Jesus is the Truth and He is the Way to Heaven. Vladimir suffered for Jesus Christ in Soviet prison for seven years. KGB tortured the Khailo family with prisons and experimental drugs for Parents' Faith. Galina was over six months pregnant, the KGB tortured her with drugs and killed the baby. Through all the years of persecution and torture, family felt the presence of God. God had never let the family down. The U.S. Congress and Christian Solidarity International demanded the Soviet KGB to stop torturing the family and they demanded the Soviet government to let the family to freedom. In 1987, while the Soviet "Iron Curtain" was closed, Galina's family was permitted to leave the USSR and with the greatest exception they were allowed to enter the United States of America. This is a miracle that was performed by our God. What was impossible for the family, God made it possible. God raised the family up, to more than they could be. All this was the act of God. Praise the Lord! Galina V Andreyev, Khailo

The City is ancient, layers upon layers. Once a thriving metropolis, it sprawled beyond its bounds, inciting endless wars and creating a barren wasteland of what was once green and productive. In the center of the City lives the emperor, a man in his prime though he should be very old. Some grimly speculate that he is no longer human, if he ever was. A small number have come to the desperate conclusion that the only way to stop the war is to end the emperor’s unnaturally long life. From the mazelike sewers below the City to the blood-soaked fields of battle, the rebels pin their hopes on one man—Shuskara. The emperor’s former general, he was betrayed long ago and is believed to be dead. But he has survived, hiding from his immortal foe. The time has come for him to engage in one final battle to free the City from the creature who dwells at its heart, pulling the strings that keep the land drenched in gore.

THE BOOK IS WRITTEN KEEPING THOUGHTS OF TRANSITION PERIOD OF KIDS FROM A PHASE OF A CHILD ENTERING INTO THE PHASE OF AN ADOLESCENT WHICH IS QUIET TENDER AGE IN WHICH A CHILD CAN EASILY LOOSE DIRECTION. THE AUTHOR HAVE TRIED HER BEST TO HELP THEM TO FOLLOW THE RIGHT PATH WITH HER STORIES. SHE HAS TRIED EMBEDDING VALUES,LOVE FOR GRAND PARENTS AND FAMILY LIFE WITH BEING BRAVE AND HELPFUL TO EVERYONE IN DAY TO DAY LIFE.