This engaging and provocative work consists of 29 chapters and discusses over 50 books that have been instrumental in the development of Irish social and political thought since the early seventeenth century. Steering clear of traditionally canonical Irish literature, Bryan Fanning and Tom Garvin debate the significance of their chosen texts and explore the impact, reception, controversy, debates and arguments that followed publication. Fanning and Garvin present these seminal books in an impelling dialogue with one another, highlighting the manner in which individual writers informed each other s opinions at the same time as they were being amassed within the public consciousness. From Jonathan Swift s savage indignation to Flann O'Brien s disintegrative satire, this book provides a fascinating discussion of how key Irish writers affected the life of their country by upholding or tearing down those matters held close to the heart, identity and habits of the Irish nation.

In A Natural Year, critically acclaimed travel writer Michael Fewer celebrates the everyday wonder of Irish nature in these beautifully written diaries, observed from his homes in south Dublin and rural Waterford, in which he delights at the startling beauty and extraordinary complexity of the natural world through the tranquil rhythms of the passing seasons. Fewer’s infectious passion for his subject simply inspires our own observation, and suggests how careful study of the natural world around us can be a sure antidote to the stresses of modern life. At a time when it’s essential for us to understand the crisis that faces our wildlife and environment, we need to know more about the natural world around us, the treasures that are being needlessly lost, and the threat to our very way of life. A Natural Year will open eyes and hearts to a greater understanding of the world around us, and its innate beauty and fragility.

The epic story of an Irish family in the 1840s immigrating to America, where love, adventure, tragedy, and a terrible secret are waiting.

This is a book about the Irish Question, or more specifically about Irish Questions. The term has become something of a catch-all, a convenient way to encompass numerous issues and developments which pertain to the political, social, and economic history of modern Ireland.The Irish Question has of course changed: one of the main aims of this book is to explore the complicated and shifting nature of the Irish Question and to assess what it has meant to various political minds and agendas. No other issue brought down as many nineteenth-century governments and no comparable twentieth-century dilemma has matched its ability to frustrate the attempts of British cabinets to find a solution; this inability to find a lasting answer to the Irish Question is especially striking when seen in the context of the massive shifts in British foreign policy brought about by two world wars, decolonization, and the cold war. Senia Paseta charts the changing nature of the Irish Question over the last 200 years, within an international political and social historical context. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

While sectarian violence has greatly diminished on the streets of Belfast and Derry, proxy battles over the right to define Northern Ireland’s identity through its new symbolic landscapes continue. Offering a detailed ethnographic account of Northern Ireland’s post-conflict visual transformation, this book examines the official effort to produce new civic images against a backdrop of ongoing political and social struggle. Interviews with politicians, policymakers, community leaders, cultural workers, and residents shed light on the deeply contested nature of seemingly harmonized urban landscapes in societies undergoing radical structural change. Here, the public art process serves as a vital means to understanding the wider politics of a transforming public sphere in an age of globalization and transnational connectivity.

As Irish republicans sought to rid the country of British rule and influence in the early 20th century, a clear delineation was made between what was "authentically" Irish and what was considered to be English influence. As a member of the Anglo-Irish elite who inhabited a precarious identity somewhere in between, R. M. Smyllie found himself having to navigate the painful experience of being made to feel an outsider in his own homeland. Smyllie's role as an influential editor of the Irish Times meant he had to confront most of the issues that defined the Irish experience, from Ireland's neutrality during World War II to the fraught cultural claims surrounding the Irish language and literary censorship. In this engaging consideration of a bombastic, outspoken, and conflicted man, Caleb Wood Richardson offers a way of seeing Smyllie as representative of the larger Anglo-Irish experience. Richardson explores Smyllie's experience in a German internment camp in World War I, his foreign correspondence work for the Irish Times at the Paris Peace Conference, and his guiding hand as an advocate for cultural and intellectualism. Smyllie had a direct influence on the careers of writers such as Patrick Kavanagh and Louis MacNeice, and his surprising decision to include an Irish-language column in the paper had an enormous impact on the career of novelist Flann O'Brien. Smyllie, like many of his class, felt a strong political connection to England at the same time as he had enduring cultural dedications to Ireland. How Smyllie and his generation navigated the collision of identities and allegiances helped to define what Ireland is today.

Fighting Irish is a meticulous and engaging account of the First World War from the perspective of the men of the Irish Regiments of the British Army, revealing the extent of the Irish military commitment to the Great War effort from 1914-1918. Startling and sympathetic matters, from campaign strategy to the soldiers’ intimate war experiences, are addressed with fascinating documentary evidence and poignant eye-witness accounts. Persisting humour and unexpected trials; mounting reputations and the mundane drudgery of routine military life – all is touched upon in the lives of these men, and undercut by the pervasive loss of life. Whether fighting at Ypres, the Somme, Gallipoli, Kostorino or Nablus, the story of the Irish Regiments is compelling and evocative, with reasons for enlistment as varied as the men themselves. Though entrenched in warfare, many minds were set on the increasing unrest at home, swaying their interests and shaping the communications they left to posterity. Fighting Irish defines the diverse backgrounds of all those who served with the Irish regiments in these years, recounting their deeds through exacting historical research within a gripping and affecting narrative.

With exclusive access to the Haughey archives, Gary Murphy presents a reassessment of Charles Haughey's life and legacy. Saint or sinner? Charles Haughey was, depending on whom you ask, either the great villain of Irish political life or the benevolent and forward-thinking saviour of a benighted nation. He was undoubtedly the most talented and influential politician of his generation, yet the very roots of his success – his charisma, his intelligence, his ruthlessness, his secrecy – have rendered almost impossible any objective evaluation of his life and work. That is, until now. Based on unfettered access to Haughey's personal archives, as well as extensive interviews with more than eighty of his peers, rivals, confidants and relatives, Haughey is a rich and nuanced portrait of a man of prodigious gifts, who, for all his flaws and many contradictions, came to define modern Ireland. 'A superbly balanced exploration of the life and politics of one of the most fascinating figures in 20th century Ireland.' Professor John Horgan 'An indispensable read for anyone with an interest in modern Irish history.' David McCullagh 'Offers much new detail – and not a few surprises – about the personality and career of a political titan who is still, in equal measure, revered and reviled in 21st century Ireland.' Conor Brady

A brutally honest and deeply affecting memoir about growing up in the countryside in rebel country in Northern Ireland. Colin Broderick was born in 1968 and spent his childhood in Tyrone county, in Northern Ireland. It was the beginning of the period of heightened tension and violence known as the Troubles, and Colin's Catholic family lived in the heart of rebel country. The community was filled with Provisional IRA members whose lives depended on the silence and complicity of their neighbors. At times, that made for a confusing childhood. We watch as he and his brothers play ball with the neighbor children over a fence for years, but are never allowed to play together because it is forbidden. We see him struggle to understand why young men from his community often just disappear. And we feel his confusion when he is held at gunpoint at various military checkpoints in the North. But even when Colin does ask his parents about these events, he never receives a clear explanation. Desperate to protect her children, Colin's mother tries to prevent exposure to or knowledge of the harm that surrounds them. Spoken with stern finality, "That's that" became the refrain of Colin's childhood. The first book to paint a detailed depiction of Northern Ireland's Troubles is presented against a personal backdrop and is told in the wry, memorable voice of a man who's finally come to terms with his past.

Examination of literacy and reading habits in nineteenth-century Ireland and implications for an emerging cultural nationalism.